What drives changes to classic myths and fables? In this lesson students …
What drives changes to classic myths and fables? In this lesson students evaluate the changes Disney made to the myth of "Hercules" in order to achieve their audience and purpose.
Students explore using electronic messaging and Internet abbreviations for specific purposes and …
Students explore using electronic messaging and Internet abbreviations for specific purposes and examine the importance of using a more formal style of writing based on their audience.
Students will present their final writings to the class, who will discuss …
Students will present their final writings to the class, who will discuss and grade the effectiveness of each product on its focus on the designated audience.
The National Union Convention met in Philadelphia in August 1866 to create …
The National Union Convention met in Philadelphia in August 1866 to create a political party that would back President Andrew Johnson's Reconstruction program and to elect a new Congress. Here, the convention is portrayed as a gathering of muzzled dogs, their collars inscribed with state names, who file toward a large doghouse, the "Wigwam." Except for the unwelcome arrival of Copperheads or Peace Democrats Fernando Wood and C. L. Vallandigham, the meeting was surprisingly harmonious even with the participation of representatives from both North and South. Here two dogs, "Massachusetts" and "South Carolina," side by side, lead the pack toward the Wigwam. Wood and Vallandigham are portrayed as cats, each held by the scruff of its neck by guard dogs Edgar Cowan and J. R. Doolittle. At bottom left stands a dog with a brush and a pail marked "N.Y. Times" tied to its tail. In the background "The Dead Dog of The White House," incumbent Andrew Johnson, lies in the road in front of the presidential mansion, which flies from its roof an American flag labeled "My Policy." "My Policy" was Johnson's campaign catchword. The Philadelphia movement ultimately failed, and anti-Johnson Republicans achieved more than a two-thirds majority in both houses of Congress. |Title appears as it is written on the item.|Weitenkampf, p. 154.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1866-4.
The German Nazis were responsible for the systematic killing of millions of …
The German Nazis were responsible for the systematic killing of millions of Jews. Hitler called it “The Final Solution to the Jewish Problem.” There were concentration camps set up throughout German controlled territories. This project will focus on the largest and most notorious camp, Auschwitz-Birkenau, located in German-controlled Poland. Anne Frank and her family were discovered and arrested in August 1944. In September 1944 they were sent from the Westerbork Camp in the Netherlands to Auschwitz-Birkenau. Anne’s father, Otto Frank, survived and was liberated from Auschwitz-Birkenau in January 1945.
During this lesson, students will learn more about their favorite authors …
During this lesson, students will learn more about their favorite authors by researching them on the Internet and presenting to the class, school, and community. Students will learn biographical information about their authors, the inspiration behind their stories and identify their authors’ different styles of writing.
During this lesson, students will learn more about their favorite authors …
During this lesson, students will learn more about their favorite authors by researching them on the Internet and presenting to the class, school, and community. Students will learn biographical information about their authors, the inspiration behind their stories and identify their authors’ different styles of writing.
Students will practice looking at a topic from multiple points of view, …
Students will practice looking at a topic from multiple points of view, and will discuss whose voices are amplified and whose voices are silenced. This lesson is part of a media unit curated at our Digital Citizenship website called "Who Am I Online?".
Again partisan bitterness, over the perceived Whig betrayal of Henry Clay's hopes …
Again partisan bitterness, over the perceived Whig betrayal of Henry Clay's hopes for the presidential nomination and over subsequent efforts to obtain Clay's endorsement of Zachary Taylor's candidacy, is vented in this scene. The "available" label is applied in a pejorative sense, suggesting a party whose choice of a candidate was guided not by principles but by public image or popularity. Henry Clay is seated at a desk before three men who present him with a document that reads: "MR. CLAY, we have called on you to humbly request that you will state to your Friends, that you approve of the Philadelphia Convention, and that you Endorse General Taylor as a good Whig." William V. Brady, former mayor of New York City, stands closest to Clay and explains, "Mr. Clay while I was Mayor of the City of New York I used all the Influence I had to have you nominated, you have always been my first choice." Seated in a chair at far right is Senator John J. Crittenden, who urges Brady to tell Clay ". . . that he was our first Choice." Standing next to Brady, holding the endorsement document, is James Watson Webb, publisher of the New York "Courier & Enquirer. " He warns, "hold your tounge [sic] Crittenden you will ruin every thing." Clay responds to their request, "Gentlemen I cannot endorse a note that the drawer himself has not signed," a cunning reference to Taylor's well-known reluctance to specifically commit himself to Whig principles. Portraits of George Washington and Thomas Jefferson hang on the wall behind Clay. |Drawn by "W.J.C."|Entered . . . 1848 by H.R. Robinson.|Published by H.R. Robinson 31, Park Row directly opposite the Park Fountain, adjoining Lovejoys Hotel.|Title appears as it is written on the item.|Weitenkampf, p. 93.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-23.
We may be leaving out information or disregarding it because it doesn't …
We may be leaving out information or disregarding it because it doesn't conform with our own beliefs. Students will learn about confirmation bias, different perspectives and how to avoid confirmation bias. This lesson is part of a media unit curated at our Digital Citizenship website, "Who Am I Online?".
Description: This course pack is designed to meet the learning outcomes for …
Description: This course pack is designed to meet the learning outcomes for Adult Literacy Fundamental English Level 1 (roughly equivalent to beginner to grade 1.5 in the K-12 system). Every of the nine chapters includes a level-appropriate, high-interest reading of approximately 100 words. The readings are freely available in a separate reader with convenient links to the readings in each chapter of this course pack. The online version of this course pack also contains audio recordings of each story in the reader. These recordings, combined with vocabulary and word pattern exercises, prepare the Level 1 student to read each paragraph-long text with greater independence. Font size and line spacing can be adjusted in the online view, and have been enhanced for the print and PDF versions for easier reading. This course pack has been reviewed by subject experts from colleges and universities.
Students will examine how patriotism comes in many forms through an analysis …
Students will examine how patriotism comes in many forms through an analysis of the short film "Patriotism and Protest." In the film, experts and Minidoka survivors highlight how the infamous "loyalty questionnaire" during WWII divided the Japanese American community.
Students will examine how news outlets and government propaganda shaped war hysteria …
Students will examine how news outlets and government propaganda shaped war hysteria and racism against Japanese Americans during WWII. In the short film, "Power of the Press," students will learn about the pre-war racism against Asian Americans and how community allyship can have a profound effect in combating propaganda.
Students will examine how language shapes public perception through an analysis of …
Students will examine how language shapes public perception through an analysis of the short film "Power of Words." In the film, experts highlight the various euphemisms used by the US government to describe the WWII incarceration of Japanese Americans and how the language used to describe this event did not match the reality.
Students will examine the responsibility of citizens through an analysis of the …
Students will examine the responsibility of citizens through an analysis of the short film "Standing Up for Others." In the film, Japanese Americans draw parallels between their experience during World War II and the experiences of Muslim Americans and asylum-seeking migrant children.
This year, we are taking a cue from the honey bee, and …
This year, we are taking a cue from the honey bee, and trying our best to adapt to new environments. Whether this is an online classroom, part-time school, or full-time classroom planning, The Bee Cause Project is here to meet you where you are with plug and play pollinator lesson plans.
The Back to School Bee Program is built to begin with the Six Week Bee Unit and then adapt to your classroom as you see fit. The Six Week Bee Unit can be completed in sequence, or as individual lesson plans. Each of our new resources has teacher guides, are mapped to the standards, and are easily adapted to digital platforms.
The artist predicts a decisive Whig victory in the presidential election of …
The artist predicts a decisive Whig victory in the presidential election of 1848, with Whig candidate Zachary Taylor "bagging" all of the states in an electoral sweep. (Taylor actually carried only fifteen of the thirty states.) A kneeling Taylor (left) gathers fallen pigeons, each bearing a state's name, into a bag. Holding up the New York bird he muses, "My purpose would be suited without this fellow, however I'll take him: the more the merrier for the 4th of March next." Taylor's strength in New York was considered questionable before the election. Standing to the right is Lewis Cass with a musket at his side. Looking over at Taylor, he marvels, "What an all devouring appetite the fellow has: I expect he'll bag me in the bargain!" In the background Martin Van Buren is caught by the seat of his trousers on the nails of a fence. Holding a rooster labeled "Proviso" he cries, "Cass, come and help an old crony won't you!" Peering over from behind the fence is Pennsylvania congressman David Wilmot, author of the Wilmot Proviso, who threatens Van Buren with a switch, "I'll teach you to come ta robbing my barn!" Van Buren and the Barnburner Democrats adopted the proviso, which barred slavery in American territory gained in the Mexican War, as the main plank in their 1848 campaign platform.|Probably drawn by E.F. Durang.|Pubd. by Able [i.e., Peter E. Abel] & Durang. Philada.|Title appears as it is written on the item.|Weitenkampf, p. 97.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-46.
Reflecting Whig preelection confidence in the campaign of 1844, the artist portrays …
Reflecting Whig preelection confidence in the campaign of 1844, the artist portrays that party's ascendancy over the Democrats in the race for the presidency. Bucholzer uses the metaphor of a hot-air balloon race between Whig candidates Henry Clay and Theodore Frelinghuysen (on the right) and Democratic nominee James K. Polk. The Whigs ascend with ease; Clay waves a flag and Frelinghuysen points toward the "Presidential Chair" which appears at left on a bed of clouds. The Democratic balloon fails to rise for lack of gas and is prodded with a cane by Andrew Jackson. Jackson says, "I'll use my best endeavours to "poke" [i.e., "Polk"] it up. But it's harder work than gaining the battle of New Orleans!" In the balloon's carriage (actually a wooden tub) are Polk, a Loco Foco Democrat (looking upward through a telescope), and a bag of "Mint drops" (symbolizing the hard-money policies pursued by the Democrats). The carriage is supported by party stalwarts Thomas Hart Benton and John C. Calhoun. Polk says: "I think my friends have placed me in a very ridiculous position! They set me up here only to "poke" fun at me." Calhoun warns: "Push hard, Benton, or they'll never get any higher." Benton: "I'm afraid they'll have to throw the mint drops overboard!" From above, Clay offers: "Throw us a line, Polk, and we'll give you a tow!" Meanwhile, in the background a fox with the head of Martin van Buren slinks away saying, "If you had had the wit to put me in there, it would have gone up." He voices his disappointment at not being chosen Democratic nominee.|Entered . . . 1844 by James Baillie.|Lith. & pub. by James Baillie 33 Spruce St. N.Y.|Signed: H. Bucholzer.|The Library has two states of the print, one a proof before title (Landauer Collection; LC-USZ62-90665). The titled impression was deposited for copyright on June 26, 1844. It was followed two weeks later by the same artist's "Bursting the Balloon" (no. 1844-33), a companion piece or sequel.|Title appears as it is written on the item.|Weitenkampf, p. 78.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1844-32.
An illustrated sheet music cover for a "Patriotic Song. Written, to be …
An illustrated sheet music cover for a "Patriotic Song. Written, to be sung at Baltimore during the Young Men's Whig Convention" of May 1840. The composer is identified as "a Pennsylvanian." The illustration, like the song itself, celebrates the distinguished military record of Whig presidential candidate William Henry Harrison. A ring of smoke issues from two cannons and frames the central view of a log cabin in the wilderness. Outside the house are a cider barrel, a plough, a covered wagon, and (in the foreground) an ox cart and driver. Superimposed on the smoke ring are nine ovals containing scenes from Harrison's military career. They are (counterclockwise from bottom): Ensign Harrison 19 years of age" "Lieut. Harrison at Maumee Rapids" "Govr. Harrison making a treaty with the Sacke & Fox Indians" "Genl. Harrison hastening at night to the assistance of Genl. Winchester" "Harrison's Victory at the Thames" "Harrison's Victory at Tippecanoe" "Genl. Harrison & his Army going into winter quarters at the Maumee Rapids, in 1812" "Genl.Harrison in 1812 at the Head of 7000 Troops" "Genl. Harrison at the Council of Vincennes with Tecumseh." At the top of the oval is a bust of Harrison flanked by flags, muskets, bayonets, and fasces. Over his head hovers a dove holding a star.|Entered . . . 1840 by Ld. Meignen & Co.|Leopold. Meignen & Co. Publishers & Importers of Music.|On Stone by James Queen.|P.S. Duval, Lith Phila.|The Library's impression of the print is damaged slightly, with a tear running through the log house.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-11.
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