Poets achieve popular acclaim only when they express clear and widely shared emotions with a forceful, distinctive, and memorable voice. But what is meant by voice in poetry, and what qualities have made the voice of Langston Hughes a favorite for so many people?

This article features activity books and polar-themed children's literature for use in the elementary classroom.

Students deepen and refine their understanding of prepositions by reading Ruth Heller's Behind the Mask. They write preposition poetry and create a study guide using an online tool.

Students will discuss works of art that have grotesque elements and symmetry in their design. They will identify symmetry and line in grotesques. Students will create symmetrical designs for a pilgrim bottle and also design a door panel using grotesques. They will then analyze William Blake's poem "The Tiger" and write their own grotesque-inspired poetry.

This 6-unit subject gives students the opportunity to immerse themselves in the poetry of two living Nobel Laureates: the Caribbean poet, Derek Walcott, and the Northern-Irish poet, Seamus Heaney. We will begin and end the semester with their magnificent epic works: Heaney’s translation of the Anglo-Saxon epic Beowulf, and Walcott’s Omeros (a modern epic set in the West Indies). Between these major narrative poems, we will read a rich selection of their shorter poems, as well as some of their reflections in prose on what poetry does, on what other poets do, and what it means to write in English from the historical and political situation of Northern Ireland (for Heaney) or the Caribbean (for Walcott).

A short quiz on CCSS.ELA-Literacy.CCRA.R.4. All questions but one are multiple choice.

In this lesson, athletics, aesthetics, and poetics intersect in new ways as developing literacy learners experiment together with the forms of language.

Infographic developed as a sample student assignment for the Designing with OER fellowship from the Open Ed Group.

This collection uses primary sources to explore Edgar Allan Poe's "The Raven." Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

Short Description:
A collection of poems and a short story written by Rick Steele, author and tech pioneer from Whitehorse, Yukon, Canada. Download this book in PDF Download this book in ePUB (Kobo and other eReaders) Download this book in MOBI (Kindle)

Long Description:
This is a posthumous collection of poems and a short story written by Rick Steele (1954-2018), author and tech pioneer from Whitehorse, Yukon, Canada.

Rick’s conviction that literature could open eyes and affect a world view was the result of personal experience. An avid reader, his interests in Biblical and classical writings shaped his less known self as poet, storyteller, and satirist. In particular, he valued the kinship of form and content, not simply as an armchair scholar but active practitioner. And not only as a writer, but as a person. Integrity and curiosity were his bosom buddies, and Euterpe his lifelong muse.

This collection contains the majority of the poems that Rick wrote in his lifetime (at least the ones that could be found). Of his short stories, only one survived, Lardass. The story is also included here.

Word Count: 24336

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

How do you read a poem? Intuition is not the only answer. In this class, we will investigate some of the formal tools poets use—meter, sound, syntax, word-choice, and other properties of language—as well as exploring a range of approaches to reading poetry, from the old (memorization and reading out loud) to the new (digitally enabled visualization and annotation). We will use readings available online via the generosity of the Poetry Foundation and the Academy of American Poets. We will also think collectively about how to approach difficult poems.

“Reading Poetry” has several aims: primarily, to increase the ways you can become more engaged and curious readers of poetry; to increase your confidence as writers thinking about literary texts; and to provide you with the language for literary description. The course is not designed as a historical survey course but rather as an introductory approach to poetry from various directions – as public or private utterances; as arranged imaginative shapes; and as psychological worlds, for example. One perspective offered is that poetry offers intellectual, moral and linguistic pleasures as well as difficulties to our private lives as readers and to our public lives as writers. Expect to hear and read poems aloud and to memorize lines; the class format will be group discussion, occasional lecture.

This booklet is a collection of opinions of nearly 50 important poets from 25 countries in 5 continents on the best ways to present poetry to secondary school pupils. It is mainly intended for use in teacher training programmes, to bring to methods of teaching poetry two important dimensions: the creative perspective of poets themselves, as well as the perspective of different cultures regarding the reading and writing of poetry.

This lesson plan is the ninth in the "Incredible Bridges: Poets Creating Community" series. It provides a video recording of the poet, Joy Harjo, reading the poem "Remember." The companion lesson contains a sequence of activities for use with secondary students before, during, and after reading to help them enter and experience the poem.

Taught by William Flesch at Brandeis University, this course offers a survey of poetry that’s out of favor. But it turns out to be among the most skillful, brilliant, witty, invigorating, funny, sometimes dirty poetry ever written. (The dirty poetry is definitely NSFW. It may not even be safe for consenting adults.) Coverage goes from the urbane civic poetry of Dryden and his contemporaries to the beginnings of the intense subjectivity of Romanticism, with attention to the continuities between these wildly different schools. It’s helpful to have a complete Pope and the Penguin Dryden. We also use the Oxford Anthology of English Literature, ed. Martin Price.

Review of An Introduction to Poetry
https://drive.google.com/open?id=180fSVt-ddoZemht6SSJFAMwwfi3QHy602Y8RgqH4ycM

The Riddle Interactive outlines the characteristics of riddle poems and provides direct instruction on the prewriting and drafting process for writing original riddle poems.

Studying Robert Frost's "Mending Wall," students explore the intricate relationship between a poem's form and its content.

This not-for-profit site is intended to make vocal music and lyrics of the of the early 19th century in the British Isles, Europe, Canada, the United States, and Australia more accessible. It includes contemporary music of the period and later settings (e.g., Brian Holmes's complete score for Death's Jest Book and Lori Lange's settings of Byron lyrics).