Marcel Breuer, The Whitney Museum of American Art (now The Met Breuer), 1963-66, Madison Avenue at East 75th Street, NYC Speakers: Dr. Naraelle Hohensee and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Democracy in difference: Debating key terms of gender, sexuality, race and identity focuses on concepts and analytical frames we use when discussing how marginalised identities navigate their place in an assumed common culture.

This ebook offers a path for exploring how we might build a shared vocabulary when working through the muddle of public debates like identity politics, political correctness, pronouns and what constitutes racism. Democracy in Difference is an unconventional interdisciplinary guide to key concepts, which borrows from decolonial methodologies, Marxism, feminism, queer theory and deconstruction.

Key terms are illustrated through written text, La Trobe Art Institute artworks (centering Indigenous artists), poetry, comedy and song, and customised animations which make difficult terms accessible.

This text is published by the La Trobe eBureau.

History and Cultural Memory in Neo-Victorian Fiction combines innovative literary and historiographical analysis to investigate the way neo-Victorian novels conceptualise our relationship to the Victorian past, and to analyse their role in the production and communication of historical knowledge. Positioning neo-Victorian novels as dynamic participants in the contemporary historical imaginary, it explores their use of the Victorians' own vocabularies of history, memory and loss to re-member the nineteenth century today. While her focus is neo-Victorian fiction, Mitchell positions these novels in relation to debates about historical fiction's contribution to historical knowledge since the eighteenth century. Her use of memory discourse as a framework for understanding the ways in which they do lay claim to historical recollection, one which opens up a range of questions beyond historical fidelity on the one hand, and the problematics of representation on the other, suggests new ways of thinking about contemporary historical fiction and its prevalence, popular appeal, and nmnenonic function today.

This course is primarily a literature seminar. We will use American literature as a lens through which to examine different passing tropes. It will provide an introduction to queer, gender, and critical race theories for science and math majors. We will read such works as Running A Thousand Miles for Freedom, Incognegro, and Focault’s A History of Sexuality, to name just a few.

No longer considered ‘side’ issues within eighteenth and nineteenth-century studies, slavery, ‘race’, abolition and emancipation are now understood to occupy a central place, not only within the period’s history, but within its literature, philosophy and the concerns of canonical and less well-known writers. The course moves forward to the present day to consider how slavery persists as a central concern within world literature.

This teaching packet discusses artistic movements of the late 20th century, including abstract expressionism, pop art, minimalism, conceptualism, process art, neo-expressionism, and postmodernism, with attention to their critical reception and theoretical bases. The packet considers works by 27 painters and sculptors including Jackson Pollock, Jasper Johns, Mark Rothko, David Smith, Martin Puryear, Anselm Kiefer, Susan Rothenberg, and Roy Lichtenstein (see full list below).

Zaha Hadid, MAXXI National Museum of XXI Century Arts, 1998 -- 2009 (opened 2010), Via Guido Reni, Rome. A conversation between Dr. Beth Harris and Dr. Steven Zucker. Created by Steven Zucker and Beth Harris.