African Americans and the price of discrimination. Jacob Lawrence, Ambulance Call, 1948, tempera on board, 61 x 50.8 cm (Crystal Bridges Museum of American Art) Speakers: Jennifer Padgett, assistant curator, Crystal Bridges Museum of American Art and Beth Harris A Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Male harp player from Keros, c. 2600--2300 B.C.E., Early Cycladic period, marble, 22.5 cm high (National Archaeological Museum, Athens). Speakers: Dr. Beth Harris and Dr. Steven Zucker

Raoul Hausmann, Spirit of the Age: Mechanical Head, 1919, wooden mannequin head with attached objects, 32.5 x 21 x 20 cm (Centre Pompidou, Musée National d’Art Moderne, Paris) Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Helen Frankenthaler, Mountains and Sea, 1952, oil and charcoal on unsized, unprimed canvas, 219.4 x 297.8 cm (National Gallery of Art, Washington). Created by Beth Harris and Steven Zucker.

Henry VII Chapel, Westminster Abbey, London, begun 1503. Speakers: Dr. Steven Zucker and Dr. Beth Harris.

Drs. Gross and Agnew, and the advance of 19th century medicine. Thomas Eakins, Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875, oil on canvas, 243.8 x 198.1 cm (Philadelphia Museum of Art) and Thomas Eakins, The Agnew Clinic, 1889, oil on canvas, 214 cm × 300 cm (Philadelphia Museum of Art) A conversation with Dr. Kathleen A. Foster, The Robert L. McNeil, Jr., Senior Curator of American Art, and Director, Center for American Art at the Philadelphia Museum of Art A Seeing America video. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Eva Hesse, Untitled, enamel paint, string, papier-mâché, elastic cord, 1966 (MoMA) Speakers: Dr. Beth Harris, Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Eva Hesse, Untitled (Rope Piece), 1970, rope, latex, string, wire, variable dimensions (Whitney Museum of American Art). Created by Beth Harris and Steven Zucker.

This grand Californian landscape would soon disappear under water. Albert Bierstadt, Hetch Hetchy Valley, California, c. 1874-80, oil on canvas, 94.8 x 148.2 cm (Bequest of Laura M. Lyman, in memory of her husband Theodore Lyman, Wadsworth Atheneum Museum of Art) A conversation with Erin Monroe, Robert H. Schutz, Jr., Associate Curator of American Paintings and Sculpture, and Beth Harris. Find learning related resources here: https://smarthistory.org/seeing-america-2/

What does William Penn have to do with a little boy and a lion? Edward Hicks, The Peaceable Kingdom, 1826, oil on canvas, 83.5 x 106 cm (Philadelphia Museum of Art) Speakers: Barbara Bassett, Curator of Education, School and Teacher Programs at the Philadelphia Museum of Art and Beth Harris A Seeing America video. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

A Hindu temple can be a simple structure by the side of the road or a large complex including many buildings. Temples serve as dwelling places for deities, surrounded by markets selling offerings and flowers. The inner sanctuaries are small and intended for a few worshippers at a time. Above the sanctuaries are central towers, shaped like the mountain home of the gods and brightly painted. Created by Asian Art Museum.

A nude in Victorian America. Hiram S. Powers, The Greek Slave, 1866, marble, 166.4 x 48.9 x 47.6 cm (Brooklyn Museum). Speakers: Margarita Karasoulas, Assistant Curator of American Art, Brooklyn Museum and Beth HarrisA Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Historiated capitals from the crossing of the Church of Sant Miquel of the castle of Camarasa (Noguera), early 13th century, stone, 77 x 1.65 x 77.5 cm (Museu Nacional d'Art de Catalunya, Palau Nacional, Barcelona). Created by Beth Harris and Steven Zucker.

Correcting the lies of history. Kenseth Armstead, Surrender Yorktown 1781, 2013, graphite on paper, 86 x 68 inches (Newark Museum, © 2012 Kenseth Armstead) Speakers: Kenseth Armstead and Steven Zucker A Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Signs that guide historical understanding. Hock E Aye VI Edgar Heap of Birds, Native Hosts (Arkansas), 2018, aluminum sign, series of seven, 46.7 x 92.5 cm (Crystal Bridges Museum of American Art, ©Hock E Aye VI Edgar Heap of Birds), a Seeing America video. Speakers: Dr. Mindy Besaw, Curator of American Art, Crystal Bridges Museum of American Art, and Dr. Beth Harris. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

This art history video discusses Hans Holbein the Younger's "Christina of Denmark", Duchess of Milan, 1538, oil on oak, 179.1 x 82.6 cm (The National Gallery, London).

This art history video discusses Hans Holbein the Younger's "The Ambassadors", 1533, oil on oak, 207 x 209.5 cm (The National Gallery, London).

This art history video discusses Hans Holbein the Younger's "The Merchant Georg Gisze", 1532, oil on oak, 97.5 x 86.2 cm (Gemaldegalerie, Staatliche Museen zu Berlin).

The Symmachi Panel, c. 400 C.E., ivory, 32 x 13 cm (Victoria and Albert Museum, London). Speakers: Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.