This course meets weekly to discuss recent aerospace history and current events, …
This course meets weekly to discuss recent aerospace history and current events, in order to understand how they are responsible for the state of the aerospace industry. With invited subject matter experts participating in nearly every session, students have an opportunity to hone their insight through truly informed discussion. The aim of the course is to prepare junior and senior level students for their first industry experiences.
In this unit, students will become familiar with fables and trickster tales …
In this unit, students will become familiar with fables and trickster tales from different cultural traditions and will see how stories change when transferred orally between generations and cultures. They will learn how both types of folktales employ various animals in different ways to portray human strengths and weaknesses and to pass down wisdom from one generation to the next. Use the following lessons to introduce students to world folklore and to explore how folktales convey the perspectives of different world cultures.
Today we are talking about art and aesthetic appreciation. What makes something …
Today we are talking about art and aesthetic appreciation. What makes something an artwork? Can art really be defined? Is aesthetic value objective or subjective? Can taste be developed? How? --
How do art and morality intersect? Today we look at an ethically …
How do art and morality intersect? Today we look at an ethically questionable work of art and discuss R. G. Collingwood’s view that art is best when it helps us live better lives. We’ll go over Aristotle’s concept of catharsis and how it can resolve the problem of tragedy. We are also exploring the paradox of fiction and the debate between autonomism and moralism.
This course considers how, despite its immense diversity, Africa continues to hold …
This course considers how, despite its immense diversity, Africa continues to hold purchase as both a geographical entity and meaningful knowledge category. It examines the relationship between articulations of “Africa” and projects like European imperialism, developments in the biological sciences, African de-colonization and state-building, and the imagining of the planet’s future. Readings in anthropology and history are organized around five themes: space and place, race, representation, self-determination, and time.
Rodney Leon, African Burial Ground National Monument, 2006, New York City, An …
Rodney Leon, African Burial Ground National Monument, 2006, New York City, An ARCHES video, speakers Dr. Renée Ater and Dr. Steven Zucker. Created by Smarthistory.
So, today we’re talking about African Pantheons. Now, you might say, that’s …
So, today we’re talking about African Pantheons. Now, you might say, that’s ridiculous. Africa isn’t a single place with a single pantheon, and we’d be fools to try and cover all that in an eleven minute video. You’d be right. Instead we’re going to focus on Yoruba religion from west Africa, and the Orishas that populate Yoruba stories. The many, many Orishas cover all aspects of life, and can be pretty specialized. We’re going to focus on a dozen or so.
The African Storybook (ASb) is a literacy initiative that provides openly licensed …
The African Storybook (ASb) is a literacy initiative that provides openly licensed picture storybooks for early reading in the languages of Africa. Developed and hosted by Saide, the ASb has an interactive website that enables users to read, create, download, translate, and adapt stories. The initiative addresses the dire shortage of children’s storybooks in African languages, crucial for children’s literacy development.
How a portrait of an African muslim came to hang side-by-side with …
How a portrait of an African muslim came to hang side-by-side with the founding fathers in one of America's earliest museums. Charles Willson Peale, Portrait of Yarrow Mamout (Muhammad Yaro), 1819, oil on canvas, 61 x 50.8 cm (Philadelphia Museum of Art) Speakers: Dr. Carol Eaton Soltis, Project Associate Curator, Philadelphia Museum of Art and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/
Sometime after 1492, the concept of the New World or America came …
Sometime after 1492, the concept of the New World or America came into being, and this concept appeared differently - as an experience or an idea - for different people and in different places. This semester, we will read three groups of texts: first, participant accounts of contact between native Americans and French or English speaking Europeans, both in North America and in the Caribbean and Brazil; second, transformations of these documents into literary works by contemporaries; third, modern texts which take these earlier materials as a point of departure for rethinking the experience and aftermath of contact. The reading will allow us to compare perspectives across time and space, across the cultural geographies of religion, nation and ethnicity, and finally across a range of genres - reports, captivity narratives, essays, novels, poetry, drama, and film. Some of the earlier authors we will read are Michel Montaigne, William Shakespeare, Jean de Léry, Daniel Defoe and Mary Rowlandson; more recent authors include Derek Walcott, and J. M. Coetzee.
A PowerPoint presentation that takes students through a choose-your-own adventure style activity …
A PowerPoint presentation that takes students through a choose-your-own adventure style activity simulating the life choices of Jewish immigrants to the United States in the late 19th/early 20th century.
Conservators, scientists, and curators tell the story behind the unprecedented conservation of …
Conservators, scientists, and curators tell the story behind the unprecedented conservation of Tullio Lombardo's Adam. The life-size marble statue of Adam, carved by Tullio Lombardo (Italian, ca. 1455–1532), is among the most important works of art from Renaissance Venice to be found outside that city today. Made in the early 1490s for the tomb of Doge Andrea Vendramin, it is the only signed sculpture from that monumental complex. The serene, idealized figure, inspired by ancient sculpture, is deceptively complex. Carefully manipulating composition and finish, Tullio created God's perfect human being, but also the anxious victim of the serpent's wiles. In 2002, Adam was gravely damaged in an accident. Committed to returning it to public view, the Museum undertook a conservation treatment that has restored the sculpture to its original appearance to the fullest extent possible. The exhibition allows Adam to be viewed in the round and explains this unprecedented twelve-year research and conservation project. It also inaugurates a new permanent gallery for Venetian and northern Italian sculpture. The installation of this gallery was made possible by Assunta Sommella Peluso, Ignazio Peluso, Ada Peluso, and Romano I. Peluso.
This is the output of Etwinning Project Agents of Change: Young Voices …
This is the output of Etwinning Project Agents of Change: Young Voices for the Environment! The challenge is to integrate environmental education concepts into all aspects of quality education by considering three domains: the environment, education and society. Students will need basic knowledge from the natural sciences, social sciences and humanities to understand the principles of sustainable development. Reorienting the existing learning environments of schools towards eco-friendly schools is the next innovative and relevant step towards enhanced quality education. While young people are among the most vulnerable to climate change, they need not be considered passive or helpless victims. Through education, projects and action, young people can contribute to every aspect of climate change policymaking, mitigation and adaptation. Youth are powerful agents of change. In this project we are aiming to bring together school students from across different European countries (to promote mutual understanding, increase leadership skills, and prepare them to make a difference.
This course asks students to consider the ways in which social theorists, …
This course asks students to consider the ways in which social theorists, institutional reformers, and political revolutionaries in the 17th through 19th centuries seized upon insights developed in the natural sciences and mathematics to change themselves and the society in which they lived. Students study trials, art, literature and music to understand developments in Europe and its colonies in these two centuries. Covers works by Newton, Locke, Voltaire, Rousseau, Marx, and Darwin.
A resource for librarians, early education teachers, child care providers and parents …
A resource for librarians, early education teachers, child care providers and parents to share books and literacy activities with children ages birth to 5. The content in this storytime lesson plan aligns with Every Child Ready to Read (ECRR) practices and Minnesota Early Childhood Indicators of Progress (ECIPs). Users are encouraged to remix the lesson plan to keep it up to date and comment with their successes and failures in using the listed resources.
In the process of crafting millions of porcelain sunflower seeds, Chinese artist …
In the process of crafting millions of porcelain sunflower seeds, Chinese artist Ai WeiWei creates a work of art as well as a positive social project for the village in rural China he employed to make the seeds. Follow Sunflower Seeds on its remarkable journey from conception to delivery, and hear the artist talk about his unique socio-political approach to making art. Created by Tate.
All art is political in the sense that all art takes place …
All art is political in the sense that all art takes place in the public arena and engages with an already existing ideology. Chinese artist, Ai Weiwei, offers an important contemporary example. The news that Chinese artist Ai Weiwei has been detained by authorities has prompted significant concern. Ai Weiwei has ben arrested by the Chinese authorities.
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