This collection uses primary sources to explore the poetry of Emily Dickinson. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

In this course, we will investigate popular culture and narrative by focusing on the relationship between literary texts and comics. Several questions shape the syllabus and provide a framework for approaching the course materials: How do familiar aspects of comics trace their origins to literary texts and broader cultural concerns? How have classic comics gone on to influence literary fiction? In what ways do contemporary graphic narratives bring a new kind of seriousness of purpose to comics, blurring what’s left of the boundaries between the highbrow and the lowbrow? Readings and materials for the course range from the nineteenth century to the present, and include novels, short stories, essays, older and newer comics, and some older and newer films. Expectations include diligent reading, active participation, occasional discussion leading, and two papers.

Serial Storytelling examines the ways the passing and unfolding of time structures narratives in a range of media. From Rembrandt’s lifetime of self-portraits to The Wire, Charles Dickens’ Pickwick Papers to contemporary journalism and reportage, we will focus on the relationships between popular culture and art, the problems of evaluation and audience, and the ways these works function within their social context.

In this lesson, you will examine how popular music reflects the diverse attitudes of the American people at different times throughout history.  Through hands-on activities, you will learn how music can empower people to fight for a common cause. You will discover how protest songs evolved throughout history. For the culminating activity, you will create an annotated playlist of your top ten protest songs of all time.StandardsCC.8.5.9-10.D: Determine the meaning of words and phrases as they are used in a text, including vocabulary describing political, social, or economic aspects of history/social science.

In this project, you will explore a real-world problem, and then work through a series of steps to analyze that problem, research ways the problem could be solved, then propose a possible solution to that problem. Often, there are no specific right or wrong solutions, but sometimes one particular solution may be better than others. The key is making sure you fully understand the problem, have researched some possible solutions, and have proposed the solution that you can support with information / evidence.Begin by reading the problem statement in Step 1. Take the time to review all the information provided in the statement, including exploring the websites, videos and / or articles that are linked. Then work on steps 2 through 8 to complete this problem-based learning experience.This project addresses the following:Habits of Mind: Creating, imagining, innovatingCritical Thinking Skills: Analyze/evaluate

In this project, you will explore a real-world problem, and then work through a series of steps to analyze that problem, research ways the problem could be solved, then propose a possible solution to that problem. Often, there is no specific right or wrong solutions, but sometimes one particular solution may be better than others. The key is making sure you fully understand the problem, have researched some possible solutions, and have proposed the solution that you can support with information / evidence.This project will focus on the following:Habits of Mind: Questioning and posing problemsCritical Thinking Skills: Analyze/evaluateBegin by reading the problem statement in Step 1. Take the time to review all of the information provided in the statement, including exploring the websites, videos and / or and articles that are linked. Then work on steps 2 through 8 to complete this problem-based learning experience.

In this project, you will explore a real-world problem, and then work through a series of steps to analyze that problem, research ways the problem could be solved, then propose a possible solution to that problem. Often, there are no specific right or wrong solutions, but sometimes one particular solution may be better than others. The key is making sure you fully understand the problem, have researched some possible solutions, and have proposed the solution that you can support with information / evidence.Begin by reading the problem statement in Step 1. Take the time to review all the information provided in the statement, including exploring the websites, videos and / or articles that are linked. Then work on steps 2 through 8 to complete this problem-based learning experience.This project will address the following:Habits of Mind: Thinking flexiblyCritical Thinking Skills: Analyze/evaluate

This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them.

This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism).

This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others).

Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.

This curriculum unit investigates self-identity, social-identity and the historical conditions that give rise to both. Using Ralph Ellison’s novel, Invisible Man students will examine the relationship between racism, exploitation and identity formation. Throughout the unit, students will use close reading techniques to develop an analysis of the nameless protagonist. Additionally, students will study the political figures and historical moments that are reflected in the Invisible Man’s identity. This unit addresses strategies for providing “non-traditional” AP Literature and Composition students an entry point into AP curriculum. At the culmination of the unit, students will write a literary analysis of the novel.

In this video from the American Masters film Ralph Ellison: An American Journey, scholars discuss conflicts between Ralph Ellison and the leaders of the Black Arts Movement. Ellison was often criticized for prioritizing aesthetics over politics, putting him at odds with a younger generation of Black artists who had lost faith in the integrationist ideals of an earlier era.

Sensitive: This resource contains material that may be sensitive for some students. Teachers should exercise discretion in evaluating whether this resource is suitable for their class.

This lesson integrates coding and computer science into English Language Arts for the purpose of fostering appreciation of Shakespearean wit and language and to provide students exposure to coding. Students first choose words that carry insulting connotations from a Shakespearean play and then create a program that randomly generates insults based upon those found words. Swift Playgrounds, Scratch, or Raspberry Pi are recommended resources for creating this project, and links to projects are provided for each of these platforms. Sample code and directions are provided. Students who are beginning to learn coding may complete the code while more advanced individuals may modify the program or create their own.

This lesson integrates coding and computer science into English Language Arts for the purpose of fostering appreciation of Shakespearean wit and language and to provide students exposure to coding. Students first choose words that carry insulting connotations from a Shakespearean play and then create a program that randomly generates insults based upon those found words. Swift Playgrounds, Scratch, or Raspberry Pi are recommended resources for creating this project, and links to projects are provided for each of these platforms. Sample code and directions are provided. Students who are beginning to learn coding may complete the code while more advanced individuals may modify the program or create their own.

Infographic developed as a sample student assignment for the Designing with OER fellowship from the Open Ed Group.

Great works of fiction often take us to far-off places; they sometimes conduct us on journeys toward a deeper understanding of what’s right next door. We’ll read, discuss, and interpret a range of short and short-ish works: The reading list will be chosen from among such texts as “Gilgamesh,” Homer’s Odyssey (excerpts), Bunyan’s The Pilgrim’s Progress (excerpts), Swift’s Gulliver’s Travels, Mary Shelley’s Frankenstein, Conrad’s Heart of Darkness, Saleh’s Season of Migration to the North, Woolf’s To the Lighthouse, John Cheever’s “The Swimmer,” Coetzee’s The Life and Times of Michael K, Irving’s “Rip Van Winkle,” Toni Morrison’s Jazz, H. G. Wells’ The Time Machine, Twain’s The Adventures of Huckleberry Finn, Beckett’s How It Is, Calvino’s Invisible Cities, Forster’s A Passage to India. As a CI-H class, this subject will involve substantial practice in argumentative writing and oral communication.

In the Civil War and Reconstruction unit, students engage in contentious historiographic debates about the period--Was Lincoln a racist? Was Reconstruction a success or failure? Was John Brown a "misguided fanatic"? Did Lincoln free the slaves, or did the slaves free themselves? The unit includes two Structured Academic Controversy lessons, an Opening Up the Textbook lesson on sharecropping, and a look at Thomas Nast's political cartoons.

How do you read a poem? Intuition is not the only answer. In this class, we will investigate some of the formal tools poets use—meter, sound, syntax, word-choice, and other properties of language—as well as exploring a range of approaches to reading poetry, from the old (memorization and reading out loud) to the new (digitally enabled visualization and annotation). We will use readings available online via the generosity of the Poetry Foundation and the Academy of American Poets. We will also think collectively about how to approach difficult poems.

“Reading Poetry” has several aims: primarily, to increase the ways you can become more engaged and curious readers of poetry; to increase your confidence as writers thinking about literary texts; and to provide you with the language for literary description. The course is not designed as a historical survey course but rather as an introductory approach to poetry from various directions – as public or private utterances; as arranged imaginative shapes; and as psychological worlds, for example. One perspective offered is that poetry offers intellectual, moral and linguistic pleasures as well as difficulties to our private lives as readers and to our public lives as writers. Expect to hear and read poems aloud and to memorize lines; the class format will be group discussion, occasional lecture.

The central concern of this class is the historical relationship between the social lives of everyday people and U.S. American poetics, with a special emphasis on what June Jordan once termed the “difficult miracle of Black poetry in America.” How does poetry help us to know one another? And how might we better understand the particular role of poetry, of poiesis, for those historically barred from the very practice of reading or writing, from ownership (even of one’s own body), and various generally recognized forms of belonging? For this course, these will be some of our animating questions.

After reading your 'free choice' selection - please answer the following questions on a separate piece of paper. 1) Tell me three things that happened in your reading today? 2) Why did you pick those things? How do they relate to the story as a whole?3) What do you will predict will happen next? Why do you think that? (use evidence to support your answer)

This seminar aims to develop a teaching knowledge of the field through extensive reading and discussion of major works. The reading covers a broad range of topics - political, economic, social, and cultural - and represents a variety of historical methods.