Data Management Expert Guide
This guide is designed by European experts to help social science researchers make their research data Findable, Accessible, Interoperable and Reusable (FAIR).

You will be guided by different European experts who are - on a daily basis - busy ensuring long-term access to valuable social science datasets, available for discovery and reuse at one of the CESSDA social science data archives.

You can download the full DMEG for your personal study offline (DOI: 10.5281/zenodo.3820473). PDFs for every single chapter are also available for being printed as handouts for training.

Philip N. Cohen gives an overview of the scientific information ecosystem in the context of COVID-19, with an emphasis on the role of preprints.

Data Carpentry, Software Carpentry, and Library Carpentry are branches under The Carpentries known as a learning program to develop and teach workshops on the fundamental data and coding skills needed to conduct research. Participants can request to host a workshop at their institution or organization, attend a workshop, and/or involve by becoming a certified instructor, contributing in developing the content, or just simply support the programs. All lessons in either Carpentry branch can be used to teach introduction courses in data science/library information sciences.

This is a code of best practices in fair use devised specifically by and for the academic
and research library community. It enhances the ability of librarians to rely on fair
use by documenting the considered views of the library community about best
practices in fair use, drawn from the actual practices and experience of the library
community itself.

This Code is a tool for educators, librarians, and authors to evaluate common
professional scenarios in which fair use can enable them to incorporate inserts,
including those protected by copyright, to create OER. It can provide groups
working on OER projects with a shared framework for evaluating and understanding
when and how to incorporate existing content to meet pedagogical needs

Unit 1 of this Module gives a general overview of open access movement, its genesis, and various actors. It also relates to two other interlinked public movements, namely, open source software (OSS) movement and open educational resources (OER).

Unit 2 titled “Routes to Open Access” gives overview and definitional approaches two different routes of OA – the Green and Gold routes. It also discusses a hybrid model, where toll-access e-journals are publishing open access articles. Here, subscription-based contents and open access contents coexist in a single platform.

Unit 3 titled “Networks and Organizations Promoting Open Access” elaborates roles of different regional and international networks and organizations in promoting OA. Various OA actors and advocates are found to harmonize global OA movement through formal networks and coalitions. These networks and organizations also strengthen capacity and capability of local institutions and help them in social capital formation.

Unit 4 titled “Study of OA Mandates and Policies” elaborates different institutional and funders’ OA mandates. Some of these mandates have become model OA policies for similar institutions and organizations.

Unit 5 titled “Issues and Challenges of Open Access” discusses concerns, issues and challenges related to OA scholarly literature. No doubt, there is apprehension due to arrival of predatory OA journals in OA domain, with vested profiteering interest. But there are checks and balances to avoid such predatory journals. Due to OA advocacy and awareness raising efforts, OA knowledge producers have improved researchers’ perceptions in quality and recognition of OA literature. This Unit briefly discusses different metrics and performance indicators available for assessing OA scholarly literature.

This book covers original research on the implementation of open educational practices through the use of open educational resources at the university level. The emphasis on open education in this book is on contextualising resources, supporting student agency and fostering self-directed learning specifically within a South African milieu. The envisaged chapters cover conceptual and review research and empirical work focussing on open educational practices and the use of renewable assessments. The work starts off with an overview of an institutional-wide open education project that prompted the research followed by research on open education in terms of various modules in the health science, music education, law, philosophy, dietetics, anthropology, French language learning, journalism and political science. There is a clear gap in the literature on open education in terms of open educational practices, specifically in terms of contextualising resources, supporting student agency and fostering self-directed learning in a South African context. Despite the existence of some general works on open education in terms of policy, social justice and open textbooks, this book will be unique in exploring the intersections of openness, specifically with contextualisation, student agency and self-directedness.

Information about how to determine whether a published work between 1923 and 1978 is in the public domain.

The Copyright Crash Course was created by Georgia Harper and is currently maintained by UT Libraries. The Course is arranged into several sections that allow users to explore certain areas of copyright law individually or as a group. The Course was originally created with faculty in mind, but can be used by anyone who is interested in understanding and managing their copyrights.

This lesson was created to introduce learners to Copyright law, the Fair Use Doctrine, and the Creative Commons.

Copyright Law: Cases and Materials is a free copyright law textbook designed for a four-credit copyright course, which is what we teach at NYU School of Law. Model syllabi for four-credit and three-credit courses are available in the Faculty Resources section of this website. All faculty teaching copyright law are welcome to access the Faculty Resources, including the faculty discussion forum, by becoming a registered user of the site. To register, write us at jeanne.fromer@nyu.edu or christopher.sprigman@nyu.edu.

The textbook is made available under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Under the terms of this license, you are free to copy and redistribute the textbook in part or whole in any format provided that (1) you do so only for non-commercial purposes, and (2) you comply with the attribution principles of the license (credit the authors, and link to the license). Note please that this license does not permit you to make modifications to the textbook or to create derivative works. That said, there are a wide variety of derivatives that we would gladly permit. If you want to make modifications to the textbook, please contact us.

This chart is essential for anyone interested in knowing more about copyright laws in the United States. It provides term length based on date of creation, published or unpublished works, anonymous works, works made for hire, and more. It is well organized and provides a quick overview of the law as it has changed over the years in the United States.

The Copyright X Course is taught by professors at Harvard University and is available synchronously to a limited number of librarians each year. However, the entire course content is available online and is openly licensed. This is a more traditional course on copyright and includes topics that would largely be discussed in a law classroom, such as theories underlying copyright law, cultural theory as it applies to copyright, and secondary liability for copyright. The course also covers many traditional areas of copyright, though, including basic foundations of copyright law, the different rights included with copyright (such as the right to reproduction, distribution and performance), and, of course, fair use. Included in the course are video lectures and lecture slides.

This is a full length monograph aimed at helping libraries, archives, and museums navigate copyright law involving digitization. In the course of the book, though, the authors helpfully unpack many areas of copyright law including Section 108 of the Copyright Act, Fair Use, Licensing, and Risk Management. It is a great primer on copyright law and includes many helpful key points, flowcharts and timelines.

This webinar complete with slides, a video, and an extra resources/Q&A briefing at the end is a wonderful place to start if you've never studied copyright before. It could accompany some basic copyright readings, or be used as a copyright primer on its own. It is geared towards a library science audience and is a straightforward introduction to copyright formation, fair use, basic licensing, and Creative Commons licensing.

This open education online course is designed for librarians to gain a basic understanding in copyright, international copyright issues, licensing, and it even contains a module on traditional knowledge and activism.

The modules on activism and traditional knowledge make this resource a bit unique and useful as an add-on to any "traditional" copyright training modules.

This is a full length textbook explaining copyright for librarians. It has a particularly helpful chapter explaining international treaties and the Berne three-step test. The chapter on "creative approaches and alternatives" has a helpful introduction to the Creative Commons as well as Open Access.

It also has helpful case study examples to demonstrate the concepts in an applied manner which really will help students to better understand the content of the textbook.

This book chapter provides a lesson plan for those wishing to engage a scholarly academic audience with copyright implications for authors and how to negotiate an academic publishing contract. It is an interactive "game" where students play either the author or the publisher and negotiate copyright, open access, and article publication fees.