SETUPS (Empirical Teaching Unites in Political Science) data, published by the American Political Science Association, will be employed in group data analysis projects in an American Government class. Students then use results from these reports in composing an essay question on the course's final exam.

This is a laboratory based assignment that is for Introductory level geoscience classes (Physical Geology, Historical Geology, Earth Science) that brings an authentic research experience to your students. In the assignment, students are asked to process and interpret screenwash from the 2004 Aurora Mastodont Project, and to contribute authentic research results to the ongoing post-dig analyses. Students then contribute their results to a database to compare theirs to their colleagues around the country. This is an ongoing and free exercise available by requesting samples of screenwash (details below). This is one of several exercises that I ask my Earth Science students to complete as an introduction to the nature of science and the geosciences, that I call GSI (GeoScience Investigations) which was presented as a poster during the 2013 GSA in Denver.

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This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects.

At the beginning of a course-based research project, each student in a research team is asked to read primary literature related to the team investigation. A mix of provided readings and readings found by the students builds the team content knowledge concurrent with team work on research design and data collection. Students reflect and report on the readings in an annotated bibliography, which is a graded assignment in the course.

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Students build a stratigraphic column for a pre-selected area through the compilation of a series of individual research projects. Students are required to conduct introductory field research as well as a literature search to become "experts" on a selected stratigraphic unit. In addition to a final report, students will present their information at an outcrop on an end-of-semester field trip.

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Link the college or university operations with local ecology. In this study, students use a tool from urban ecology, the nitrogen budget, to research the inputs, outputs and subsytem transfers of nitrogen on the college or university campus.

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In this course, students will develop their abilities to expose ways that scientific knowledge has been shaped in contexts that are gendered, racialized, economically exploitative, and hetero-normative. This happens through a sequence of four projects that concern:

Interpretation of the cultural dimension of sciences
Climate change futures
Genomic citizenry
Students’ plans for ongoing practice

The course uses a Project-Based Learning format that allows students to shape their own directions of inquiry in each project, development of skills, and collegial support. Students’ learning will be guided by individualized bibliographies co-constructed with the instructors, the inquiries of the other students, and a set of tools and processes for literary analysis, inquiry, reflection, and support. 
Acknowledgement
Professor Peter Taylor spent several years crafting the unique structure of the course, which is crucial to the way it was taught. 
The Consortium for Graduate Studies in Gender, Culture, Women, and Sexuality
This course was taught as part of the Consortium for Graduate Studies in Gender, Culture, Women, and Sexuality (GCWS) at MIT. The GCWS brings together scholars and teachers at nine degree-granting institutions in the Boston area who are devoted to graduate teaching and research in Women’s Studies and to advance interdisciplinary Women’s Studies scholarship.

A checklist in teacher language used by teachers to observe and record high school students’ fluency at developing creative ideas while they work on activities and projects.

For nearly 100 years, the site that is now High Cliff State Park near Sherwood, WI was the site of a quicklime kiln. Local Silurian dolomite from the Niagara Escarpment was quarried and baked in large kilns before being shipped by boat on Lake Winnebago at the base of the escarpment. Rejected quicklime spoils are still present near the site of the kiln ruins, resting on the slope leading to the Lake Winnebago shoreline. This project is designed to use basic, low-cost field techniques to determine if any quicklime is moving downslope and into Lake Winnebago. Methods of analysis will include: 1) Placing survey stakes on the quicklime slope to see if they slope is moving, 2) Take several water samples from various points along the lakeshore to test the dissolved mineral content, and 3) Take several water samples from various points along the lakeshore to test the pH. Students will be asked to return to the site several times over the course of a semester in order take samples (particularly after precipitation events) and check the position of the stakes. Students will then use to data to project how far out into the lake the effects of the quicklime extend.

Key words: Quicklime, mass wasting, Niagara Escarpment, water pollution, dissolved minerals

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The goal of this class is practical: to interrogate, make explicit, and thus to develop the powerful musical intuitions that are at work as you make sense of the music all around you. Reflecting, we will ask how this knowledge develops in ordinary and extraordinary ways.

This activity is a two-part (three week) lab in which students initially develop a claim (non-scientific) and learn how to use evidence to support a claim. They then are provided with a scientific research question for which they need to make a claim supported with evidence from their own models (river/stream tables). Based on their results, they then ask a new research question, design the model, carry out their tests and report their results.

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At the University of Nebraska at Omaha, we have involved students in introductory Geology and Chemistry classes in an interdisciplinary study of drinking water quality. The goals of this project are to introduce the students to the scientific method, get them to actually "do" relevant science, and show how science affects their lives. We have also used this exercise to help some students overcome their fear of science by allowing them to actively learn science, rather than absorb it in a passive fashion.

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In this activity, students explore of the concept of probability and the distribution of earthquake sizes, and then work to understand how earthquake hazards are described by probabilities. Students then work in small groups to collect and analyze data from a simple physical earthquake model and use online data to investigate and compare the earthquake hazards in California and Missouri. The activity concludes with a reflection where they students are asked to consider how, in the role of a city planner or emergency manager, they would use what they have learned to mitigate the earthquake hazard in California and Missouri.

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Students in this course explore designs of a future Carleton College student house. This is a multi-year project where students from the social sciences, humanities / arts, and natural sciences explore parts of the design of an actual house.

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As the core activity of petrology portion of a mineralogy/petrology course, students cooperatively conduct petrographic and electron microprobe analytical studies on suites of Central Blue Ridge metamorphic rocks collected during class field activities. We make use of a remotely operable electron microprobe instrument at the Florida Center for Analytical Electron Microscopy (FCAEM) to conduct all analyses in class.

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This is my English project called Living Through Leukemia in my Dad's shoes. This is Humanities Moment project where I talk about a humanity moment that I have gone through, and that is my dad fighting cancer. My dad's story is a comparison of the book The Fault in our Stars.

The 11th grade learning experience consists of 7 mostly month-long units aligned to the Common Core State Standards, with available course material for teachers and students easily accessible online. Over the course of the year there is a steady progression in text complexity levels, sophistication of writing tasks, speaking and listening activities, and increased opportunities for independent and collaborative work. Rubrics and student models accompany many writing assignments.Throughout the 11th grade year, in addition to the Common Read texts that the whole class reads together, students each select an Independent Reading book and engage with peers in group Book Talks. Students move from learning the class rituals and routines and genre features of argument writing in Unit 11.1 to learning about narrative and informational genres in Unit 11.2: The American Short Story. Teacher resources provide additional materials to support each unit.

In this unit, students will take a look at the historical vision of the American Dream as put together by our Founding Fathers. They will be asked: How, if at all, has this dream changed? Is this dream your dream? First students will participate in an American Dream Convention, acting as a particular historical figure arguing for his or her vision of the American Dream, and then they will write an argument laying out and defending their personal view of what the American Dream should be.

ACCOMPLISHMENTS

Students read and annotate closely one of the documents that they feel expresses the American Dream.
Students participate in an American Dream Convention, acting as a particular historical figure arguing his or her vision of the American Dream.
Students write a paper, taking into consideration the different points of view in the documents read, answering the question “What is the American Dream now?”
Students write their own argument describing and defending their vision of what the American Dream should be.

GUIDING QUESTIONS

These questions are a guide to stimulate thinking, discussion, and writing on the themes and ideas in the unit. For complete and thoughtful answers and for meaningful discussions, students must use evidence based on careful reading of the texts.

What has been the historical vision of the American Dream?
What should the American Dream be? (What should we as individuals and as a nation aspire to?)
How would women, former slaves, and other disenfranchised groups living during the time these documents were written respond to them?

BENCHMARK ASSESSMENT: Cold Read

During this unit, on a day of your choosing, we recommend you administer a Cold Read to assess students’ reading comprehension. For this assessment, students read a text they have never seen before and then respond to multiple-choice and constructed-response questions. The assessment is not included in this course materials.

In this lesson, you will begin to think about the idea of the American Dream, and you'll learn about the project and requirements for this unit.In this lesson, students will begin to think about the idea of the American Dream, and they'll learn about the project and requirements for this unit.

In this unit, students will explore great works of American literature and consider how writers reflect the time period in which they write. They will write two literary analysis papers and also work in groups to research and develop anthologies of excellent American stories.

ACCOMPLISHMENTS

Students read and analyze stories from several 19th-, 20th-, and 21st-century American authors. After researching a time period, they select stories from that period to create an anthology. The readings enhance their understanding of the short story, increase their exposure to well-known American authors, and allow them to examine the influence of social, cultural, and political context.
Students examine elements of short stories and have an opportunity for close reading of several American short stories. During these close readings, they examine the ways that short story writers attempt to explore the greater truths of the American experience through their literature.

GUIDING QUESTIONS

These questions are a guide to stimulate thinking, discussion, and writing on the themes and ideas in the unit. For complete and thoughtful answers and for meaningful discussions, students must use evidence based on careful reading of the texts.

If you were to write a short story about this decade, what issues might you focus on?
What defines a short story? Just length?
To what extent do these stories reflect the era or decade in which they were written?
To what extent are the themes they address universal?

CLASSROOM FILMS

History.com has short videos on the Vietnam War (“Vietnam” and “A Soldier's Story”).