This textbook is designed for beginning learners who want to learn basic Japanese for the purpose of living and working in Japan. Unlike textbooks written primarily for students, whose content largely centers on student life, this book focuses more on social and professional life beyond school.

As a beginning level textbook, this book includes many elementary grammar patterns (Japanese Language Proficiency Test Levels 5 and 4), but the vocabulary and situations are selected specifically for working adults. Explanations are kept concise so as to only cover key points. The main focus is on oral communication and the accompanying audio is to be used extensively. This textbook can be used for self-study, as part of an online course, or as a traditional college course.

Short Description:
For more accessible and classroom-friendly (Word and PDF) versions of this book, please view and download them at PDXScholar. This Pressbook version primarily exists to encourage others to adapt and adopt Beginning Japanese for Professionals using Pressbooks. This textbook is designed for beginning learners who want to learn basic Japanese for the purpose of living and working in Japan. Corresponding audio files are available for free online via PDXScholar and PSU Media Space.

Long Description:
This is the third book in a three-book series and includes Lessons 9 through 10. Book 1 and Book 2 are available for free download at PDXScholar and also available as Pressbooks.

This textbook is designed for beginning learners who want to learn basic Japanese for the purpose of living and working in Japan. Unlike textbooks written primarily for students, whose content largely centers on student life, this book focuses more on social and professional life beyond school.

As a beginning level textbook, this book includes many elementary grammar patterns (Japanese Language Proficiency Test Levels 5 and 4), but the vocabulary and situations are selected specifically for working adults. Explanations are kept concise so as to only cover key points. The main focus is on oral communication and the accompanying audio is to be used extensively. This textbook can be used for self-study, as part of an online course, or as a traditional college course.

Corresponding audio files are available for free via PSU Mediaspace.

Publication of this book was made possible by Portland State University Library PDXOpen Publishing Initiative Grant program.

Word Count: 26454

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

The Beginning Korean 1 textbook is designed for elementary Korean learners to practice and learn how to communicate in Korean. It provides basic grammar, vocabulary, and discourse information that are essential to beginning level students.

The Beginning Korean 2 is designed for elementary Korean learners to practice and learn how to communicate in Korean.

The Korean Activity Book 1 is designed to provide various useful materials for practicing Korean. This book is ideal for learners at the Novice Low to Novice High levels who want to practice writing and pronouncing hangeul, communicate in Korean by creating sentences using basic grammar and vocabulary, and understand and create simple conversations that are useful in everyday conversations. The Korean Activity Book 1 is not a textbook, so it does not include lengthy explanations on grammar or vocabulary. However, it includes a lot of resources of natural conversations and useful vocabularies that are commonly used in contemporary Korean. It also includes useful tips to clarify confusing structures and words & expressions to novice level learners.

Informed by adult learning theory and social-justice pedagogy, this new OER program focuses on authentic communicative content that is meaningful to students. Its structure supports the needs of inexperienced teaching assistants while also providing flexibility for more experienced instructors. Students are coached about language acquisition, with explicit focus on Interpretive, Interpersonal, and Presentational communication skills. Culture is omnipresent, with OER resources that have been selected with great attention to whose voices are being heard. Representation and inclusion are guiding principles, and tokenism is rejected.

This is an OER textbook developed by Erin Huebener at Spokane Community College.

This course focuses on works that caught the popular imagination in the past or present. It emphasizes texts that are related by genre, theme or style. The books studied in this course vary from semester to semester, and the topic for Fall 2006 is Detective Fictions.

This class uses a range of literary texts to trace the growth of the vampire trope from its first appearance in English-language fiction in the early years of the nineteenth century. Centering on classic works by Lord Byron, John Polidori, Sheridan le Fanu, Bram Stoker, and others, we learn about the formation of the modern literary canon, the folklore of the undead, and the creation of one of the most prolific popular culture genres—vampire fiction—which reached its first apotheosis in Stoker’s masterwork, Dracula.

What is a “life” when it’s written down? How does memory inform the present? Why are memoirs so popular? This course will address these questions and others, considering the relationship between biography, autobiography, and memoir and between personal and social themes. We will closely examine some recent memoirs: Tobias Wolff’s This Boy’s Life, Barack Obama’s Dreams From My Father, Edwidge Danticat’s Brother, I’m Dying, Ayaan Hirsi Ali’s Infidel, and Alison Bechdel’s Fun Home. Students will write two brief papers: a critical essay and an experiment in memoir.
As a “Sampling,” this class offers 6 units, with a strong emphasis on close reading, group discussion, focused writing, and research and presentation skills.

Over the past two decades, a quiet revolution has taken place in the world of light art and design with the introduction of LED technology. Sydney-based artists Ruth McDermott and Ben Baxter have been on the vanguard of this movement, creating innovative and award-winning installation artworks utilizing the capabilities of this new technology. A frequent highlight of the Vivid Sydney light art festival, their work has become known for creating site-specific narratives exploring the landscapes and histories of Sydney and its surrounds. This book surveys twelve years of their practice (2009-2021), as their work evolved in tandem with the technology, with a special focus on the technical aspects of creating, mounting, and displaying large-scale installations.

Along with an essay on the history of light art, commentary from collaborators, and over 100 photographs documenting the conceptual life span of eighteen artworks, this book features the authors reflections on the unique relationship of artistic collaboration, and how this relationship has enhanced their practice and journey as artists.

This course is an introduction to major books from both the Hebrew Bible and the New Testament. Particular attention has been given to literary techniques, issues resulting from translation from the original Hebrew and Greek, and the different historical periods that produced and are reflected in the Bible. Investigation of the Bible as influence in later narrative, philosophic, and artistic traditions.

The Bible and Music by Dr. James F. McGrath provides an introduction and overview of the various ways that music and the Bible have been and continue to be connected. Part 1 focuses on history, presenting what we know about how music in the Ancient Near East sounded, how markings in the Masoretic Text of the Hebrew Bible have been interpreted as musical symbols, how chanting of biblical texts has featured liturgically in synagogues and churches, the impact of the Protestant Reformation, and musical developments in North America as enslaved Africans encountered biblical texts and stories. Part 2 focuses on specific texts in Jewish and Christian scripture and looks at how they have been interpreted through the process of setting them to music, including the soundtracks of cinematic depictions of biblical narrative and allusions to the Bible in popular music. Part 3 focuses on composers from the Middle Ages all the way down to the present day. Throughout the book, musical examples are not merely mentioned but embedded so that reading and listening may be seamlessly combined. The book does not presume prior knowledge of either music or the Bible, and additional links within the text provide definitions and further explanations for those who need or desire them.

This course does not seek to provide answers to ethical questions. Instead, the course hopes to teach students two things. First, how do you recognize ethical or moral problems in science and medicine? When something does not feel right (whether cloning, or failing to clone) — what exactly is the nature of the discomfort? What kind of tensions and conflicts exist within biomedicine? Second, how can you think productively about ethical and moral problems? What processes create them? Why do people disagree about them? How can an understanding of philosophy or history help resolve them? By the end of the course students will hopefully have sophisticated and nuanced ideas about problems in bioethics, even if they do not have comfortable answers.

This course consists of a series of seminars focused on the development of professional skills. Each semester focuses on a different topic, resulting in a repeating cycle that covers medical ethics, responsible conduct of research, written and oral technical communication, and translational issues. Material and activities include guest lectures, case studies, interactive small group discussions, and role-playing simulations.

This seminar based course explores techniques for recognizing, analyzing, and resolving ethical dilemmas facing healthcare professionals and biomedical researchers in today’s highly regulated environment. Guest lectures by practicing clinicians, technologists, researchers, and regulators will include case studies, interactive small group discussions, and role-playing simulations. Professional conduct topics will include authorship, conflict of interest, data acquisition and management, and the protection of human subjects and animals involved in research programs.

The Cinematic Past in the Present

Short Description:
More than one hundred years since it premiered on cinema screens, D. W. Griffith’s controversial photoplay, The Birth of a Nation, continues to influence American film production and to have relevance for race relations in the United States. While lauded at the time of its release for its visual and narrative innovations and a box office hit with film audiences, it provoked African American protest in 1915 for racially offensive content. In this collection of essays, contributors explore Griffith’s film as text, artifact, and cultural legacy and place it into both the historical and transnational contexts of the first half of the 1900s and its resonances with current events in America, such as #BlackLivesMatter, #HollywoodSoWhite, and #OscarsSoWhite movements. Through studies of the film’s reception, formal innovations in visual storytelling, and comparisons with contemporary movies, this work challenges the idea the United States has moved beyond racial problems and highlights the role of film and representation in the continued struggle for equality.

Word Count: 108720

ISBN: 978-0-253-04509-6

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Interdisciplinary survey of people of African descent that draws on the overlapping approaches of history, literature, anthropology, legal studies, media studies, performance, linguistics, and creative writing. This course connects the experiences of African-Americans and of other American minorities, focusing on social, political, and cultural histories, and on linguistic patterns.

Interdisciplinary survey of people of African descent that draws on the overlapping approaches of history, literature, anthropology, legal studies, media studies, performance, linguistics, and creative writing. This course connects the experiences of African-Americans and of other American minorities, focusing on social, political, and cultural histories, and on linguistic patterns.