About the Arts, Care & Connection Lesson Collection:Arts for Learning Northwest collaborated with Oregon teaching artists on this collection of arts integration modules designed for K-5 students, with integrated social emotional learning content in the areas of dance, visual arts, theater, and music.

Short Description:
Foundations of Aural Skills is a research-based, accessible, relevant, creative, inclusive, empowering textbook for teaching introductory aural skills. The first seven chapters provide thorough instruction in aural fundamentals, allowing students to build their foundations from a variety of starting points. The following chapters address the traditional tasks of sight-reading and dictation, but also improvisation, mimicking music you hear (“playback”), transcription, and ensemble skills. The final two chapters add some basic form- and chord-listening skills. Every section includes creative activities that learners can try out on their own or do in class. Embedded playlists for practicing listening skills include a diverse range of music that will connect with students’ preferences and allow them to experience music they haven’t worked with before. While the text is primarily designed for a first semester or year of instruction, it also includes some instruction on modulation, chromaticism, and mixed meter, and future additions/development will make these advanced applications more robust.

Word Count: 76943

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Prom night brings an intense moment of connection for two teens, unleashing a flood of texts and social media posts. Things start to move rapidly. How much does this relationship really mean? “Friday,” written by Hannah Schmidt of Fern Creek High School in Louisville, considers the role of electronic communication in the confusion of teen romance. It was among the seven short plays produced by the 2017 New Voices Young Playwrights Festival at Actors Theatre of Louisville.

Sensitive: This resource contains material that may be sensitive for some students. Teachers should exercise discretion in evaluating whether this resource is suitable for their class.

David Huffman is a Bay Area artist who heavily uses basketballs and astronauts as symbols of African Americans' cultural trauma and historical homelessness. He uses these two specifically because they serve as metaphors for self-discovery in a place that has been previously hostile. Basketball is a sport that connects cultural divides, and the astronaut suit protects those who are venturing into dangerous places in order to see things they have never seen before.

"Weird Al" Yankovic might be the first person to come to mind when you think of parody music, but did you know that composers like Bach, Mozart, and Satie have been parodying each other's work for centuries?

Nahre and LA explore the history of parody music from the 1700s to the YouTube parodies of today. Scott Dikkers, founding editor of The Onion, explains why humans love parody so much and why it's so hilarious. Nahre and LA compose a dance hit to the tune of the Barney theme song.

Learn about the trailblazing, gender non-conforming performer Gladys Bentley with this digital short from Unladylike2020. Gladys Bentley fled her homophobic Trinidadian immigrant family in Philadelphia, PA at age 16 to join New York's Harlem Renaissance jazz scene as a cross-dressing performer. In a time when homosexuality was widely considered sinful and deviant, Bentley wore men's clothing -- a tuxedo and top hat -- and became famous for her lesbian-themed lyrics covering popular tunes of the day, and for openly flirting with women in the audience. In the 1950s, succumbing to pressure from the black church and McCarthy Era harassment of the LGBTQ community, Bentley said of her gender identity, "I am a woman again!" Constantly reinventing herself, Bentley challenged norms and pushed boundaries. Support materials include discussion questions, vocabulary, a research project on queer identity during the Harlem Rennaissance, and a close reading of Bentley's famous essay, "I am a Woman Again".

Learn how metalsmith Glen Horr at Highland Forge uses metals, handmade tools, and creativity to create sculpture.

Ever wondered how comics are made? How about how to draw your own? In this video, Thien Pham, a graphic artist from Oakland, CA, will show you step-by-step how to create your own comic, from writing the plot to drawing the four-panel itself.

Using the green screen video technique your classroom opens up a world of possibilities. These easy tips demonstrate how the technique can be used for student newscasts, artistic performances, even action adventure videos!

Follow along as artist Sirron Norris demonstrates how to draw various emotions on cartoon faces. See how subtle changes make a big difference when expressing emotion through art.

Derrick Woods, the gallery teaching manager at Speed Art Museum in Louisville, shows how to play the game “How Art You Feeling?” The idea is to have students express what they’re feeling through art instead of words. Students are asked to do a “full systems check” to consider how they’re feeling beyond simple words like “fine” or “okay.” Students then create art to show these feelings and share their art with a partner, who describes what they see in the artwork.

The game encourages students be thoughtful about expressing their feelings. It also helps them learn to consider their partner’s feelings. In the video, the two young women who are game partners discuss the feelings they were trying to express and find common elements in their drawings. The activity helps students develop social awareness and relationship skills.

Adam Neely joined LA and Nahre in the studio for an improvised jam session. Adam comes from a jazz and rock background, while Nahre comes from a classical background, and LA comes from a gospel and R&B background. Together they talk about the differences in how they approach music.

John “Crazy Legz” Pearson, founder of the Who Got Moves Battle League, is breathing life back into Beat Ya Feet -- the bouncy, fast-moving dance found in the streets, backyards and go-go clubs of Black D.C. At the heart of the dance style is the music: go-go, a blend of funk, call-and-response and Afro-Latin rhythms, ubiquitous in D.C.'s Black neighborhoods.

Honolulu is home to tourism hotspot Waikiki, and many of the city’s beachfront hotels host lavish luaus showcasing styles of hula influenced by Western music and instrumentation. But for Native Hawaiians, the origins of hula are deeply spiritual and rooted in Hawaii’s creation stories and the history and culture of their kūpuna or ancestors. Driven by the mele (poetry), hula marries movement with spoken word to express stories about specific deities, people, places and events.

James Brown, the Godfather of Soul, created the DNA for funk. Musicians LA Buckner and Nahre Sol explore how he created funk music, as well as how Brown's music influenced hip hop. They break down the sound of the genre, and create their own funky original song in the process.

Activity:

From soul music and R&B, James Brown created a new genre: funk music. Funk, in turn, inspired hip-hop and trap music—genres that give voice to the life experiences of impoverished and oppressed peoples. By examining videos and text and doing research on the links between music and social justice issues, students will be prepared to collaborate on their own socially conscious rap and create a community activity to work for social change.

Kacey Musgraves won the Album of the Year award at the 2019 Grammys, becoming only the fourth country album to ever win that award. Two of the producers of the album, Ian Fitchuk and Daniel Tashian, talk to us about how they and Kacey were able to make such a crossover success.

Why do so many horror film scores today sound similar to The Exorcist from 1973? A lot of that is thanks to Krzysztof Penderecki, a Polish composer whose music was used by director William Friedkin to score The Exorcist. Penderecki's music can be heard in the works of Stanley Kubrick and David Lynch, and has even inspired the scores of modern horror films such as Bird Box.

Hi-hats. That blazing fast sound is everywhere—pop, reggaeton, country—and hi-hats are essential in trap music. Where exactly did trap music come from and how did it become a part of so many other musical styles? Hosts LA Buckner and Nahre Sol explore the genre's roots and make their own original beat inspired by the trap sound.

Jocquese Whitfield is a Vogue legend in San Francisco. He is a choreographer and performer who teaches the popular “Vogue and Tone” class at Dance Mission Theater. He has held the winning title at the Miss Honey Vogue Ball multiple times and is also a judge for dance and drag competitions. Here Jocquese breaks down the five elements of Vogue and discusses how the dance form became a lifestyle. Learn the basics from this master also known as Sir JoQ.

Learn how Carol and Jean-Pierre Hsu combine glass and metal to create jewelry and mobiles.