All resources in CATs

Open at the Margins

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Critical Perspectives on Open Education Short Description: This book represents a starting point towards curating and centering marginal voices and non-dominant epistemic stances in open education. It includes the work of 43 diverse authors whose perspectives challenge the dominant hegemony. Long Description: Open education is at a critical juncture. It has moved on from its northern roots and is increasingly being challenged from its own periphery. At the same time, it finds itself marginalised and under threat in an educational sector infiltrated by corporate interests. However, rather than bunkering down, becoming blinkered or even complacent, the editors of this volume believe that the voices from the periphery should be amplified. This book represents a starting point towards curating and centering marginal voices and non-dominant epistemic stances in open education, an attempt at critical pluriversalism. It is a curated collection of 38 blog posts, lectures, talks, articles, and other informal works contributed by 43 diverse authors/co-authors and published since 2013. Each of these contributions offers a perspective on open education that can be considered marginal and that challenges the dominant hegemony. Word Count: 83220 ISBN: 978-1-989014-22-6 (Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Material Type: Textbook

Authors: Adele Vrana, Amy Collier, and Audrey Watters, Autumm Caines, Billy Meinke-Lau, Bonnie Stewart, Caroline Kuhn H., Catherine Cronin, Cheryl Hodgkinson-Williams, Chris Bourg, Chris Gilliard, Christian Friedrich, Christina Hendricks, Jaime Marsh, Javiera Atenas, Jesse Stommel, Jess Mitchell, Jim Luke, Judith Pete, Karen Cangialosi, Laura Czerniewicz, Lorna M. Campbell, Maha Bali, Matthew Moore, Naomi Barnes, Nicole Allen, Paul Prinsloo, Rachel Jurinich Mattson, Rajiv Jhangiani, Robin DeRosa, Samantha Streamer Veneruso, Sarah Hare, sava saheli singh, Sherri Spelic, Siko Bouterse, Simon Ensor, Sukaina Walji, Suzan Koseoglu, Tannis Morgan, Tara Robertson, Taskeen Adam, Tel Amiel, Tutaleni Asino

OER Rubrics | Achieve.org

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Open Educational Resources (OER) offer opportunities for increasing equity and access to high-quality K–12 education. Many state education agencies now have offices devoted to identifying and using OERs and other digital resources in their states. To help states, districts, teachers, and other users determine the degree of alignment of OERs to the Common Core State Standards, and to determine aspects of quality of OERs, Achieve has developed eight rubrics in collaboration with leaders from the OER community.

Material Type: Assessment, Teaching/Learning Strategy

Author: Achieve

OER Synthesis and Evaluation/Evaluation Toolkit

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The toolkit is made up of three elements: 1). information and resources to support your evaluation activities 2). an interactive tool to guide you through our Evaluation and Synthesis framework, providing an opportunity to submit findings, observations and links to evidence AND which feeds this back to you for inclusion in your project reporting mechanisms 3). examples of evaluation materials, instruments and reports from other UKOER projects

Material Type: Teaching/Learning Strategy

Why OER?

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A brief video where OER experts give their reasons for working in the field of Open Educational Resources. Primary reasons include empowering teachers, equalizing access to education, reducing teachers' worries about copyright, reducing educational costs, and facilitating the open flow of information.

Material Type: Lecture

Author: Stefano M. Stefan

Remix

2 or 10 Day Armenian Genocide Lesson Plan

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两天计划计划在两个五十分钟的课时内完成,并布置两次家庭作业,课程内容包括种族灭绝的定义、亚美尼亚案例的历史背景、其他主要种族灭绝的回顾、一段简短的国家电视新闻以及幸存者的证词。十天课程包括电影、主要文件和联合国人权宣言第二部分考察了竞争帝国的经济发展以及随后领土的丧失和国家镇压的加剧。最终成果是一条彩色的时间线,将看似分散的元素连接成一个可见的模式。学生还将有机会将亚美尼亚大屠杀与历史上其他种族灭绝和侵犯人权行为放在一起。第三部分以第一部分中学到的基本信息和第二部分中获得的更广泛的历史和政治概述为基础。学生可以参加模拟重演 1921 年对 Soghomon Tehlirian 的审判,Soghomon Tehlirian 暗杀了亚美尼亚种族灭绝的策划者,后来被无罪释放。模拟审判让学生对亚美尼亚种族灭绝的受害者和幸存者产生历史同情。

Material Type: Homework/Assignment, Syllabus

Author: Xiaoyu Kang

Remix

Digital Citizenship: 1.2.c Intellectual Property

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This lesson plan, designed for high school art students, focuses on digital citizenship and intellectual property. Students demonstrate understanding and respect for the rights and obligations of using and sharing intellectual property (ISTE Standard: 1.2.c Intellectual Property) such as artwork from history. Students understand the legal consequences of appropriation, fair use, copyright, open source, social media, and creative commons as they apply to works of art and design (OAS Standard: I.VA.P.2.2 Production). Students explore available content online and curate an original piece of artwork inspired by a piece of artwork from the 20th century. Students understand the level of modifications that need to be made in order to avoid plagiarism. The lesson concludes with students completing a CFA and written response explaining the modifications they made to their work to avoid plagiarism.

Material Type: Unit of Study

Author: Chuyue Xu

Remix

Trashion

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该资源由 Amber Karber 与 Dawn DeTurk、Hannah Blomstedt 和 Julie Albrecht 合作创建,是 ESU2 整合艺术项目的一部分。该项目为期四年,重点是通过教师教育、实践和辅导将艺术融入核心课程。

Material Type: Activity/Lab, Student Guide, Syllabus

Author: mengting wei

Remix

OER Academy: OER Design

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This is the second module in our training series that will provide participants with an introduction to OER authoring and remixing. We have designed these modules to first spark the learner's interest in the topics covered and then dig deeper into the content through presentations, storytelling, and demonstrations of the tools. We will offer opportunities for learners to practice exploring the resources and tools, and reflect on how they might use them in their work.

Material Type: Module

Author: Megan Simmons

Reading Art

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This resource was created by Molli Miller, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

Material Type: Lesson Plan

Author: Arts ESU2

The Art of Serious Game Design: A hands-on workshop for developing educational games: Facilitator guide

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The materials within this guide are intended to support multidisciplinary teams in or during the pre-production phase of serious game design as they collaborate in a facilitated workshop. It is critical that the workshop facilitators are familiar with the conceptual framework and proposed methodology in order to better support participants as they collaborate in the game design brainstorming and protoyping steps.

Material Type: Textbook

Author: The Chang School

2 or 10 Day Armenian Genocide Lesson Plan

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The Two Day plan is intended to be completed in two fifty-minute class periods, with 2 homework assignments, the lesson includes the definition of genocide, historical background on the Armenian case, a review of other major genocides, a short national TV news piece, and readings from survivor testimonies.The Ten Day lesson includes film, primary documents, and the UN Declaration of Human RightsPart II, examines the economic developments of competing empires with subsequent loss of territory and rise of state repression over time. The final product is a colorful timeline linking seemingly disparate elements into a visible pattern. Students will also gain the opportunity to place the Armenian Genocide next to other acts of genocide and human rights abuses throughout history.Part III builds on the basic information learned in Part I and the larger historic and political overview gained in Part II. Students can participate in a mock re-enactment of the 1921 trial of Soghomon Tehlirian, who assassinated the mastermind of the Armenian Genocide and was later acquitted. The mock trial allows students to develop historical empathy with the victims and survivors of the Armenian Genocide.

Material Type: Activity/Lab, Homework/Assignment

Author: Amit

Studio Seminar in Public Art

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How do we define Public Art? This course focuses on the production of projects for public places. Public Art is a concept that is in constant discussion and revision, as much as the evolution and transformation of public spaces and cities are. Monuments are repositories of memory and historical presences with the expectation of being permanent. Public interventions are created not to impose and be temporary, but as forms intended to activate discourse and discussion. Considering the concept of a museum as a public device and how they are searching for new ways of avoiding generic identities, we will deal with the concept of the personal imaginary museum. It should be considered as a point of departure to propose a personal individual construction based on the concept of defining a personal imaginary museum - concept, program, collection, events, architecture, public diffusion, etc.

Material Type: Full Course

Author: Muntadas, Antonio