"There's love and sadness at the root of those Poems. There is …
"There's love and sadness at the root of those Poems. There is also a bridge, a language that reads," writes Yusef Komunyakaa who selected Kim for the 2002 Walt Whitman Award for her debut collection of poetry, Notes from the Divided Country. Garrett Hongo writes of the collection, "Kim's brilliantly crafted, brave new Poems move us into an emotional union with the seemingly far-flung past of Korea political geography...what voice, what witness, what glorious descendancy." Formerly a Stegner fellow and Fulbright scholar, Kim now resides in New York State. (28 minutes)
One of the great postwar Central European poets, Slovenian Tomaz Salamun has …
One of the great postwar Central European poets, Slovenian Tomaz Salamun has published over thirty books. He has taught at universities around the world. He reads to an audience at UC Berkeley. (29 minutes)
Tracy K. Smith received degrees in English and creative writing from Harvard …
Tracy K. Smith received degrees in English and creative writing from Harvard and Columbia, and was a Wallace Stegner Fellow in poetry at Stanford. Her first book, The Body's Question, was awarded the 2002 Cave Canem Poetry Prize, and her most recent collection, Duende: Poems, received the James Laughlin Award from the Academy of American Poets. She teaches creative writing at Princeton. (29 minutes)
This is the complete curriculum for Eng 151 Creative Writing and Publishing …
This is the complete curriculum for Eng 151 Creative Writing and Publishing course run in the spring at Middlesex Community College as well as the linked IDS course that is resonsible for publishing the Dead River Review, the college's ezine. This includes instructions, PowerPoints, worksheets, and assignments.
The following are a selection of resources which may help broaden awareness …
The following are a selection of resources which may help broaden awareness and understanding of Indigenous topics within Canada.
This is part of the Maamwi Hub's Discover Section, where you can find information and resources on Indigenous Peoples’ history, cultures, and perspectives, with a focus on the territory currently referred to as Ontario. Explore the entire Maamwi Hub by visiting the Provider Set linked below.
Description:Transform your students into anthropologists as a gateway to Macbeth.Students answer prediction questions …
Description:Transform your students into anthropologists as a gateway to Macbeth.Students answer prediction questions using evidence from the artifacts. (Artifacts include images, letters from the text, and character maps.)Students can complete this activity alone or in breakout groups.
This seminar provides intensive study of exciting texts by four influential American …
This seminar provides intensive study of exciting texts by four influential American authors. In studying paired works, we can enrich our sense of each author’s distinctive methods, get a deeper sense of the development of their careers, and shake up our preconceptions about what makes an author or a work “great.” Students will get an opportunity to research an author in depth, as well as making broader comparisons across the syllabus.
Global exploration in the eighteenth and nineteenth centuries radically changed Western science, …
Global exploration in the eighteenth and nineteenth centuries radically changed Western science, orienting philosophies of natural history to more focused fields like comparative anatomy, botany, and geology. In the United States, European scientific advances and home-grown ventures like the Wilkes Exploring Expedition to Antarctica and the Pacific inspired new endeavors in cartography, ethnography, zoology, and evolutionary theory, replacing rigid models of thought and classification with more fluid and active systems. They inspired literary authors as well. This class will examine some of the most remarkable of these authors—Herman Melville (Moby-Dick and “The Encantadas”), Henry David Thoreau (Walden), Sarah Orne Jewett (Country of the Pointed Firs), Edith Wharton (House of Mirth), Toni Morrison (A Mercy), among others—in terms of the subjects and methods they adopted, imaginatively and often critically, from the natural sciences.
In 1667, John Milton published what he intended both as the crowning …
In 1667, John Milton published what he intended both as the crowning achievement of a poetic career and a justification of God’s ways to man: an epic poem which retold and reimagined the Biblical story of creation, temptation, and original sin. Even in a hostile political climate, Paradise Lost was almost immediately recognized as a classic, and one fate of a classic is to be rewritten, both by admirers and by antagonists. In this seminar, we will read Paradise Lost alongside works of 20th century fantasy and science fiction which rethink both Milton’s text and its source. Students should come to the seminar having read Paradise Lost straight through at least once; this can be accomplished by taking the IAP subject, Reading Paradise Lost (21L.995), or independently. Twentieth century authors will include C. S. Lewis (Perelandra, The Lion, the Witch and the Wardrobe) and Philip Pullman (His Dark Materials), as well as assorted criticism. Each week, one class meeting will focus on Milton, and the other on one of the modern novels.
This seminar provides intensive study of texts by two American authors (Herman …
This seminar provides intensive study of texts by two American authors (Herman Melville, 1819-1891, and Toni Morrison, 1931-) who, using lyrical, radically innovative prose, explore in different ways epic notions of American identity. Focusing on Melville’s Typee (1846), Moby-Dick (1851), and The Confidence-Man (1857) and Morrison’s Sula (1973), Beloved (1987), Jazz (1992), and Paradise (1998), the class will address their common concerns with issues of gender, race, language, and nationhood. Be prepared to read deeply (i.e. a small number of texts with considerable care), to draw on a variety of sources in different media, and to employ them in creative research, writing, and multimedia projects.
At this distance Oscar Wilde seems not only to be on the …
At this distance Oscar Wilde seems not only to be on the threshold between centuries and between cultural-systems: in many ways he seems to be the threshold. His aesthetics look backwards to the aestheticism of Pater and the moral sensibility of Ruskin, and they look forward to Modernism. His antecedents are 18th century playwrights, and he opened a path of irony and structural self-reflexivity that leads to Beckett and Tom Stoppard. He was Irish but achieved his great successes in England. Arguably, his greatest success was his greatest public failure: in his scandalous trials he shaped 20th century attitudes toward homosexuality and toward theatricality and toward performativity. His greatest performance was the role of “Oscar Wilde”: in that sense he taught the 20th century how to be itself.
What does the Genesis story of creation and temptation tell us about …
What does the Genesis story of creation and temptation tell us about gender, about heterosexuality, and about the origins of evil? What is the nature of God, and how can we account for that nature in a cosmos where evil exists? When is rebellion justified, and when is authority legitimate? These are some of the key questions that engaged the poet John Milton, and that continue to engage readers of his work.
This course studies several important examples of the genre that between the …
This course studies several important examples of the genre that between the early 18th century and the end of the 20th has come to seem the definitive literary form for representing and coming to terms with modernity. Syllabi vary, but the class usually attempts to convey a sense of the form’s development over the past few centuries. Among topics likely to be considered are: developments in narrative technique, the novel’s relation to history, national versus linguistic definitions of an “English” novel, social criticism in the novel, realism versus “romance,” the novel’s construction of subjectivities. Writers studied have included Daniel Defoe, Henry Fielding, Samuel Richardson, Lawrence Sterne, Mary Shelley, Jane Austen, Walter Scott, Emily and Charlotte Brontë, Charles Dickens, George Eliot, Joseph Conrad, H. G. Wells, James Joyce, Virginia Woolf, Salman Rushdie.
In this class, you will read, think about, and (I hope) enjoy …
In this class, you will read, think about, and (I hope) enjoy important examples of what has become one of the most popular literary genres today, if not the most popular: the novel. Some of the questions we will consider are: Why did so many novels appear in the eighteenth century? Why were they—and are they—called novels? Who wrote them? Who read them? Who narrates them? What are they likely to be about? Do they have distinctive characteristics? What is their relationship to the time and place in which they appeared? How have they changed over the years? And, most of all, why do we like to read them so much?
Though the era of British Romanticism (ca. 1790-1830) is sometimes exclusively associated …
Though the era of British Romanticism (ca. 1790-1830) is sometimes exclusively associated with the poetry of these years, this period was just as importantly a time of great innovation in British prose fiction. Romantic novelists pioneered or revolutionized several genres, including social/philosophical problem novels, tales of sentiment and sensibility, and the historical novel. Writing in the years of the French Revolution, the Napoleonic wars, and the early industrial revolution, these writers conveyed a spirit of chaos and upheaval even in stories whose settings are seemingly farthest removed from those cataclysmic historical events. In this year’s offering of “Major English Novels,” we will read of plagues, wars, hysterics, monsters and more in novels by authors including William Godwin, Maria Edgeworth, Jane Austen, Mary Shelley, and Walter Scott. In the final weeks of the semester, we will read one major novel of the Victorian era, Charles Dickens’s Great Expectations, in light of these earlier texts. There will be two essay assignments, one 5-7 pages and one 8-10 pages in length, and required presentations.
This subject traces the history of the European novel by studying texts …
This subject traces the history of the European novel by studying texts that have been influential in connection with two interrelated ideas. (1) When serious fiction deals with matters of great consequence, it should not deal with the actions of persons of consequence—kings, princes, high elected officials and the like—but rather with the lives of apparently ordinary people and the everyday details of their social ambitions and desires. To use a phrase of Balzac’s, serious fiction deals with “what happens everywhere”. (2) This idea sometimes goes with another: that the most significant representations of the human condition are those dealing with persons who try to compel society to accept them as its destined agent, despite their absence of high birth or inheritance.
This class does intensive close study and analysis of historically significant media …
This class does intensive close study and analysis of historically significant media “texts” that have been considered landmarks or have sustained extensive critical and scholarly discussion. Such texts may include oral epic, story cycles, plays, novels, films, opera, television drama and digital works. The course emphasizes close reading from a variety of contextual and aesthetic perspectives. The syllabus varies each year, and may be organized around works that have launched new modes and genres, works that reflect upon their own media practices, or on stories that migrate from one medium to another. At least one of the assigned texts is collaboratively taught, and visiting lectures and discussions are a regular feature of the subject.
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