Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture. Through an interdisciplinary comparative and historical lens, the course defines “media” broadly as including oral, print, theatrical, photographic, broadcast, cinematic, and digital cultural forms and practices. The course looks at the nature of mediated communication, the functions of media, the history of transformations in media and the institutions that help define media’s place in society.
Over the course of the semester we explore different theoretical perspectives on the role and power of media in society in influencing our social values, political beliefs, identities and behaviors. Students also have the opportunity to analyze specific media texts (such as films and television shows) and explore the meaning of the changes that occur when a particular narrative is adapted into different media forms. We look at the ways in which the politics of class, gender and race influence both the production and reception of media. To represent different perspectives on media, several guest speakers also present lectures. Through the readings, lectures, and discussions as well as their own writing and oral presentations, students have multiple opportunities to engage with critical debates in the field as well as explore the role of media in their own lives.

Students will discover their personal political leanings through a website and express their opinion on their perceived accuracy of those findings

Designed to meet the scope and sequence of your course, OpenStax Introduction to Political Science provides a strong foundation in global political systems, exploring how and why political realities unfold. Rich with examples of individual and national social action, this text emphasizes students’ role in the political sphere and equips them to be active and informed participants in civil society. Learn more about what this free, openly-licensed textbook has to offer you and your students.

Introduction to Sociology 2e adheres to the scope and sequence of a typical, one-semester introductory sociology course. It offers comprehensive coverage of core concepts, foundational scholars, and emerging theories, which are supported by a wealth of engaging learning materials. The textbook presents detailed section reviews with rich questions, discussions that help students apply their knowledge, and features that draw learners into the discipline in meaningful ways. The second edition retains the book’s conceptual organization, aligning to most courses, and has been significantly updated to reflect the latest research and provide examples most relevant to today’s students. In order to help instructors transition to the revised version, the 2e changes are described within the preface.

Explain the significance of “one person, one vote” in determining U.S. policyDiscuss how voter participation affects politics in the United StatesExplore the influence of race, gender, and class issues on the voting process

This course explores perspectives in the policy process - agenda setting, problem definition, framing the terms of debate, formulation and analysis of options, implementation and evaluation of policy outcomes using frameworks including economics and markets, law, and business and management. Methods include cost/benefit analysis, probabilistic risk assessment, and system dynamics. Exercises include developing skills to work on the interface between technology and societal issues; simulation exercises; case studies; and group projects that illustrate issues involving multiple stakeholders with different value structures, high levels of uncertainty, multiple levels of complexity; and value trade-offs that are characteristic of engineering systems. Emphasis on negotiation, team building and group dynamics, and management of multiple actors and leadership.

This class introduces students to innovative as well as classic approaches to studying U.S. government. The writing assignments will help you explore, through a variety of lenses, statis and change in the American political system over the last three decades. In the end each student will have a solid grounding in our national political institutions and processes, sharper reading and writing skills, and insight into approaching politics critically and analytically.

This course examines Israeli identity using a broad array of materials, including popular music, film, documentaries, and art, in addition to academic historical writings. Topics include Israel’s political system and society, ethnic relations, settlement projects, and the Arab minorities in the Jewish state. Students also discuss whether there is a unique Israeli culture and the struggle for Israel’s identity.
Preference is given to students in the MISTI MIT-Israel program.

Explore the complex identity of Sammy Davis, Jr. and its impact on his career as a performer in this video from American Masters, Sammy Davis, Jr.: I've Gotta Be Me. As a black man in a predominantly white industry, Sammy struggled to be accepted by both groups. This resource explores how Sammy persevered in a society where race and culture posed many challenges. Support materials include discussion questions, vocabulary, and an identity map activity where students analyze the many factors that shape who we are as individuals and as members of different communities.

This course explores Japan’s role in world orders, past, present, and future. It focuses on Japanese conceptions of security; rearmament debates; the relationship of domestic politics to foreign policy; the impact of Japanese technological and economic transformation at home and abroad; alternative trade and security regimes; Japan’s response to 9/11; and relations with Asian neighbors, Russia, and the alliance with the United States.

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.

In addition to the conference several video interviews were conducted with some of the speakers on the day.

In this interview taken at the Fiction and British Politics Conference in London, MP and author Chris Mullin talks about his own political fiction and explains why the line between political reality and fiction is much thinner than you'd think.

Suitable for Undergraduate study and community education

Chris Mullen, Former MP, Author and Journalist

Chris Mullen was a Member of Parliament for Sunderland South between 1987-2010. His books include political diaries "A View from the Foothills" and novels such as the classic political thriller "A Very British Coup" and "Error of Judgement - the truth about the Birmingham Bombings" both of which were adapted for TV.

The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cbp

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.

In addition to the conference several video interviews were conducted with some of the speakers on the day.

In this interview taken at the Fiction and British Politics Conference in London, MP and author Chris Mullin talks about his own political fiction and explains why the line between political reality and fiction is much thinner than you'd think.

Suitable for Undergraduate study and community education

Chris Mullen, Former MP, Author and Journalist

Chris Mullen was a Member of Parliament for Sunderland South between 1987-2010. His books include political diaries "A View from the Foothills" and novels such as the classic political thriller "A Very British Coup" and "Error of Judgement - the truth about the Birmingham Bombings" both of which were adapted for TV.

The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cbp

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.

In addition to the conference several video interviews were conducted with some of the speakers on the day.

In this interview taken at the Fiction and British Politics Conference in London, playwright James Graham (Toryboyz, Little Madam, Sons of York) talks about his approach to political fiction and what inspires him.

Suitable for Undergraduate study and community education

James Graham, Political Playwright

James Graham writes for theatre, radio, film and television. He won the Catherine Johnson Award for the Best Play 2007 for his play Eden's Empire and was awarded the Pearson Playwriting Bursary in 2006. He is Writer in Residence at the Finborough Theatre and a member of the Royal Court/BBC 50 scheme.

James's play Tory Boyz for the National Youth Theatre caused a storm during its run at the
Soho Theatre for its portrayal of young, gay men in the modern Conservative Party and
received excellent reviews. His first film for television, Caught in a Trap, was broadcast on ITV1 on Boxing Day 2008 and was picked as one of the Broadcast Magazine Hotshots in the same year. He is under commission from a number of TV companies and his play The Whiskey Taster premieres at the Bush Theatre in early 2010.

The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cbp

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.

In addition to the conference several video interviews were conducted with some of the speakers on the day.

In this interview taken at the Fiction and British Politics Conference in London, playwright James Graham (Toryboyz, Little Madam, Sons of York) talks about his approach to political fiction and what inspires him.

Suitable for Undergraduate study and community education

James Graham, Political Playwright

James Graham writes for theatre, radio, film and television. He won the Catherine Johnson Award for the Best Play 2007 for his play Eden's Empire and was awarded the Pearson Playwriting Bursary in 2006. He is Writer in Residence at the Finborough Theatre and a member of the Royal Court/BBC 50 scheme.

James's play Tory Boyz for the National Youth Theatre caused a storm during its run at the
Soho Theatre for its portrayal of young, gay men in the modern Conservative Party and
received excellent reviews. His first film for television, Caught in a Trap, was broadcast on ITV1 on Boxing Day 2008 and was picked as one of the Broadcast Magazine Hotshots in the same year. He is under commission from a number of TV companies and his play The Whiskey Taster premieres at the Bush Theatre in early 2010.

The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cbp

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.

In addition to the conference several video interviews were conducted with some of the speakers on the day.

In this interview taken at the Fiction and British Politics Conference in London, former MP and writer Joe Ashton reveals how much truth there is in his writing and explains why politicians often turn to writing fiction in order to spill the beans on what goes on behind closed doors.

Suitable for Undergraduate study and community education

Joe Ashton, Former MP and Author (Grassroots, Majority of One)

The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cbp

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.

In addition to the conference several video interviews were conducted with some of the speakers on the day.

In this interview taken at the Fiction and British Politics Conference in London, former MP and writer Joe Ashton reveals how much truth there is in his writing and explains why politicians often turn to writing fiction in order to spill the beans on what goes on behind closed doors.

Suitable for Undergraduate study and community education

Joe Ashton, Former MP and Author (Grassroots, Majority of One)

The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cbp

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.

In addition to the conference several video interviews were conducted with some of the speakers on the day.

In this interview taken at the Fiction and British Politics Conference in London, writer Laurence Marks discusses his political screenwriting with Maurice Gran, and in particular, The New Statesman character Alan B'Stard and reveals how far from the truth this notorious screen character is compared to those in power.

Suitable for Undergraduate study and community education

Laurence Marks, Script Writer.

Laurence Marks is one half of writing duo Marks & Gran with whom he co-wrote the popular sitcoms, The New Statesman, Birds of a Feather and Goodnight Sweetheart. He also wrote Shine on Harvey moon and Mosley.

The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cbp

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.

In addition to the conference several video interviews were conducted with some of the speakers on the day.

In this interview taken at the Fiction and British Politics Conference in London, writer Laurence Marks discusses his political screenwriting with Maurice Gran, and in particular, The New Statesman character Alan B'Stard and reveals how far from the truth this notorious screen character is compared to those in power.

Suitable for Undergraduate study and community education

Laurence Marks, Script Writer.

Laurence Marks is one half of writing duo Marks & Gran with whom he co-wrote the popular sitcoms, The New Statesman, Birds of a Feather and Goodnight Sweetheart. He also wrote Shine on Harvey moon and Mosley.

The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cbp

On 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.

In addition to the conference several video interviews were conducted with some of the speakers on the day.

In this interview taken at the Fiction and British Politics Conference in London, Research Fellow - Matthew Bailey - answers a question posed by Hazel Blears. Could a West Wing-styled drama improve the standing of British politicians?

Suitable for Undergraduate study and community education

Dr Matthew Bailey, Research Fellow, The Centre for British Politics, The University of Nottingham

Dr Matthew Bailey has published work on a variety of topics regarding British politics, in particular the Conservative Party and Margaret Thatcher’s election as party leader. Between 2005 and 2008 Matthew has also been working on the frontline of British politics – managing the constituency office of one of Hull’s MPs. With that experience behind him he has become poacher turned gamekeeper, assessing the representation of our political masters across a variety of fictional forms.

Recent papers on this subject include: ‘Sympathy for the Devil: must fictional portraits of politicians be so negative?’ (delivered at the 2007 Political Studies Association Conference) and ‘Stranded on the middle ground: reflections on consensus in post-war political film and fiction’ (presented to the 2009 PSA Conference).

The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cbp