This resource was created by Tessa Avery and Chris Swalley, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

In this video segment adapted from Haskell Indian Nations University, student filmmakers explain why it is important to them to make a video about climate change.

Do you like to paint? Watch this step by step video as artist Kristin Farr demonstrates how to paint your very own "Magic Hecksagon," which is a colorful, geometric design inspired by folk art. She uses a plethora of different colors to bring a sense of motion to her work. Watch and learn more in the interview with Kristin Farr: http://youtu.be/OX1r-3-VK-0

Do art and math have anything in common? How do artists and architects use math to create their works? In these lessons, students will explore the intersection of math and art in the works of two artists and one architect for whom mathematical concepts (lines, angles, two-dimensional shapes and three-dimensional polyhedra, fractions, ratios, and permutations) and geometric forms were fundamental.

In the United States, the nineteenth century was a time of tremendous growth and change. The new nation experienced a shift from a farming economy to an industrial one, major westward expansion, displacement of native peoples, rapid advances in technology and transportation, and a civil war. In this lesson, works of art from the nineteenth century are paired with written documents, including literary selections, a letter, and a speech. As budding historians, students can use these primary sources from the nineteenth century to reconstruct the influence of technology, geography, economics, and politics on daily life.
In this lesson students will: Learn about daily life in the United States in the 1800s through visual art and literature; Understand some of the ways in which nineteenth-century life was affected by technology, geography, economics, and politics; Apply critical-thinking skills to consider the various choices artists and writers have made in depicting daily life around them; Make personal connections to the nineteenth century by placing themselves in the contexts of works of art and readings.

Visual Arts Content and Achievement Standards for the state of North Dakota. Updated 2000.

This resource was created by Megan Reppert, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

The aim of the students from the Numeric Photography class at the MIT Media Laboratory was to present an exhibition of digital artworks which blend photography and computation, in the context of scene capture, image play, and interaction. Equipped with low end digital cameras, students created weekly software projects to explore aesthetic issues in signal processing and interaction design. The results are more than a hundred Java® applets, many of which are interactive, that suggest new avenues for image play on the computer. These weekly exercises led to the final product, an exhibition of the student work.

About the Arts, Care & Connection Lesson Collection: Arts for Learning Northwest collaborated with Oregon teaching artists on this collection of arts integration modules designed for K-5 students, with integrated social emotional learning content in the areas of dance, visual arts, theater, and music.

This resource was created by Judy Miller and Rachel Palmer, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

This resource was created by Jenna McAfee, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

This activity, inspired by the paintings of Edward Hopper and the stories of Raymond Carver, challenges students to get inside contemporary life and characters through the creation of monologues.

An investigation into the difference between street art / graffiti / vandalism, the reason people execute these types of unsanctioned markings, and whether or not the viewpoints and the markings themselves are legitimate forms of expression. Students will also propose solutions to dealing with unsanctioned public marking based on their standpoint of whether or not it is legitimate.

Jane Kim has painted hundreds of species of animals as a scientific illustrator who creates large scale installations and murals, “inspiring people to love and protect the earth one work of art at a time.” Take a trip to the California Academy of Sciences with Jane Kim as she draws inspiration from their collection and talks about an early obsession with teddy bears that led her to a life of using art to give the natural world a stronger voice.

Mix painting and poetry with this colorful, rhyming preschool module that lets children express themselves with the power of words.

Students focus on the Roman mythological story of the abduction of Europa. They compare and contrast how two artists depicted this story. Students are then introduced to the elements of foreshadowing and climax in literature, and how, through the use of color and emphasis, artists use these same elements in painting. Students write responses to the two paintings based on their observations related to foreshadowing and climax. Finally, they read an excerpt from the myth and discuss which part of the story each artist chose to illustrate.

Learning Objective: I will start the process of creating a series of paintings that show my interests and strengths as an artist.Your final project for this class will be painting a series of paintings. You will be working on this project for 3 weeks (approximately 14 hours). This week you will be planning out and deciding on what form your series will take and begin your paintings.Make sure you are painting a series of works you are interested in. You will be creating a series of 3 to 5 paintings that all have unified elements.This week, you will be coming up with the idea for your final series. You will submit an explanation of your series and also images of your preliminary sketches and begin writing your artist statement.Before you submit this creative work ask yourself a few questions; these are all questions to consider before you turn work in to be graded:Ask yourself if you spent enough time to make this work the best that it can be, or did you just rush in the end to get it done?If you just rushed in the end, what are you going to do differently next week?Really self evaluate your work and your process of working. What can you do to improve? What does improvement look like?Did you take into account the different resources and artists/designers we have learned about in this class?

This is the video that I showed embeded in the pdf in case it doesn't come up. It is from YouTube and is created by Sesame Street not by me. 

Watch as portrait artist, Jeremy Sutton reveals his inspirations, from historical art masters to the passionate subjects of his portraits. Portraits were historically commissioned by either members of the Church or the absurdly wealthy, but Sutton chooses to focus his portraits on the complete opposite -- everyday scenes from everyday members of society, almost as an act of rebellion.

This resource was created by Jill Anderson, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.