Poster showing small portraits of President Poincare of France, President Woodrow Wilson, …
Poster showing small portraits of President Poincare of France, President Woodrow Wilson, King George V of England, King Albert of Belgium, and Sir Douglas Haig. Title from item.
"I am Brave!" was developed under the USAID/LAC Reads Capacity Program, implemented …
"I am Brave!" was developed under the USAID/LAC Reads Capacity Program, implemented in Jamaica by EduConnectJA, to support literacy for childhood development.
"I am Brave!" is a story of a little girl (Ann), who struggles to write a riddle about Nanny of the Maroons for Jamaica Day. She is afraid that school bullies, Delroy and Lisa will laugh at her riddle. Granny encourages Ann to be brave just like Nanny. Ann says her riddle on Jamaica Day and triumphs over her bullies.
"I am Brave!" was developed under the USAID/LAC Reads Capacity Program, implemented in …
"I am Brave!" was developed under the USAID/LAC Reads Capacity Program, implemented in Jamaica by EduConnectJA, to support literacy for childhood development. The book, which was written and reviewed by Jamaican educators features the following:Colourful illustrations to help children understand the textTips to help children develop literacy skillsQuestions to aid comprehensionTips for teachers to improve the reading experiences of studentsTips for parents to support the development of their children’s literacy skills."I am Brave!" was written by Amorella Lamount and illustrated by Wayne Powell."I am Brave!" is a story of a little girl (Ann), who struggles to write a riddle about Nanny of the Maroons for Jamaica Day. She is afraid that school bullies, Delroy and Lisa will laugh at her riddle. Granny encourages Ann to be brave just like Nanny. Ann says her riddle on Jamaica Day and triumphs over her bullies.
Little Kenny at the Farm is about a little boy, Kenny, who …
Little Kenny at the Farm is about a little boy, Kenny, who gets into trouble a lot. His class went on a visit to a farm. Upon reaching the farm they were given one specific instruction “Do not ride the donkeys!’. Little Kenny got bored during the middle of the tour of the farm and went exploring on his own. He found the donkeys and decided that they look harmless enough and decided to take a ride. He learned a valuable lesson from the ride.
This book is also available for download (PDF) from the catalogue of the Jamaica Library Service at https://catalogue.jls.gov.jm/ .
The book 'Little Kenny at the Farm' was written to support teaching and learning activities in the Jamaican National Standards Curriculum (NSC). It can be used as a resource to help students develop their comprehension skills and where appropriate, initiate a discussion on interesting places in their community.
See below for the Grade 2 curriculum references.
LANGUAGE ARTS Literacy Strand: Comprehension Objectives: - State how they feel about specific characters (page 162) - Identify story setting (page 180) - Analyse and interpret questions at the different levels (page 180) - Draw conclusions based on different aspects of the story (page 220)
INTEGRATED STUDIES (page 88) Sub-theme: Places of interest in my community Focus Question: What are the places in my community we find interesting?
A Book of Two Hundred 100-Word Stories Word Count: 22755 (Note: This …
A Book of Two Hundred 100-Word Stories
Word Count: 22755
(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)
This course considers reggae, or Jamaican popular music more generally—in its various …
This course considers reggae, or Jamaican popular music more generally—in its various forms (ska, rocksteady, roots, dancehall)—as constituted by international movements and exchanges and as a product that circulates globally in complex ways. By reading across the reggae literature, as well as considering reggae texts themselves (songs, films, videos, and images), students will scrutinize the different interpretations of reggae’s significance and the implications of different interpretations of the story of Jamaica and its music. Beginning with a consideration of how Jamaica’s popular music industry emerged out of transnational exchanges, the course will proceed to focus on reggae’s circulation outside of Jamaica via diasporic networks and commercial mediascapes. Among other sites, we will consider reggae’s resonance and impact elsewhere in the Anglo Caribbean (e.g., Trinidad, Barbados), the United Kingdom (including British reggae styles but also such progeny as jungle, grime, and dubstep), the United States (both as reggae per se and in hip-hop), Panama and Puerto Rico and other Latin American locales (e.g., Brazil), Japan and Australia, as well as West, South, and East Africa (Côte d’Ivoire, Tanzania, Uganda).
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