There are a wide range of interactions between 'science' and 'the public'. Examples range from visiting a museum, or indulging in a science-related hobby, to reading a newspaper article about a breakthrough in the techniques of therapeutic cloning. Many of these interactions could be said to be 'passive'. This unit explores the practicalities of the public becoming more 'active' in the direction of science practice by 'two-way' interactions, with dialogue taking place between science and some part of 'the public',

This course is a graduate introduction to natural language processing - the study of human language from a computational perspective. It covers syntactic, semantic and discourse processing models, emphasizing machine learning or corpus-based methods and algorithms. It also covers applications of these methods and models in syntactic parsing, information extraction, statistical machine translation, dialogue systems, and summarization. The subject qualifies as an Artificial Intelligence and Applications concentration subject.

This webpage displays a common conversation between three friends. The structure and topics of the conversation are purposefully general so as to be helpful to students' ability to create and sustain conversations of their own. The conversation includes Arabic text, transliteration, and translation.

Salam Dear Visitor,

This is the first edition of the “Arabic Language Through Dialogue” 1, 2 and 3 series in addition to the Iraqi Dialect through Dialogue book. The series attempts to make learning of the Arabic language more accessible and enjoyable to non-native speakers of Arabic using dialogues and communicative exercises that relate to the dialogue in each lesson. The series was made possible by partial funding and complete encouragement from the Language Acquisition Resource Center (LARC) under the directorship of Dr. Mary Ann Lyman-Hager and hosted at the San Diego State University. Dr. Ghada Osman, the director of the Center of Arabic and Islamic Studies at the San Diego State University, offered us invaluable advice and encouragement. In these books you will see the following:
1.High frequency dialect (A’miyyah) utterances are incorporated in each dialogue to give the learner a flavor of a’miyyah across the Arab world.
2.Arabic music and songs are used to teach the various dialects of the Arab world and to infuse the books with Arab culture.
3.The dialogues deal with everyday life issues from ordering food to renting a house to buying a car to talking about School and politics and social issues. All of this is done in a very easy MSA language that approximates the spoken language of educated Arabs.
4.Idiomatic expressions are incorporated in the dialogues.
5.Famous Arabic proverbs are part of every lesson in Book 3 and they come from a different región in the Arab world. We did not want to focus on one dialect as we wanted to expose learners to the 4 major Arabic dialects through songs, idiomatic expressions and high frequency words and then leave it up to the learner to decide which one he/she is most interested in. Once they decide which dialect they want to pursue, they can then plan their summer or semester abroad based on that knowledge.
6.Many games and fun activities are incorporated in each lesson.
7.Grammar is an important piece of these books but it is not the centerpiece. Learners will be exposed to all the grammatical notions and concepts needed to build their linguistic knowledge but the our focus remains on the USING the language rather than knowing ABOUT the language.
8.All the dialogues are available here on this page to listen to.
9.Tahiyyati and I hope that you enjoy learning Arabic using this series

This textbook is designed for beginning-intermediate English language learners. It is composed of 7 chapters, each of which covers specific speaking and listening learning objectives and includes dialogues, interviews, discussions and conversation activities. Each chapter includes listening and speaking components such as dialogues, interviews, discussions and conversation activities. Each chapter also focuses on 10 target words from the New General Service List of English vocabulary. The textbook includes an audio component that consists of recorded conversations of native and non-native English speakers, as well as links to additional listening resources on the web.

I have slightly changed from my preliminary lesson idea and changed it to focus on communication and conflict resolution. This lesson is on understanding the issue of conflict and conflict resolution through dialouge. I designed the lesson keeping Aisha in mind. She reported having conflict with their community regarding girls education due to lack of communication with the community members. I have added my lesson plan here, would appreciate feedback for the material. Thank you!

CultureTalk - Arab World features a very extensive selection of filmed interviews with people from different countries in the Arabic speaking world. While some interviews are in English, the vast majority are in Arabic. Translations and usually transcripts are provided for all non-English video clips. Topics include family, food, education, religious and cultural customs, work, art, sport, travel, etc. The regions covered are the Levant, North Africa, Egypt, and Mauritania, with an Iraqi section on the way.

This brief handout provides an explanation of what dialogue is and how it is formatted and provides space for practice.

This manual, written in 1914, includes a very basic introduction to the colloquial Egyptian Arabic spoken in Cairo. The 80-page text focuses mostly on vocabulary and contains 28 different word lists. There is also a brief section on grammar, one on the Arabic alphabet and how it is pronounced in Egypt, and a collection of sample dialogues. Although the book covers the alphabet, most sections rely on transliteration into Latin characters. The filesize of the PDF is 5 MB.

The 11th grade learning experience consists of 7 mostly month-long units aligned to the Common Core State Standards, with available course material for teachers and students easily accessible online. Over the course of the year there is a steady progression in text complexity levels, sophistication of writing tasks, speaking and listening activities, and increased opportunities for independent and collaborative work. Rubrics and student models accompany many writing assignments.Throughout the 11th grade year, in addition to the Common Read texts that the whole class reads together, students each select an Independent Reading book and engage with peers in group Book Talks. Students move from learning the class rituals and routines and genre features of argument writing in Unit 11.1 to learning about narrative and informational genres in Unit 11.2: The American Short Story. Teacher resources provide additional materials to support each unit.

In this unit, students will explore great works of American literature and consider how writers reflect the time period in which they write. They will write two literary analysis papers and also work in groups to research and develop anthologies of excellent American stories.

ACCOMPLISHMENTS

Students read and analyze stories from several 19th-, 20th-, and 21st-century American authors. After researching a time period, they select stories from that period to create an anthology. The readings enhance their understanding of the short story, increase their exposure to well-known American authors, and allow them to examine the influence of social, cultural, and political context.
Students examine elements of short stories and have an opportunity for close reading of several American short stories. During these close readings, they examine the ways that short story writers attempt to explore the greater truths of the American experience through their literature.

GUIDING QUESTIONS

These questions are a guide to stimulate thinking, discussion, and writing on the themes and ideas in the unit. For complete and thoughtful answers and for meaningful discussions, students must use evidence based on careful reading of the texts.

If you were to write a short story about this decade, what issues might you focus on?
What defines a short story? Just length?
To what extent do these stories reflect the era or decade in which they were written?
To what extent are the themes they address universal?

CLASSROOM FILMS

History.com has short videos on the Vietnam War (“Vietnam” and “A Soldier's Story”).

In this lesson, students will explore dialogue and speech. They'll work with each other to understand the significance of the language and diction we use and consider how we are judged by the way we speak.

In this lesson, students will focus on the use of point of view in the short story. They will re-examine first-person narration in “The Tell-Tale Heart” and also consider third-person narration in Kate Chopin's “Regret.”

This lesson is to foster an understanding of how screenplay ideas are written, developed and supported with events, characters, dialogue, and other elements.

Note: Original .01 Ideas Lesson Plan created by Albion Movie, Inc.; this version modified for Adult Learners with their permission.

____________________________________________________________________________From Albion Movie, Inc.:  "BROUGHT TO YOU BY OUR SPONSOR:Our lesson plans are available at no cost to educators, thanks to the generosity of our education sponsor. Please visit the Bradenton Gulf Islands on Florida’s Gulf Coast". ____________________________________________________________________________This lesson is to foster an understanding of how screenplay ideas are written, developed and supported with events, characters, dialogue, and other elements.Note: Original .01 Ideas Lesson Plan created by Albion Movie, Inc.; this version modified for Adult Learners with their permission.  Learner Audience / Primary UsersAdult, 9th-12th grade reading level , non-traditional student working towards achieving a high school diploma Addresses: College & Career Readiness Standards (CCRS) AlignmentLevel: Adult EducationGrade Level: CCRS Grade Level E (9-12 grade reading level)Subject: CCRS English Language Arts Strand: CCRS Writing StrandSub-strand: Writing of Literature, History/Social Studies, or Technical subjectsStandard Description: CCRS description(s) for the specific standard(s) and supporting standard(s) that align with your lesson:CCR Anchor 3: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details and well-structured event sequences.Prior Knowledge Students must read and write at the 9th grade level; have the ability to navigate the Internet, and type into a Word processor.Lesson Author & License Lesson Author: Suzanne Ensmann (Modified for Adult Ed students; original .01 Ideas Lesson Plan created by  Albion Movie, Inc.: "BROUGHT TO YOU BY OUR SPONSOROur lesson plans are available at no cost to educators, thanks to the generosity of our education sponsor. Please visit the Bradenton Gulf Islands on Florida’s Gulf Coast"). License for .01 Ideas Lesson Plan: Creative Commons CC BY 4.0 license 

This webpage lists intermediate-level conversational phrases and terms. The terms are listed in Arabic, transliteration, and English translation. The more difficult terms are presented with brief commentary to supply context. The listed terms and phrases include words conducive to beginning and sustaining fairly complex and wide-ranging conversations.

This online textbook represents materials that were used in the first four semesters (two years) of the Mandarin program at MIT. They eventually formed the basis of a print textbook of the same name, published by Yale University Press. The OCW course materials were extensively revised, and at times reordered, before publication, but the general principles of the original remain: to provide a comprehensive resource for the foundation levels of the Chinese language that separates the learning of oral skills from literary (the former being transcribed in pinyin, and the latter in characters). This resource contains the complete online version of the text and accompanying audio recordings.

In this seminar, you’ll learn about dialogue, including how writers use it to “move” their stories along. As a narrator, you will practice using dialogue, which will help you understand how people involved in conflict interact genuinely. Some lines of dialogue will be longer than others; there’s a reason for that. Some narratives have very little dialogue; there’s a reason for that. Ultimately, you will continue to analyze the perspectives of characters (people) in a narrative setting to better understand the human condition and how their voices contribute to it. This seminar will require innovation on your part, as you will not only learn terminology associated with dialogue, but also put those devices into action as you create your own (mini) narrative with characters who interact.StandardsCC.1.4.9-10.MWrite narratives to develop real or imagined experiences or events.CC.1.4.9-10.NEngage and orient the reader by setting out a problem, situation, or observation, establishing one or multiple points of view, and introducing a narrator and/or characters.CC.1.4.9-10.PCreate a smooth progression of experiences or events using a variety of techniques to sequence events so that they build on one another to create a coherent whole; provide a conclusion that follows from and reflects on what is experienced, observed, or resolved over the course of the narrative. 

This class introduces the craft of writing for the theater. Through weekly assignments, in class writing exercises, and work on a sustained piece, students explore scene structure, action, events, voice, and dialogue. We examine produced playscripts and discuss student work. This class’s emphasis is on process, risk-taking, and finding one’s own voice and vision.