A figurative portrayal of the presidential race of 1824. A crowd of cheering citizens watch as candidates (left to right) John Quincy Adams, William Crawford, and Andrew Jackson stride toward the finish. Henry Clay has dropped from the race and stands, hand on head, on the far right saying, "D--n it I cant save my distance--so I may as well "draw up."" He is consoled by a man in riding clothes, "Well dont distress yourself--there'll be some scrubbing by & by & then you'll have a chance." Assorted comments come from the crowd, reflecting various sectional and partisan views. A Westerner with stovepipe hat and powder horn: "Hurra for our Jacks-"son."" Former President John Adams: "Hurra for our son "Jack."" Two men in coachmen's livery: "That inne-track fellow [Crawford] goes so well; that I think he must have got the better of the bots [boss?]." and "Like enough; but betwixt you & I--I dont think he'll ever get the better of the "Quinsy."" A ragged Irishman: "Blast my eyes if I dont "venter" a "small" horn of rotgut on that "bald filly" in the middle [Adams]." A Frenchman: "Ah hah! Mon's Neddy I tink dat kick on de "back of you side" is worse den have no dinner de fourt of july." In the left background is a platform and an inaugural scene, the "Presidential Chair" with a purse "|(Swann Fund Purchase)|Crackfardi Delt. et Sct. (David Claypool Johnston, Boston).|The print probably appeared late in the election campaign, as Weitenkampf cites an impression in the New York Public Library with the copyright legend "Entered . . . Oct. 6, 1824." The Library's impression has only the title and signature.|Title appears as it is written on the item.|Century, p. 32-33.|Johnson, no. 41.|Murrell, p. 106, 108.|Weitenkampf, p. 21.|Purchase; Caroline and Erwin Swann Memorial Fund.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1824-4.

Players involved in a football game on a dusty field, buildings and mountains in the distance. Title transcribed from Ansel Adams' caption on verso of print. Caption on negative sleeve includes phrase: "Note: Be sure and straighten horizon when printing." Original neg. no.: LC-A35-6-M-16. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Players involved in a football game on a dusty field, buildings and mountains in the distance. Title transcribed from Ansel Adams' caption on verso of print. Caption on negative sleeve includes phrase: "Note: Be sure and straighten Horizon when printing." Original neg. no.: LC-A35-6-M-15. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

The race for a $25,000 prize (the president's salary) is a metaphor for the 1844 campaign. The favored contender here is Henry Clay. The other runners are James K. Polk and John Tyler, while commentaries are offered by a farmer, vice presidential candidate Theodore Frelinghuysen, and Whig stalwart Daniel Webster. The print probably appeared before Tyler officially withdrew as a presidential candidate on August 20. Henry Clay is in the lead, about to pass the half-mile marker to the White House. The Capitol appears in the distance. Clay holds an American flag in one hand and a document in the other, and begins to ascend the steeply inclined final stretch. Behind him Democratic nominee James K. Polk stumbles and falls, his foot in a pothole. Clay: "Clear the Road for Old Kentuck!" Polk: "Oh! Lord I've slipped up! I've got fundamental objections to this mode of coming down." Frelinghuysen: "Ha! Ha! Dan there goes Polk! that Tariff grease that I put there has done the business slick!" Support for a tariff was a plank in the Whig platform which was extremely popular in the Northeast. Webster replies: "Why Theodore, Harry [Clay] is a going it in fine style. He'll take the Purse & not half try!" A third contestant, incumbent President John Tyler, notices a woman traveling down another road toward Texas. The woman is elegantly dressed, and holds a parasol which obstructs the view ahead of her. Tyler questions a farmer standing nearby, "I say my friend who is that going down the road yonder . . ." The farmer replies "Oh! thats the Gardeners Daughter that lives in yon house there down the road!" "Well thats the road for me," Tyler continues, "I am used up in the Race. So I'm off! tell them Gentlemen that they must excuse me."|Entered . . . 1844 by J. Baillie.|Litho. & pubd. by James Baillie 118 Nassau St N.Y.|Signed: H. Bucholzer.|The Library's impression of the print was deposited for copyright on August 23, 1844.|Title appears as it is written on the item.|Weitenkampf, p. 79.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1844-41.

An illustrated election ticket for Luke Tiernan and George R. Richardson, administration candidates for Baltimore delegates to the Maryland General Assembly in 1828. The ticket bears a woodcut emblem of a flexed arm holding a hammer, framed by a wreath of oak leaves. |Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1828-11.

Poster showing a soldier holding a child and embracing a woman. No. 2-C.

Poster showing the Statue of Liberty beaming brightly over a patrol boat. Issued by City of Boston Committee on Public Safety. Forms part of: Willard and Dorothy Straight Collection.

Poster showing an eagle in flight. Text continues: The government pays for the metal - we buy comforts for the men. Treasure and Trinket Fund, 259 Fifth Avenue, National Special Aid.

A Democratic election ticket for the 1844 presidential campaign, issued sometime between May 29, when Polk received the Democratic nomination, and the November canvass. The ticket names the party's eight electors for the state of Maryland and is illustrated with the device of an American flag on a staff topped by a glowing liberty cap.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1844-15.

Poster is text only, with emblem, "The Torch of Liberty." Form 204. Forms part of: Willard and Dorothy Straight Collection.

An illustrated cover for a campaign song written for Democratic candidates Horatio Seymour and Francis P. Blair, Jr. Bust portraits of Seymour and Blair are separated by two cornucopias spilling over with flowers that form a wreath around two clasped hands. Above the portraits are vines, olive branches, and palm fronds, the vines circling around to entwine with two American flags below. At the top, an American eagle stands on a shield decorated with stars and stripes.|Chicago Lithographing Co.|Entered . . . 1868 by Lyon & Healy. |Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1868-3.

Poster showing a female figure holding large standards bearing many shields emblazoned with national flags. Possibly part of an Americanization theme. Title from item.

Y.M.C.A. poster for the United War Work Campaign showing a man in military uniform pouring a cup of tea for a young soldier seated with a rifle across his lap and helmet at his feet; signpost with Y.M.C.A. logo in upper right corner. Issued(?) by: Committee on Public Information, Division of Pictorial Publicity.

The artist lays on the Democrats the major blame for violence perpetrated against antislavery settlers in Kansas in the wake of the Kansas-Nebraska Act. Here a bearded "freesoiler" has been bound to the "Democratic Platform" and is restrained by two Lilliputian figures, presidential nominee James Buchanan and Democratic senator Lewis Cass. Democratic senator Stephen A. Douglas and president Franklin Pierce, also shown as tiny figures, force a black man into the giant's gaping mouth. The freesoiler's head rests on a platform marked "Kansas," "Cuba," and "Central America," probably referring to Democratic ambitions for the extension of slavery. In the background left is a scene of burning and pillage; on the right a dead man hangs from a tree.|"Pub. by J.L. Magee 48 Pasyunk Road Phila."|Drawn by John L. Magee.|Title appears as it is written on the item.|Weitenkampf, p. 115.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1856-8.

An election-year satire favoring Free Soil candidate Martin Van Buren in the 1848 presidential contest. A long-legged John Van Buren carries his father piggyback through Salt River, heading toward the White House on the far shore. "Matty" says, "Thanks to your long legs, John, I believe that I shall pass over this Jordan dry shod." The younger Van Buren assures his father, "Hold on Dad & I'll put you through." Meanwhile, abolitionist editor Horace Greeley and candidates Taylor and Clay are having a more difficult time fording the river. Clay is immersed head first, leaving only his legs visible. Taylor is neck-deep in the water. Greeley yells to Kentucky Whig leader Cassius M. Clay, seated on the near bank, "Help, Cassius, or I Sink." Clay replies, "Can't come there, Horace, I risked my life in Mexico, & I don't like to do it again." (Cassius Clay was a hero of the recent Mexican War).|Entered . . . 1848 by J. Baillie. |Published by James Baillie, 87th St. near Third Avenue, New York.|Signed with reversed initials: H.B. (H. Bucholzer).|Title appears as it is written on the item.|Weitenkampf, p. 97.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1848-29.

Poster showing a small girl sitting amid ruins, holding a bouquet of forget-me-nots. Title from item.

Poster showing cranes in a shipyard. Produced by Signal Corps, U.S.A. and Committee on Public Information.

On May 27, 1861, Benjamin Butler, commander of the Union army in Virginia and North Carolina, decreed that slaves who fled to Union lines were legitimate "contraband of war," and were not subject to return to their Confederate owners. The declaration precipitated scores of escapes to Union lines around Fortress Monroe, Butler's headquarters in Virginia. In this crudely drawn caricature, a slave stands before the Union fort taunting his plantation master. The planter (right) waves his whip and cries, "Come back you black rascal." The slave replies, "Can't come back nohow massa Dis chile's contraban." Hordes of other slaves are seen leaving the fields and heading toward the fort.|Title appears as it is written on the item.|Weitenkampf, p. 126.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1861-37.

The title continues: "Breaking up of a Grand Spree in the Tea Room & total abflustification of the common scoundrels." Weitenkampf calls the print a satirical look at members of the New York Common Council "after a spree of eating and drinking," and cites two others by Elton. The artist also suggests corruption in that Tammany-controlled civic body, a center of Democratic power in 1840. It is a crowded scene of drunken merriment. In the foreground are several comical figures in various attitudes, including a reeling heavy-set man who says, "I'm affraid I've not done me juty to me w-a-r-d this evening, let me see what I've had: three Oyster stews . . . " He leans on a smaller man who says, "Don't make yourself uneasy Sir, if you havent done your duty on this occassion, I would like to see the man who has & if there is such a man all I want is his Daguerreotype Likeness to hang on the inside of my shirt to remember him by . . ." (Daguerreotypes were first introduced in 1839, and portrait studios had opened in several major cities in the United States by early 1840.) On the right two others converse. One, with a bulbous red nose, lifts his glass aloft. The second holds a bag marked "40,000." The first says, "Ah! that's the talk! let me see with that amount of stuff, I can cut out forty pairs of pantaloons with a thousand sets of trimmings for each man, o yes Sir depend on it, the documents shall be forthcoming!" The second, "Here is the Stuff for pantaloons & I hope now you will put that matter through & let me have the contract without delay." In the middle ground left a black manservant holds a tray of cups before the open door to a "Tea Room."|For sale at 124 Nassau St. N.Y.|Probably drawn by John L. Magee.|Title appears as it is written on the item.|Murrell, p. 162, 164.|Weitenkampf, p. 68-69.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-1.