This resource was created by Cindy Sellhorst, in collaboration with Lynn Bowder, as part of ESU2's Mastering the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education and experiential learning.
Discription of the brass family of instruments
Textbook for undergraduate brass methods course focusing on brass instrument techniques and pedagogy.
This resource was created by Terresa Greenleaf, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.
This unit will focus on the transgressive behavior of characters from some of Shakespeare’s most famous plays and how we can identify with those actions. This unit is designed to help students bridge the gap between Shakespearean literature and modern life. Many times we find ourselves saying the wrong thing to someone, something that might sound offensive; and even if we didn’t mean it, the next necessary step is to consider how we get out of that situation. In modern life, we create transgressive behavior just as did Shakespeare’s characters. The plays we will focus on in this unit are Romeo and Juliet, Much Ado About Nothing, and Henry IV part 1. Students will be asked to identify the transgressive behavior, to discuss the significance of who owns it, how he or she got into the situation, and how the scene might alternatively play out. Students will be asked to create parallel moments in contemporary contexts and to incorporate the Shakespeare line in their alternative contexts. This unit will suggest the use of vocabulary lists per each play, summaries of each story, character maps, as well as background information on the writer himself.
This is it! We're going out with a singing, dancing look at the Broadway Book Musical. Oklahoma! On the Town! Annie Get Your Gun! Also, just Annie! Today you'll learn about the development of the Broadway Book Musical in the late 19th and early 20th centuries, and get a sense of how the form developed through the Golden Age of Broadway.
We're going to Broadway, everybody, and it's not going to be that fun. In fact, it's going to be a very serious experience with lots of powerful social commentary and indictments of life in America in the 1950s. So be prepared to look at the works of Tennessee Williams, Arthur Miller, and Lorraine Hansberry, and to look into the face of chronic illness, racism, and the crushing malaise of American middle class life. Woof.
These drama activities based around the lives of Crispus Attucks, Biddy Mason, Elijah McCoy, and Bessie Coleman complement our Black History lessons on these figures. Students will script, stage, imagine, and improvise in a series of prompts perfect for theater classes or any other learning context in which creativity and performance are emphasized. This package contains four documents, each containing multiple activities based around the life experiences of these remarkable Americans. The Woodson Center's Black History and Excellence curriculum is based on the Woodson Principles and tells the stories of Black Americans whose tenacity and resilience enabled them to overcome adversity and make invaluable contributions to our country. It also teaches character and decision-making skills that equip students to take charge of their futures. These lessons in Black American excellence are free and publicly available for all.
Students explore call and response songs through singing.
Call and response has an important history in traditional West African music, especially in spiritual music and protest movements. Although the specific expression of this practice varies across the diaspora depending on the geographic location and musical lineage of practitioners, there are striking similarities in seemingly disparate locations, like the southern United States, Cuba, and northern Brazil. The preservation of call and response practices within these locations (and many others) suggests the importance of collectivity when healing from systemic oppression.
With this interest in mind, David Diaz invites students to join into this call and response by listening to and producing sounds and/or movements as they are comfortable. In joining a collective, there is also space for individuality, and even dissonance. In that interest, students can recognize the shared histories and practices that the music reveals, as well as the particularities of specific cultures and historical actors.
Find the theme of a story by acting it out!
Take out your magnifying glass detectives-in-training, because you’re about to solve The Case of the Missing Theme. By acting out a story with Carmen and Detective J, you will remember important clues. These clues will help you find the story’s theme!
Learning Objective: Infer the theme of a work, distinguishing theme from topic.
This new annotated guide (part of a series devoted to resources for enjoying or teaching astronomy) features over 250 pieces of music inspired by serious astronomy, including both classical and popular music examples. YouTube links are given for the vast majority, so you (or your students) can listen to them.
Among the pieces included is:
1) a Hubble Space Telescope cantata,
2) eight rock songs about black holes with reasonable science,
3) a supernova piano sonata,
4) a musical exploration of the Messier catalog of nebulae, clusters, and galaxies,
5) a moving song about Stephen Hawking,
6) Moon songs by the Grateful Dead, George Harrison, and the Police,
7) piano pieces “for children with small hands” named after the constellations,
8) operas about Galileo, Kepler, and Einstein,
and many more.
This resource was created by Kim Roeber, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.
Diversity in theatre has come a long way, and it has a long way to go. This industry has been dominated for far too long by one sector of the population and other stories have not been told. This project encourages the students to tell their stories from their varied and unique backgrounds and share that with their classmates and community. Playwriting is a unique way to tell a story, and this is an avenue that many may not have considered. This project will broaden the scope of the students view on theatre and encourage them to step up and make their voice heard.
A free, open-source collection of discussion prompts and assignments intended to pair with Part I of Russell Sharman's textbook Moving Pictures: An Introduction to Cinema. Attributions: Moving Pictures: An Introduction to Cinema by Russell Sharman is licensed under CC BY-NC-SA 4.0.
This resource was created by Jennifer Trenhaile, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.
Get ready for Russian modernism. Mike is teaching you about the playwrighting of Catherine the Great, Anton Chekhov's plays, the Moscow Art Theater, and the acting theories of Stanislavski. It's all very real, and very modern. From a Realism and Modernism perspective.
La Mezcla is an all-female San Francisco dance company rooted in Latinx traditions, Chicano culture and social justice. Founder Vanessa Sanchez and the other dancers blend tap dance and zapateado or traditional footwork from Veracruz, Mexico, to create a style they call “zapatap.” Watch as they perform dynamic choreography in front of iconic Mission District murals and landmarks, then bring us back to the 1940s West Coast Zoot Suit era (popularized by Bay Area playwright Luis Valdez) when young Mexican-Americans or “pachucas” proudly repped Chicana identity and resistance, while defying cultural and style taboos. Rocking big hair and flashy zoot suits, the women of La Mezcla reclaim this early history, combining tap with son Jarocho Zapateado.
If Cities Could Dance is a Webby Award-winning video series featuring dancers from cities across the United States. Step into the shoes of dancers from across the country who dare to imagine what it would look like if their city could dance.
This week we're headed to China to learn about the ancient origins of theater there. We'll look at the early days of wizard theater (not a typo), the development of classical Chinese theater, and the evolution of Beijing Opera.
This course provides an introduction to the major popular music cultures of the Chinese-speaking world. We will consider a wide variety of genres, from Shanghainese shidaiqu to Cantopop to Taiwanese rap, with the goal of listening beyond the notion of a monolithic “Chinese popular music” to something more dynamic, multivocal, and translocal. We will ask: What, if anything, is so “Chinese” about Chinese popular music? How does popular music participate in the formation of identities for artists and audiences in these areas? How does it enable the articulation of diverging social and political values while also facilitating meaningful connections among disparate communities? We will approach these questions through a diverse array of source materials, including sound recordings, music videos, films, and online multimedia.