Short Description:
The text provides an upper-level undergraduate introduction and explanation of the social and cognitive processes involved in human communication, focusing on how people create understanding.

Word Count: 26193

ISBN: 9781948027021

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Methods of Discovery by Pavel Zemliansky is an online writing guide with the following features:
- Treats research writing as a rhetorical process
- Teaches use of research in different genres (not just the generic research paper). This approach allows the text to be used in a variety of writing and rhetoric classes.
- Discusses the use of various kinds of research sources (academic ones and others)
- Contains links to resources and multimedia which help students to understand and practice key concepts
- Presents students and instructors with a "menu" of approaches and tasks suitable for different audiences and courses
- Students can download the chapters in PDF format

This open textbooks covers theories, teaching strategies, and instructional materials pertinent to teaching reading and writing in grades PK-3, with an emphasis on integrating reading, writing, speaking, and listening, as well as integration across content areas while addressing diversity and inclusion.

CARL SCHURZ ON THE GUBERNATORIAL CONTEST IN MASSACHUSETTS.

letter from the Hon. Carl Schurz has been received by a gentleman in Boston: written in New York, Oct. 16, 1886

example of persuasive writing

This edition is derived from the Project Gutenberg edition of A Modest Proposal.

Short Description:
Return to milneopentextbooks.org to download PDF and other versions of this textNewParaBonczek Evory approaches the act of writing poetry from a practitioner’s perspective and as an act of play. The text provides strategies and detailed practices that nurture and maintain creative states necessary for all stages of writing.

Long Description:
Bonczek Evory approaches the act of writing poetry from a practitioner’s perspective and as an act of play. The text provides strategies and detailed practices that nurture and maintain creative states necessary for all stages of writing.

Word Count: 58614

ISBN: 978-1-942341-49-9

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

List of readings by Native American authors or about Native American providing coverage and variety across authors, genres, and time periods. Parts of this resource list require institutional login to access full text. Created for English 1160 at the College of DuPage.

Short Description:
This book is intended for use in a large introductory class in new media in a program that covers the “full-stack” including critical/cultural studies, media management, diffusion of innovation, and synthetic media production. The first half of this basic sequence covered new media and democracy, finance, intellectual property law, basic games, and transmedia. The second half of the sequence covers many topics related to aesthetics, design, technology, and methodology. Data dashboard

Word Count: 53107

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Bradford’s account of the early years of the Plymouth colony remained in manuscript form until the 1890s, when it was finally transcribed and printed for general publication. This edition is taken from the Project Gutenberg transcription of the 1898 edition.

Short Description:
This textbook includes materials on listening, speaking, lexicogrammar, pragmatics, and pronunciation.

Long Description:
This textbook includes materials on listening, speaking, lexicogrammar, pragmatics, and pronunciation.

Word Count: 10362

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

An OER intended for a college course on the oral performance of literary texts

A Project of Oregon Writes

Short Description:
This textbook guides students through rhetorical and assignment analysis, the writing process, researching, citing, rhetorical modes, and critical reading. Guided by Oregon's statewide college writing outcomes, this book collects previously published articles, essays, and chapters released under Creative Commons licenses into one free textbook available for online access or print-on-demand. Faculty guide available: https://canvas.instructure.com/courses/1035227Order a print copy: http://www.lulu.com/shop/jenn-kepka/oregon-writes-open-writing-text/paperback/product-23840147.html

Long Description:
This textbook guides students through rhetorical and assignment analysis, the writing process, researching, citing, rhetorical modes, and critical reading. Using accessible but rigorous readings by professionals throughout the college composition field, the Oregon Writes Writing Textbook aligns directly to the statewide writing outcomes for English Composition courses in Oregon.

Created through a grant from Open Oregon in 2015-16, this book collects previously published articles, essays, and chapters released under Creative Commons licenses into one free textbook available for online access or print-on-demand.

Faculty guide available: https://canvas.instructure.com/courses/1035227

Order a print copy: http://www.lulu.com/shop/jenn-kepka/oregon-writes-open-writing-text/paperback/product-23840147.html

Word Count: 66415

ISBN: 978-1-63635-058-5

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

This resource is a pressbook created by the University of Minnesota covering the topics of organizational behavior.

When she published Oroonoko in 1688, Aphra Behn created one of the foundational myths of her period and of the century that followed. The story of the noble African prince tricked into slavery resonated powerfully with people in the English-speaking world for generations. This was even the case for those who never read Behn’s book. Behn’s work was adapted into a play entitled Oroonoko: A Tragedy by Thomas Southerne in 1695, and that version of the story–one that differs in key ways from Behn’s original–was one of the mainstays of the theater in Britain into the nineteenth century. Oroonoko was, like Daniel Defoe’s Robinson Crusoe or Jonathan Swift’s Lemuel Gulliver, a character who was introduced in a work of fiction in the decades around 1700 who would go on to have a long life outside the pages of the work in which he originally appeared.

Core 2 is Pacific's new reading, critical thinking, and writing-instruction seminar for first- or second-year students. All sections will include some common elements, like reading long-form narrative prose and writing instruction, and all sections will feature expository, thesis-driven writing in response to the course readings. Sections are taught by a variety of faculty from across the university.

This is a guide for students to use as they provide feedback to their peers on a piece of writing. The activity was done in groups of 3.

This course teaches participants to communicate clearly and effectively in both speech and in writing, using conventional professional language and observing basic principles of etiquette in workplace conversations and correspondence. 

In Placing the History of College Writing, Nathan Shepley argues that pre-1950s composition history, if analyzed with the right conceptual tools, can pluralize and clarify our understanding of the relationship between the writing of college students and the writing's physical, social, and discursive surroundings. Even if the immediate outcome of student writing is to generate academic credit, Shepley shows, the writing does more complex rhetorical work. It gives students chances to uphold or adjust institutional codes for student behavior, allows students and their literacy sponsors to respond to sociopolitical issues in a city or state, enables faculty and administrators to create strategic representations of institutional or program identities, and connects people across disciplines, occupations, and geographic locations. Shepley argues that even if many of today's composition scholars and instructors work at institutions that lack extensive historical records of the kind usually preferred by composition historians, those scholars and teachers can mine their institutional collections for signs of the various contexts with which student writing dealt.

The scientific community must be effective in communicating the results of its work to the public in a way that can be understood and used. The need for this is acute, for the complexity and difficulty of environmental and resource problems require full use of all the knowledge scientists can muster. The wisdom of the actions of both the government and private sectors depends in large part on their understanding of resource characteristics.

The U.S. Geological Survey is uniquely qualified to provide much of the required knowledge about natural resources through its many reports and maps and can be proud of the products of its work. Too often, however, reports are couched in words and phrases that are understandable only to other scientists, engineers, or technicians. But, who, really, are the ones to whom the Survey wishes to convey its findings? Other scientists and engineers, yes. But beyond them, by far a larger audience: teachers, students, businessmen, planners, and Federal, State, county, and municipal officials–in short, the public.

More than 50 years ago former Director George Otis Smith recognized the same problem. His plea for “Plain Geology” was a classic, just as applicable now as it was in 1921. It is herewith reprinted to make it generally available.

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