Music Theory for the 21st–Century Classroom is an openly–licensed online college music theory textbook that is meant to take the student from the basics of reading and writing pitches and rhythms through twelve–tone technique and minimalism over the course of four semesters. This text differs from other music theory textbooks by focusing less on four–part (SATB) voiceleading and more on relating harmony to the phrase. Also, in traditional music theory textbooks, there is little emphasis on motivic analysis and analysis of melodic units smaller than the phrase. Whenever possible, examples from popular music and music from film and musical theater are included to illustrate melodic and harmonic concepts, usually within the context of the phrase. Practice exercises (with answers), homework exercises, and practice tests are included.

This class is an introduction to the analysis of tonal music. Students develop analytical techniques based upon concepts learned in 21M.301-21M.302. Students study rhythm and form, harmony, line and motivic relationships at local and large scale levels of musical structure. Three papers (totaling 20 pages, one to be revised) and one oral presentation are required.

In this course, students study concepts and practice techniques of improvisation in solo and ensemble contexts. The course examines relationships between improvisation, composition, and performance based in traditional and experimental approaches. Hands-on music making will be complemented by discussion of the aesthetics of improvisation. Weekly lab sessions support work on musical technique. Guest artist / lecturers will engage students through mini-residencies in jazz with film, Indian music, electronic music, and blending improvisation with classic music; and an accompanying concert series will feature these artists in performance. Open by audition to instrumental or vocal performers.

This course examines the history, techniques, and aesthetics of mechanical and computer-aided approaches to algorithmic music composition and generative music systems. Through creative hands-on projects, readings, listening assignments, and lectures, students will explore a variety of historical and contemporary approaches. Diverse tools and systems will be employed, including applications in Python, MIDI, Csound, SuperCollider, and Pure Data.

This course is an investigation into the history and aesthetics of music and technology as deployed in experimental and popular musics from the 19th century to the present. Through original research, creative hands-on projects, readings, and lectures, the following topics will be explored. The history of radio, audio recording, and the recording studio, as well as the development of musique concrète and early electronic instruments. The creation and extension of musical interfaces by composers such as Harry Partch, John Cage, Conlon Nancarrow, and others. The exploration of electromagnetic technologies in pickups, and the development of dub, hip-hop, and turntablism. The history and application of the analog synthesizer, from the Moog modular to the Roland TR-808. The history of computer music, including music synthesis and representation languages. Contemporary practices in circuit bending, live electronics, and electro-acoustic music, as well as issues in copyright and intellectual property, will also be examined. No prerequisites.

This course is a creative, hands-on exploration of contemporary and historical approaches to live electronics performance and improvisation, including basic analog instrument design, computer synthesis programming, and hardware and software interface design.

This course is an introduction to music recording and audio production from both a practical and a theoretical perspective. Learn about the physical nature and human perception of sound, how it is transformed to and from electrical signals by means of microphones and loudspeakers, and how it can be creatively modeled through mixing consoles, signal processors, and digital audio workstations. The course covers making informed choices about microphone selection and positioning, and various editing, mixing, and mastering techniques.

In this course, we will rebuild the everyday sounds of nature, machines, and animals from scratch and encapsulate them in dynamic sound objects which can be embedded into computer games, animations, movies, virtual environments, sound installations, and theatre productions. You will learn how to analyze and model sounds and resynthesize them with the open-source graphical programming environment Pure Data (Pd). Our work will be guided by Andy Farnell’s book Designing Sound (MIT Press, 2010). No previous programming experience is required.

Short Description:
This text provides just a small sampling of some of the various musical styles and traditions that might be found, though the skills developed in this course can be applied to any type of music.

Word Count: 16577

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This course is an introduction to selected musical traditions of West Africa. A variety of musical practices and their cultural contexts will be explored through listening, reading, and written assignments, with an emphasis on class discussion. The course includes in-class instruction in West African drumming, song and dance, as well as lecture-demonstrations by guest artists.
After an introductory unit, the course will be organized around four main geographical areas: Senegal, Mali, Ghana, and Nigeria. An in-depth study of music from these countries will be interspersed with brief overviews of Southern, Central, and East Africa.

This course focuses on Hindustani classical music of North India, and also involves learning about the ancient foundations of the rich classical traditions of music and dance of all Indian art and culture. Students explore the practice the ragas and talas through learning songs, dance, and drumming compositions, and develop insights through listening, readings, and concert attendance.

Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation.

Reflections on book publishing in a digital and online world

Long Description:
Reflections on digital publishing and related matters, with links to other articles, posts and comments.

Please credit Anna von Veh, if any of the material is referenced. Thanks:)

Word Count: 5242

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Short Description:
The Mysteries of Udolpho (1794) is a Gothic romance novel by English author Ann Radcliffe. The narrative follows Emily St. Aubert, a young woman who suffers misadventures that include the death of her mother and father, supernatural terrors, and machinations of an Italian brigand.

Long Description:
The Mysteries of Udolpho (1794) is a Gothic romance novel by English author Ann Radcliffe. The narrative follows Emily St. Aubert, a young woman who suffers misadventures that include the death of her mother and father, supernatural terrors, and machinations of an Italian brigand.

Word Count: 291079

Included H5P activities: 1

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An Open Access Anthology of Greek and Roman Myth

Short Description:
Mythoi Koinoi: An Online, Open-Access Anthology of Greek and Roman Myth provides undergraduate university students with free, easy access to primary source texts and images for Greek and Roman mythology. Mythoi Koinoi means "Mythology for the People" in Ancient Greek, and it is intended to give everyone who engages with it access to the writings and artistic creations of the ancient Greeks and Romans.

Long Description:
Mythoi Koinoi: An Online, Open-Access Anthology of Greek and Roman Myth began with the observation that many of the texts that we study in our Greek and Roman mythology classes have translations that are available online, either in the public domain or under open access copyright, though many of them are archaic, unreadable, and therefore inaccessible to modern students. Accessibility, then, has been the guiding principle for the book. We set out to update these open access translations, providing clear introductions that situate each text according to time, place, and genre, and organizing them into thematic chapters. We have adapted all translations that are more than forty years old for readability, while maintaining the integrity of the text and its faithfulness to the original languages.

Additionally, while there are thousands of primary source images related to Ancient Greek and Roman mythology available online, they are generally uncontextualized and scattered across multiple platforms, including museum databases, open access media collections, and popular webpages. We collected and organized these images, situating them within their respective chapters and providing necessary context for identification and interpretation.

The anthology contains more than 80 primary source texts from 35 authors, along with hyperlinks to online translations of many more. It has more than 600 high-resolution images of artwork from ancient Greece and Rome. In crafting the book, we have followed best practices for Universal Design for Learning. All images come with captions, descriptions and alternate text, for those that are unable to view them. There are over 500 glossary entries that are accessible either through links within each of the primary texts, or through the glossary section at the back of the book.

The book contains 43 chapters, organized into 7 parts, starting from the myths of creation and destruction, and going through the aftermath of the Trojan War. The sixth chapter focuses specifically on mythology unique to Ancient Rome, and the seventh chapter focuses on the mythology and archaeology of cities and spaces. We have also included mythology from Mesopotamia and the Levant in two chapters, “Aphrodite” and “Flood Myths.” We hope that these chapters will give instructors and students the opportunity to explore some of the ways in which ancient Greek and Roman myth is connected to earlier mythology from ancient West Asia.

Word Count: 386906

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This online textbook contains short articles on each major deity, hero, monster, etc., in Greek mythology. The text is supplemented with color photographs and maps to enhance the learning experience.

Médiocre à l’entrée = médiocre à la sortie! explique comment la qualité des textes que vous écrivez se répercute sur la qualité de la traduction de ces mêmes textes, surtout lorsque les traductions proviennent d’outils comme Google Traduction. Apprenez à rédiger vos textes pour en optimiser la traduction : chaque personne qui les lira pourra ainsi tirer le meilleur parti de vos textes, peu importe la langue qu’elle parle.

This self-paced course is based on the Nahuatl variant from the Huasteca of Veracruz that is spoken in Chicontepec, Veracruz, Mexico. The principal aim of this course is to develop the student’s oral, written, and comprehension abilities primarily through the study of grammar, listening, and reading. The intended audience for this pedagogical resource is foreign students interested in developing their language skills, as well as native teachers in bilingual schools in the Chicontepec region.

This eight-session course, designed for a mixed group of first, second, third and fourth-year medical students, uses literary narratives and poetry to study ethical issues in medicine. This methodology emphasizes the importance of context, contingency, and circumstances in recognizing, evaluating, and resolving moral problems. The seminar will focus on developing the skills of critical and reflective reading that increase effectiveness in clinical medicine. Texts will include short fiction and poetry by authors such as Woolf, Chekhov, Carver, Kafka, Hurston, Marquez and Tolstoy. The instructor will provide necessary philosophic and literary context at the beginning of each session, the balance devoted to class discussion. During the course, students will keep a reading journal that examines the meanings of illness, the moral role of the physician, and the relevance of emotions, culture, faith, values, social realities, and life histories to patient care.

The National Gallery of Art in Washington, D.C. has an extensive section devoted to educational resources for both educators and students. One example is a pdf or online accessed text on the Dutch Golden Age. This is comprehensive in both history and art objects and is clearly written. There are more images than text, but the sections that are included are instructive. Other topics include the Italian Renaissance, Art since 1950, a module on Arts and Crafts, American Art since the colonial period, etc. Some material is geared toward younger learners, but much of it is appropriate for an introductory, or even next level, art history class. There is no licensing statement, although it is copyrighted. There are teacher resources available as well including assessments and images. Individual teaching packets come with 20 slides, 12 11 x 14 reproductions, a cd with jpgs, and a separate classroom activity guide.