This resource was created by Jennifer Trenhaile, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

This resource was created by Kelly Schrunk, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

This resource was created by Jill Stark, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

This course examines the history, techniques, and aesthetics of mechanical and computer-aided approaches to algorithmic music composition and generative music systems. Through creative hands-on projects, readings, listening assignments, and lectures, students will explore a variety of historical and contemporary approaches. Diverse tools and systems will be employed, including applications in Python, MIDI, Csound, SuperCollider, and Pure Data.

This course is an investigation into the history and aesthetics of music and technology as deployed in experimental and popular musics from the 19th century to the present. Through original research, creative hands-on projects, readings, and lectures, the following topics will be explored. The history of radio, audio recording, and the recording studio, as well as the development of musique concrète and early electronic instruments. The creation and extension of musical interfaces by composers such as Harry Partch, John Cage, Conlon Nancarrow, and others. The exploration of electromagnetic technologies in pickups, and the development of dub, hip-hop, and turntablism. The history and application of the analog synthesizer, from the Moog modular to the Roland TR-808. The history of computer music, including music synthesis and representation languages. Contemporary practices in circuit bending, live electronics, and electro-acoustic music, as well as issues in copyright and intellectual property, will also be examined. No prerequisites.

This course is a creative, hands-on exploration of contemporary and historical approaches to live electronics performance and improvisation, including basic analog instrument design, computer synthesis programming, and hardware and software interface design.

This course is an introduction to music recording and audio production from both a practical and a theoretical perspective. Learn about the physical nature and human perception of sound, how it is transformed to and from electrical signals by means of microphones and loudspeakers, and how it can be creatively modeled through mixing consoles, signal processors, and digital audio workstations. The course covers making informed choices about microphone selection and positioning, and various editing, mixing, and mastering techniques.

In this course, we will rebuild the everyday sounds of nature, machines, and animals from scratch and encapsulate them in dynamic sound objects which can be embedded into computer games, animations, movies, virtual environments, sound installations, and theatre productions. You will learn how to analyze and model sounds and resynthesize them with the open-source graphical programming environment Pure Data (Pd). Our work will be guided by Andy Farnell’s book Designing Sound (MIT Press, 2010). No previous programming experience is required.

This unit is based on the fourth-grade core text, Yolonda's Genius , by Carol Fenner. It intends to connect the core text to the general music curriculum and focus on responding and expressing identity through music. Students will concentrate on the responding and connecting processes from the National Core Arts Standards. Students will spend time exploring the identity of Andrew, the young boy in the novel who cannot read and barely speaks, but creates incredible music with his harmonica. Students will then create what they believe Andrew's music sounds like, and use what they learn about Andrew's creative process and the musical elements to create an original composition based on their own identity. This unit would work best if the General Music teacher works together with the fourth-grade Language Arts teacher.

Hip hop music is a staple of music lovers around the world. With its strong, rhythmic beat and lyrical rap vocal tracks, the genre that originated in New York City after the Civil Rights Movement has grown into one of the most popular styles of music in the world.

In this lesson, students will learn about hip hop as a tool for empowerment and critically analyze its place in American history as they read, analyze, and respond to film clips and lyrics from select songs. Through the discussion questions and activities, students will question the historical complexities and come up with their own interpretation of how music can be a tool for empowerment.

Students will answer questions before, during, and after watching the clips. Teachers may choose to have students create a social post/poem/rap about a social issue or create a presentation about a song with social justice themes. The lesson also allows students to explore other songs with social justice messages, across genres.

The activities in this lesson can be implemented across curricula, including, music, history, ELA, and non-academic classes (e.g., advisory).

More About This Resource
About the Authors:

This resource was developed by PBS Digital Innovator All Star Educators. The PBS Digital Innovator All Star program brings together a community of PreK-12th grade educators, who are hometown thought-leaders and classroom changemakers, for ongoing professional learning and growth. The program creates opportunities for participants to share strategies, learn from peers and leverage PBS platforms to elevate their own ideas and voice.

PBS Digital Innovator All Stars are characterized by their ability to seamlessly integrate media and digital technology into their learning environments, inspiring students to use media and emerging technologies in responsible, effective and empowering ways.

David Upegui is a Latino immigrant who found his way out of poverty through science. He currently serves as a science teacher at his alma mater, Central Falls High School (RI) and as an adjunct professor of Education. His personal philosophy and inclusive approach to science education have enabled students to become problem-solvers and innovative thinkers. He has a keen ability to engage students in learning, exploring, and contributing to science. He received the NABT’s Outstanding Biology Teacher Award (2021) and the Evolution Education Award (2014) as well as the Presidential Award for Excellence in Mathematics and Science Teaching in 2019 (2017 cohort). Upegui started, and runs, the school's Science Olympiad team and has contributed to several publications on science education and appropriate pedagogy. He completed his doctoral degree in education at the University of RI, focusing on science education and social justice.

Darnell Williams was born on the south-side of Chicago. As a child his family traveled to different parts of the United States during his father’s service in the Navy. Williams would go on and obtain his B.A in Childhood Studies of Psychology at Rutgers University- Camden. Soon after, Williams would become an English Language Arts teacher and Social Studies teacher. In 2020 Williams would have the honor of becoming a Digital Innovator and work on several projects. During this time, Williams would also obtain his Masters in Educational Leadership. Williams would be recognized for his educational leadership during the Covid-19 pandemic. He is currently the Supervisor of Pupil Services in Hamilton Township School District in Mays Landing, New Jersey. Williams in dedicated to serving staff and students in mental health and equity.

Sensitive: This resource contains material that may be sensitive for some students. Teachers should exercise discretion in evaluating whether this resource is suitable for their class.

Since the beginning of time Phi—also known as the golden ratio—has inspired the world around us. Have you ever noticed how some pieces of music just seem to make sense? From the notes and chords to the phrasing and dynamics, they can all feel like they were meant to go together. Many people believe this is not a coincidence but the golden ratio in action.

This course is an introduction to selected musical traditions of West Africa. A variety of musical practices and their cultural contexts will be explored through listening, reading, and written assignments, with an emphasis on class discussion. The course includes in-class instruction in West African drumming, song and dance, as well as lecture-demonstrations by guest artists.
After an introductory unit, the course will be organized around four main geographical areas: Senegal, Mali, Ghana, and Nigeria. An in-depth study of music from these countries will be interspersed with brief overviews of Southern, Central, and East Africa.

This course focuses on Hindustani classical music of North India, and also involves learning about the ancient foundations of the rich classical traditions of music and dance of all Indian art and culture. Students explore the practice the ragas and talas through learning songs, dance, and drumming compositions, and develop insights through listening, readings, and concert attendance.

Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation.

Reflections on book publishing in a digital and online world

Long Description:
Reflections on digital publishing and related matters, with links to other articles, posts and comments.

Please credit Anna von Veh, if any of the material is referenced. Thanks:)

Word Count: 5242

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Past and present come together when students interview their parents and create a skit that compares their parents' experiences as middle schoolers with the students own lives.

An Open Access Anthology of Greek and Roman Myth

Short Description:
Mythoi Koinoi: An Online, Open-Access Anthology of Greek and Roman Myth provides undergraduate university students with free, easy access to primary source texts and images for Greek and Roman mythology. Mythoi Koinoi means "Mythology for the People" in Ancient Greek, and it is intended to give everyone who engages with it access to the writings and artistic creations of the ancient Greeks and Romans.

Long Description:
Mythoi Koinoi: An Online, Open-Access Anthology of Greek and Roman Myth began with the observation that many of the texts that we study in our Greek and Roman mythology classes have translations that are available online, either in the public domain or under open access copyright, though many of them are archaic, unreadable, and therefore inaccessible to modern students. Accessibility, then, has been the guiding principle for the book. We set out to update these open access translations, providing clear introductions that situate each text according to time, place, and genre, and organizing them into thematic chapters. We have adapted all translations that are more than forty years old for readability, while maintaining the integrity of the text and its faithfulness to the original languages.

Additionally, while there are thousands of primary source images related to Ancient Greek and Roman mythology available online, they are generally uncontextualized and scattered across multiple platforms, including museum databases, open access media collections, and popular webpages. We collected and organized these images, situating them within their respective chapters and providing necessary context for identification and interpretation.

The anthology contains more than 80 primary source texts from 35 authors, along with hyperlinks to online translations of many more. It has more than 600 high-resolution images of artwork from ancient Greece and Rome. In crafting the book, we have followed best practices for Universal Design for Learning. All images come with captions, descriptions and alternate text, for those that are unable to view them. There are over 500 glossary entries that are accessible either through links within each of the primary texts, or through the glossary section at the back of the book.

The book contains 43 chapters, organized into 7 parts, starting from the myths of creation and destruction, and going through the aftermath of the Trojan War. The sixth chapter focuses specifically on mythology unique to Ancient Rome, and the seventh chapter focuses on the mythology and archaeology of cities and spaces. We have also included mythology from Mesopotamia and the Levant in two chapters, “Aphrodite” and “Flood Myths.” We hope that these chapters will give instructors and students the opportunity to explore some of the ways in which ancient Greek and Roman myth is connected to earlier mythology from ancient West Asia.

Word Count: 386906

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This Narrated PowerPoint is for 2nd grade music. It covers notes and rests with examples and a short song.

Albuquerque’s thriving hip-hop and freestyle dance scene is influenced by Indigenous dancers from many tribes, Pueblos and other communities. A strong sense of solidarity holds it all together, say dancers Anne Pesata (Jicarilla Apache) and Raven Bright (Diné). The couple describes the scene as “Indigenous futurism.” Meet Randy L. Barton, or Randy Boogie, a dancer, DJ and artist (Navajo) who created The Sacred Cypher, an event that highlights how Indigenous art forms connect with hip-hop.

Engaging lesson for 7-12 students to learn and celebrate the contribution of Native Americans to Rock & Roll History.  Lesson to be used for 7-12 during Native American Heritage Month.  Nebraska Fine Arts Standard:   FA 12.4.3.d  & FA 8.4.3.d  Connect music to historical and cultural contexts, the arts (glossary), other disciplines, and life experience through responding.