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The audacity of Christian art: Time and eternity: Yesterday, today, and always | National Gallery
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Like place, time is an important theological category and, like the Incarnation, it can be hard to comprehend. This episode looks at sophisticated ways of handling different but related time frames in Ercole de’ Roberti’s ‘The Dead Christ’ (about 1490) and the exquisite ‘The Deposition’ by the Master of the Saint Bartholomew Altarpiece (about 1500–5).

Subject:
Art History
Arts and Humanities
Material Type:
Lesson
Provider:
Khan Academy
Provider Set:
Smarthistory
Author:
UK National Gallery
Date Added:
07/29/2021
The audacity of Christian art: Unspeakable images: When words fail | National Gallery
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No single painting of Christ in the canon of Christian art can adequately express what Christians believe about him, but this final episode considers how a painting can point beyond itself, encouraging the viewer not to take the image at face value but to engage with the mystery it presents. Chloë Reddaway explores the use of blank spaces as a radical way of indicating divine activity and looks at the value of unfinished works in stimulating the viewer’s imagination with a close look at Michelangelo’s unfinished masterpiece, ‘The Entombment’ (around 1500–1).

Subject:
Art History
Arts and Humanities
Material Type:
Lesson
Provider:
Khan Academy
Provider Set:
Smarthistory
Author:
UK National Gallery
Date Added:
07/29/2021
The audacity of Christian art: the problem with Christ | National Gallery
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How do you paint a figure who is fully human and fully divine? This episode sets the scene for exploring the problem and considers the inherent audacity of what Christian art attempts to do.

Subject:
Art History
Arts and Humanities
Material Type:
Lesson
Provider:
Khan Academy
Provider Set:
Smarthistory
Author:
UK National Gallery
Date Added:
07/29/2021
A brief history of religion in art
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Before we began putting art into museums, art mostly served as the visual counterpart to religious stories. Are these theological paintings, sculptures, textiles and illuminations from centuries ago still relevant to us? Jeremiah Dickey describes the evolution of art in the public eye and explains how the modern viewer can see the history of art as an ongoing global conversation.

Subject:
Art History
Arts and Humanities
Material Type:
Lesson
Provider:
Khan Academy
Provider Set:
TED
Author:
TED
Date Added:
07/29/2021
The classical orders
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The three major classical orders are Doric, Ionic, and Corinthian. The orders describe the form and decoration of Greek and later Roman columns, and continue to be widely used in architecture today. The Doric order is the simplest and shortest, with no decorative foot, vertical fluting, and a flared capital. Ionic columns are taller and thinner, with a decorative foot and scroll-shaped volutes on the capital. The most complex order is the Corinthian order, which is tall and thin and features a decorative foot, volutes and acanthus leaves on the capital. Created by Beth Harris and Steven Zucker.

Subject:
Art History
Arts and Humanities
Material Type:
Lesson
Provider:
Khan Academy
Provider Set:
Smarthistory
Author:
SmartHistory
Date Added:
07/29/2021
The five major world religions
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It's perfectly human to grapple with questions, like 'Where do we come from?' and 'How do I live a life of meaning?' These existential questions are central to the five major world religions -- and that's not all that connects these faiths. John Bellaimey explains the intertwined histories and cultures of Hinduism, Judaism, Buddhism, Christianity and Islam. Lesson by John Bellaimey, animation by TED-Ed.

Subject:
Art History
Arts and Humanities
Material Type:
Lesson
Provider:
Khan Academy
Provider Set:
TED
Author:
TED
Date Added:
07/29/2021
The stupa
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A short documentary on the stupa, a hemispherical mound that represents the burial mound of the Buddha.

Subject:
Art History
Arts and Humanities
Material Type:
Lesson
Provider:
Khan Academy
Provider Set:
Smarthistory
Author:
Asian Art Museum
Date Added:
07/29/2021