Poster showing a mature, prosperous man reaching into his pocket as he watches soldiers and artillery pass by; caption, "My duty." Poster no. 15. W. 5992. 20 M. 7/15. Title from item.
Poster is text only. Text continues: The National Organising Committee for War Savings appeals against extravagance in women's dress. ... It is essential, not only that money should be saved, but that labour employed in the clothing trades should be set free. Published by the National Organising Committee for War Savings, 18 & 19, Abingdon Street, Westminster, S.W. Poster no. 4. Title from item.
The artist predicts a decisive Whig victory in the presidential election of 1848, with Whig candidate Zachary Taylor "bagging" all of the states in an electoral sweep. (Taylor actually carried only fifteen of the thirty states.) A kneeling Taylor (left) gathers fallen pigeons, each bearing a state's name, into a bag. Holding up the New York bird he muses, "My purpose would be suited without this fellow, however I'll take him: the more the merrier for the 4th of March next." Taylor's strength in New York was considered questionable before the election. Standing to the right is Lewis Cass with a musket at his side. Looking over at Taylor, he marvels, "What an all devouring appetite the fellow has: I expect he'll bag me in the bargain!" In the background Martin Van Buren is caught by the seat of his trousers on the nails of a fence. Holding a rooster labeled "Proviso" he cries, "Cass, come and help an old crony won't you!" Peering over from behind the fence is Pennsylvania congressman David Wilmot, author of the Wilmot Proviso, who threatens Van Buren with a switch, "I'll teach you to come ta robbing my barn!" Van Buren and the Barnburner Democrats adopted the proviso, which barred slavery in American territory gained in the Mexican War, as the main plank in their 1848 campaign platform.|Probably drawn by E.F. Durang.|Pubd. by Able [i.e., Peter E. Abel] & Durang. Philada.|Title appears as it is written on the item.|Weitenkampf, p. 97.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-46.
Reflecting Whig preelection confidence in the campaign of 1844, the artist portrays that party's ascendancy over the Democrats in the race for the presidency. Bucholzer uses the metaphor of a hot-air balloon race between Whig candidates Henry Clay and Theodore Frelinghuysen (on the right) and Democratic nominee James K. Polk. The Whigs ascend with ease; Clay waves a flag and Frelinghuysen points toward the "Presidential Chair" which appears at left on a bed of clouds. The Democratic balloon fails to rise for lack of gas and is prodded with a cane by Andrew Jackson. Jackson says, "I'll use my best endeavours to "poke" [i.e., "Polk"] it up. But it's harder work than gaining the battle of New Orleans!" In the balloon's carriage (actually a wooden tub) are Polk, a Loco Foco Democrat (looking upward through a telescope), and a bag of "Mint drops" (symbolizing the hard-money policies pursued by the Democrats). The carriage is supported by party stalwarts Thomas Hart Benton and John C. Calhoun. Polk says: "I think my friends have placed me in a very ridiculous position! They set me up here only to "poke" fun at me." Calhoun warns: "Push hard, Benton, or they'll never get any higher." Benton: "I'm afraid they'll have to throw the mint drops overboard!" From above, Clay offers: "Throw us a line, Polk, and we'll give you a tow!" Meanwhile, in the background a fox with the head of Martin van Buren slinks away saying, "If you had had the wit to put me in there, it would have gone up." He voices his disappointment at not being chosen Democratic nominee.|Entered . . . 1844 by James Baillie.|Lith. & pub. by James Baillie 33 Spruce St. N.Y.|Signed: H. Bucholzer.|The Library has two states of the print, one a proof before title (Landauer Collection; LC-USZ62-90665). The titled impression was deposited for copyright on June 26, 1844. It was followed two weeks later by the same artist's "Bursting the Balloon" (no. 1844-33), a companion piece or sequel.|Title appears as it is written on the item.|Weitenkampf, p. 78.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1844-32.
An illustrated sheet music cover for a "Patriotic Song. Written, to be sung at Baltimore during the Young Men's Whig Convention" of May 1840. The composer is identified as "a Pennsylvanian." The illustration, like the song itself, celebrates the distinguished military record of Whig presidential candidate William Henry Harrison. A ring of smoke issues from two cannons and frames the central view of a log cabin in the wilderness. Outside the house are a cider barrel, a plough, a covered wagon, and (in the foreground) an ox cart and driver. Superimposed on the smoke ring are nine ovals containing scenes from Harrison's military career. They are (counterclockwise from bottom): Ensign Harrison 19 years of age" "Lieut. Harrison at Maumee Rapids" "Govr. Harrison making a treaty with the Sacke & Fox Indians" "Genl. Harrison hastening at night to the assistance of Genl. Winchester" "Harrison's Victory at the Thames" "Harrison's Victory at Tippecanoe" "Genl. Harrison & his Army going into winter quarters at the Maumee Rapids, in 1812" "Genl.Harrison in 1812 at the Head of 7000 Troops" "Genl. Harrison at the Council of Vincennes with Tecumseh." At the top of the oval is a bust of Harrison flanked by flags, muskets, bayonets, and fasces. Over his head hovers a dove holding a star.|Entered . . . 1840 by Ld. Meignen & Co.|Leopold. Meignen & Co. Publishers & Importers of Music.|On Stone by James Queen.|P.S. Duval, Lith Phila.|The Library's impression of the print is damaged slightly, with a tear running through the log house.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-11.
Caricature of Fanny Elssler, in carriage being drawn by men with ears of jackasses, going to Baltimore.|Signed in stone: HB.|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)
Spectators of all ages, seated and standing, watch a band perform in the afternoon on an outdoor stage. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-8. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
Spectators of all ages, seated and standing, watch a band perform in the afternoon on an outdoor stage. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-7. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.
This collection makes available examples of a brilliant style of brass band music that flourished in the 1850s in the United States and remained popular through the nineteenth century. Bands of this kind served in the armies of both the North and the South during the Civil War. The collection includes both printed and manuscript music (mostly in the form of "part books" for individual instruments) and features over 700 musical compositions, as well as 8 full-score modern editions and 19 recorded examples of brass band music in performance.
Lith. & pub. by H.R. Robinson 142 Nassau St. N. York.|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)
Poster is text only. Text continues: The Library War Council - appointed by the War Department through the American Library Association - is raising one million dollars during Camp Library Week, Sept. 24-30, to build and maintain a library at every training camp and cantonment for soldiers, sailors and airmen, at home and abroad. Massachusetts Library War Council. No. 1. Forms part of: Willard and Dorothy Straight Collection.
Text continues: Little Men have made History. Pluck can make up for inches. Remember Nelson and Roberts. Like them you can serve your Country and help Old England in her Hour of Need. So join the Bantam Battalion. Height 5 ft. to 5 ft. 3 ins. Chest expanded 34 ins. Recruiting Office, The Armoury, Stroud. Pasted on verso is newspaper clipping, "Gallant Bantams," by The Daily Chronicle correspondent Philip Gibbs, describing the Bantam Battalion, their history, and their exploits in France. Poster is text only. Title from item.
Barack Obama was the first Black man elected President in the United States in 2008. In this episode, Clint Smith will explore the early life, political career, presidential campaign, and legislative milestones of Barack Obama.
A satire on the Barnburners, a radical faction of New York State Democrats, led by John Van Buren, whose commitment to social and monetary reforms was likened to a farmer's burning his barn to rid it of rats. Here the barn is ablaze, trapping several of the movement's leaders on its roof. Benjamin F. Butler, raising his arms, vows, "If I ever get out of this scrape safe it's the last act of Barn burning that I'll be guilty of." New York "Evening Post" editor and radical spokesman William Cullen Bryant despairs, "Woe is me! I can't get off, and if I stay up here it's sure destruction!" An unidentified man says, "Alas! alas! we're caught in a tight fix." At right John Van Buren vainly tries to raise a ladder to the roof, complaining, "I can't get near enough to help them down with the ladder, so old Dad you'd better jump off." His father, Martin Van Buren, appearing here as a fox, leaps from the other end of the roof, saying, "Our sufferings is intolerable! I'll take your advice my son and jump off--So here goes!" On the far right New Hampshire Democrat Franklin Pierce has mired his wagon in a muddy lane. It is loaded with boxes "Free Trade" and "No Internal Improvements," traditional Democratic planks. Pierce calls to Bryant, "there's more truth than poetry in what you say. We never needed your help more, for we are stuck in the mud and want your shoulder to the wheel." Although Weitenkampf tentatively dates the cartoon 1847, the inclusion of Franklin Pierce suggests a later date. The work apparently relates to the regular Democrats' 1852 solicitation of Barnburner support for Pierce, who was their presidential candidate that year.|Pubd. by John Childs, 84 Nassau St. N. York.|Title appears as it is written on the item.|Weitenkampf, p. 89.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1852-36.
Students are introduced to archaeology vocab through the case of "Barwick's Ordinary," a historic tavern, gathering place, home, and center of business in 1700s Maryland. Students are briefly introduced to the story of the ordinary then explore a 3D "art gallery" with scans of artifacts from the site as well as maps, surveys, and drone photographs. Internet access is currently required. Paintings by John Lewis Krimmel help illustrate how things may have looked. An extension is to conduct some more detailed reading into the role of ordinaries, a ubiquituous feature of the European colonies in America. There are 3 activities to "meet" Barwick's, followed by 2 summative activities.
A selection of Library of Congress primary sources exploring baseball and the various ways it was experienced by Americans between the close of the Civil War and the beginning of WWII. This set also includes a Teacher's Guide with historical context and teaching suggestions. Baseball has been part of the culture of the United States since the earliest days of the nation, and the...
Japanese Americans observe an amateur baseball game in progress; one-story buildings and mountains in the background. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A351-3-M-6. Gift; Ansel Adams; 1965-1968. More information about this collection is available at http://hdl.loc.gov/loc.pnp/pp.manz Forms part of: Manzanar War Relocation Center photographs. Published in: Eyes of the nation : a visual history of the United States / Vincent Virga and curators of the Library of Congress ; historical commentary by Alan Brinkley. New York : Knopf, 1997. Published in: Baseball Americana : treasures from the Library of Congress / Harry Katz, et al. New York : Smithsonian Books, 2009.
Students use Library of Congress primary sources to examine race relations in the mid-20th century United States through a close reading of two documents relating to Jackie Robinson's breaking of the racial...
Students use Library of Congress primary sources focused on baseball to explore the American experience regarding race and ethnicity.
Deputy U.S. Marshal Bass Reeves was a highly respected and wildly successful peace officer in Indian Territory for over thirty years, starting when he was first commissioned by federal Judge Isaac Parker in 1875. His life saw the enormous transformations that swept through the country during the Civil War, the days of the “wild west” in the federal territories, and the final settling of the frontier. The exploits of Deputy Marshal Reeves as he fought and captured hundreds of outlaws made him famous in his own time. This lesson tells the story of Reeves, his world, and his relentless pursuit of justice.
The Woodson Center's Black History and Excellence curriculum is based on the Woodson Principles and tells the stories of Black Americans whose tenacity and resilience enabled them to overcome adversity and make invaluable contributions to our country. It also teaches character and decision-making skills that equip students to take charge of their futures. These lessons in Black American excellence are free and publicly available for all.