The founders of sociology in the United States wanted to make a difference. A central aim of the sociologists of the Chicago school was to use sociological knowledge to achieve social reform. A related aim of sociologists like Jane Addams, W.E.B. DuBois, and Ida B. Wells-Barnett and others since was to use sociological knowledge to understand and alleviate gender, racial, and class inequality.

Steve Barkan’s Sociology: Understanding and Changing the Social World makes sociology relevant for today’s students by balancing traditional coverage with a fresh approach that takes them back to sociology’s American roots in the use of sociological knowledge for social reform.

Print on demand edition available here: https://www.uncpress.org/book/9781469659282/sociology/

This course provides a global history of South Asians and introduces students to the cultural, social, economic, and political experiences of immigrants who traveled across the world. It studies how and why South Asians, who have migrated to America, Europe, Africa, the Caribbean and the Middle East, are considered a model minority in some countries and unwanted strangers in others. Through literature, memoirs, films, music, and historical writing, it follows South Asian migrants as they discovered the world beyond India, Pakistan, and Bangladesh.

Student pairs design, build and test model vehicles capable of rolling down a ramp and then coasting freely as far as possible. The challenge is to make the vehicles entirely out of dry pasta using only adhesive (such as hot glue) to hold the components together. Creativity is encouraged and different types of pasta are provided to support different functions such as round pasta for wheels and sheet pasta for the chassis. Students become familiar with the concepts of gravitational potential energy, kinetic energy and rolling resistance. Teams follow the steps of the engineering design process as they design, test and redesign their small-sized vehicles, working within the project's material constraints. The winner of the competitive final event is the pasta car that travels the longest distance beyond the bottom of the ramp.

What has been said of Moby-Dick—that it’s the greatest novel no one ever reads—could just as well be said of any number of American “classics” like The Scarlet Letter, Uncle Tom’s Cabin, or The Adventures of Huckleberry Finn. This course reconsiders a small number of nineteenth-century American novels by presenting each in a surprising context.

Is marriage a patriarchal institution? Much feminist scholarship has characterized it that way, but now in the context of the recent Massachusetts Supreme Court decision legalizing gay marriage, the meaning of marriage itself demands serious re-examination. This course will discuss history, literature, film, and legal scholarship, making use of cross-cultural, sociological, anthropological, and many other theoretical approaches to the marriage question from 1630 to the present. As it turns out, sex, marriage, and the family have never been stable institutions; to the contrary, they have continued to function as flash points for the very social and cultural questions that are central to gender studies scholarship.

A Good Time for the Truth explores race and intersectionality in Minnesota. Published in 2016, it experienced a resurgence after the murder of George Floyd. The authors, all from Minnesota, write personal memoirs about how race in Minnesota has affected their lives. The book provides a lot of great material for freshman composition courses. Plus, it is, quite simply, a book that everyone must read. 

In this unit I lead my Language Arts class through a reading of the classic American novel The Outsiders from a Critical Race Perspective (CRP). Starting with the introduction of the terminology associated with CRP, combined with discussions of some examples of institutionalized inequality in our country, I challenge students to look at the novel from a more critical, and fair minded point of view. In order to help students see the relevance of the novel in today’s world, I will lead them through an examination of some of the unfair and often brutal histories of “outsiders” in our country beginning with the dissemination of hundreds of Native American tribes, the sterilization of thousands during the eugenics craze, and the crisis on our southern border in which thousands have been labeled “outsiders” as others have for centuries. Through discussions, journal writing and projects meant to prompt empathy and understanding in my students, this unit will attempt to bring a new interpretation of The Outsiders to light.

Students see how different levels of surface tension affect water's ability to move. Teams "race" water droplets down tracks made of different materials, making measurements, collecting data, making calculations, graphing results and comparing to their predictions and the properties of each surface, determining which surface exhibits the highest (or lowest) level of surface tension with water. They apply their results to make engineering recommendations for real-world applications.

This is a complete course on Texas State government, developed by Austin Community College.

This course considers reggae, or Jamaican popular music more generally—in its various forms (ska, rocksteady, roots, dancehall)—as constituted by international movements and exchanges and as a product that circulates globally in complex ways. By reading across the reggae literature, as well as considering reggae texts themselves (songs, films, videos, and images), students will scrutinize the different interpretations of reggae’s significance and the implications of different interpretations of the story of Jamaica and its music. Beginning with a consideration of how Jamaica’s popular music industry emerged out of transnational exchanges, the course will proceed to focus on reggae’s circulation outside of Jamaica via diasporic networks and commercial mediascapes. Among other sites, we will consider reggae’s resonance and impact elsewhere in the Anglo Caribbean (e.g., Trinidad, Barbados), the United Kingdom (including British reggae styles but also such progeny as jungle, grime, and dubstep), the United States (both as reggae per se and in hip-hop), Panama and Puerto Rico and other Latin American locales (e.g., Brazil), Japan and Australia, as well as West, South, and East Africa (Côte d’Ivoire, Tanzania, Uganda).

Courses in the Topics in Social Theory and Practice series feature in-depth considerations of such topics with reflections on their implications for social change.
The topic for Fall 2014 is race and racism. We will consider a variety of arguments for and against the biological and / or social “reality” of race—taking into account purported races other than those defined by the black / white binary and the intersection of race with other social categories. We will then consider a number of accounts of racism, contemporary manifestations of racism, and potential counter-measures.

This course explores the forms, contents, and context of world traditions in dance that played a crucial role in shaping American concert dance. For example, we will identify dances from an African American vernacular tradition that were transferred from the social space to the concert stage. We will explore the artistic lives of such American dance artists as Katherine Dunham, Pearl Primus, and Alvin Ailey along with Isadora Duncan, Martha Graham, George Balanchine, and Merce Cunningham as American dance innovators. Of particular importance to our investigation will be the construction of gender and autobiography that lie at the heart of concert dance practice, and the ways in which these qualities have been choreographed by American artists.

U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender.

In this lesson, students will examine the growth of unemployment from 2007 through the second quarter of 2009. Using basic and/or advanced math, students will compare and contrast unemployment rates across different states and across three racial and ethnic groups. An extension activity looks at unemployment among Asian Americans and can be adapted for other populations.

This subject examines the unique culture that developed in the United States after World War II. The dawn of the nuclear age and the ensuing Cold War fundamentally altered American politics and social life. It also led to a flowering of technological experimentation and rapid innovation in the sciences. Over the course of the term, students will explore how Americans responded to these changes, and how those responses continue to shape life in the US today.

This unit seeks to develop an awareness of and the application of a Critical Race Theory lens to the reading and analysis of literature and films. Using an Inquiry based learning approach, it asks students to notice and wonder about the visual images that barrage their daily lives and the coded language they are complicit in use or acquiescence. The unit requires that students guide the inquiry by generating questions about the world as depicted in literature, seek voices not heard or ways that interests may converge. It asks students to try to make sense of their discoveries by explaining and debating positions on issues or concepts based on reflection, research and analysis. This unit seeks to empower middle and high school students to not only question the status quo but challenges them to create/recreate counternarratives reflective of utopians for the world they failed to discover in literature.

This unit will examine the genre of science fiction—specifically Afrofuturism. The genre of Afrofuturism will allow students freedom to creatively write about worlds of utopia not limited by one’s current reality and seek to modify the future by going back to alter one’s future using tools of science, mysticism, and social justice.