This resource was created by Staci Simonsen, in collaboration with Lynn Bowder, …
This resource was created by Staci Simonsen, in collaboration with Lynn Bowder, as part of ESU2's Mastering the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education and experiential learning.
J-Sette dancers bring energy, precision and stunts to the floor, and the …
J-Sette dancers bring energy, precision and stunts to the floor, and the Dance Champz of Atlanta are trying to take this underground LGBTQ+ art form to the next level. The roots of J-Setting are in Mississippi, at Jackson State University, where the Prancing J-Settes adapted majorette dancing, losing the batons and bringing in African American and jazz dance influences. Leland Thorpe and his team are on a mission to get the underground version of the dance form taken more seriously in the wider dance world. Thorpe is passionate about bringing more formal technique to the dance, and with his experience in Detroit studying jazz and ballet, he brings a faster pace and more sophistication to the Atlanta style.
Los Angeles Pro Roller Skater Alicia Reason breaks down some classic jam …
Los Angeles Pro Roller Skater Alicia Reason breaks down some classic jam skate moves, including the crazy legs, moonwalk, electric slide, and spread eagle, then puts them together in a dance routine for you to follow.
We're headed back to Japan, this time in the Edo period to …
We're headed back to Japan, this time in the Edo period to follow up on Noh theater, which had gone out of style last time we checked in. Now, under the Shoguns, there's couple of really interesting types of drama on the scene. Kabuki is a sort of successor to Noh, with wilder stories and more action. And Bunraku is straight up high intensity puppet theater. Mike tells you all about how the Samurais got themselves into trouble watching bawdy theater shows in Edo.
In this video from the American Masters film Ralph Ellison: An American …
In this video from the American Masters film Ralph Ellison: An American Journey, scholars discuss the author’s ideas about jazz music. Ellison recognized jazz as an art form that represented the complexity of America’s multicultural democratic society. This resource may be used alongside Ellison’s Invisible Man, but is also well suited for use in a lesson, unit, or course on African American literature.
Sensitive: This resource contains material that may be sensitive for some students. Teachers should exercise discretion in evaluating whether this resource is suitable for their class.
The String Ensemble set out to find an under represented BIPOC/female composer and work that we could record and revitalize/rearrange. After sifting through project composers and works, we settled on Joseph Bolonge Le Chevalier de St. Georges, a BIPOC and underrepresented composer and his work, String Quartet No. 2, Op. 1. Prior to our project, the work was offered with no overall score and just manuscript individual parts that were somewhat difficult to read. In addition, the string virtuoso composer had some much influence on Mozart, Haydn, and the creation of the classical music genre of the sinfonia concertante. Yet, I had never even heard of his existence or influence which music textbooks do not give Joseph Bologne the proper credit to sinfonia concertante. Therefore, we wanted to bring justice to a neglected composer and work so that others could hear his work and make his work more accessible to perform. https://youtu.be/9HEEawfBN80
This week on Crash Course Theater, Mike is taking you to Japan …
This week on Crash Course Theater, Mike is taking you to Japan to have a look at Noh theater. Noh, and its counterpart Kyogen are some of the most revered theater forms in Japan, and are still performed today. Today you'll learn how Noh grew out of traditional Shinto dances, what a Noh theater looks like, and how audiences managed to sit through 8 hour performance in the days before memory foam theater seats. (hint: it was the Kyogen)
OBJECTIVE:1. To make students aware that notes have "names"2: To develop the …
OBJECTIVE:1. To make students aware that notes have "names"2: To develop the ability to identify any "natural" note with reference to a piano keyboard3: To help students to understand that notes to be found on the the "black" keys can be assigned one of two "names" depending upon the circumstances
This resource was created by Rebecca Barber, in collaboration with Dawn DeTurk, …
This resource was created by Rebecca Barber, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.
This resource was created by Rebecca Barber, in collaboration with Dawn DeTurk, …
This resource was created by Rebecca Barber, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.
Students are introduced to traditional folk music in this animation of the …
Students are introduced to traditional folk music in this animation of the French song, “L'Arc en Ciel” which means "the Rainbow." Students learn the colors of the rainbow in French while following the adventures of a singing bumblebee.
Short Description: This is a dramaturgical casebook on La France Sauvée, an …
Short Description: This is a dramaturgical casebook on La France Sauvée, an unfinished play by Olympe de Gouges, translated by Clarissa Palmer, with contextual information on the French Revolution.
Long Description: This digital humanities project is a digital dramaturgical casebook for the play, La France Sauvée, ou le Tyran détrôné (France Preserved, or the Tyrant Dethroned, 1792). The dramaturgical casebook includes a master copy of the script as well as historical research pertaining to the playwright, cast members, timeline, places, costume and set design, and bibliography.
Word Count: 23888
(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)
No restrictions on your remixing, redistributing, or making derivative works. Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make derivative works.
Most restrictive license type. Prohibits most uses, sharing, and any changes.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based educators, or other custom arrangements. Go to the resource provider to see their individual restrictions.