The Oxford Visual Geomery Groups Computer Vision Practicals is a collection of MATLAB-based self-contained hands-on lab experiences introducing fundamental concepts in visual recognition, including: extracting and matching local features to identify an object in two images regardless of variations in viewpoint, illumination, and other factors; quantising local features into visual words to index and search a large archive of images efficiently; representing images as statistics of local features for coarse image matching and its application to the recognition of object categories; learning image classifiers discriminatively, and in particular support vector machines; evaluating the performance of a retrieval system. The practicals are briefly described below. You can also review the requirements and installation instructions.

A series of lectures delivered by Peter Millican to first-year philosophy students at the University of Oxford. The lectures comprise of the 8-week General Philosophy course, delivered to first year undergraduates. These lectures aim to provide a thorough introduction to many philosophical topics and to get students and others interested in thinking about key areas of philosophy. Taking a chronological view of the history of philosophy, each lecture is split into 3 or 4 sections which outline a particular philosophical problem and how different philosophers have attempted to resolve the issue. Individuals interested in the 'big' questions about life such as how we perceive the world, who we are in the world and whether we are free to act will find this series informative, comprehensive and accessible.

This mini-series is intended to introduce George Eliot to undergraduates. The first lecture ranges widely across her works, including her atypical novella 'The Lifted Veil'. It notes the power and range of Eliot's intellect, and her changing attitudes to the proper function and remit of the intellect and consciousness. The second lecture considers how narrative justice operates in relation to the genres of comedy and tragedy, in works including 'Adam Bede' and 'Daniel Deronda'. The third lecture encourages its audience to see itself as part of the latest stage in Eliot's British reception history, which is traced from her lifetime onwards with particular concentration on the trough her reputation suffered in the first three decades of the twentieth century. This final lecture is accompanied by a Powerpoint presentation.

In 1758, Samuel Johnson noted that the itch of scribbling had seized the nation. 'The rage of writing has seized the old and young' across all segments of society, he observed, so that now 'the cook warbles her lyrics in the kitchen, and the thrasher vociferates his heroics in the barn.' Johnson's observation drew attention to an important development in the eighteenth century literary world: the emergence of the labouring class writer. Over the course of the century increasing numbers of agricultural labourers, household servants, bricklayers, shoemakers, milkmaids, soldiers and sailors not only tool up writing, but also published their work, and, in some cases, made a significant impact on contemporary literary culture. This collection of resources looks at these writers.

This collection of resources considers the role of Oriental fiction in the development of the English novel in the 18th century.

Poetic miscellanies represent a particularly important and popular mediation of poetry in the eighteenth century, since they represent one of the most visible points of contact between the shaping of the literary canon, and the commercial demands of print culture. Yet they remain little used or studied because of their bewildering number and variety: at the most conservative estimate, there were a thousand published between 1700-1800, yet the contents of most of these are relatively unknown and unexamined. In this collection, you will be able to learn more about and explore some miscellanies from the time.

Great Writers Inspire presents an illuminating collection of Aphra Behn resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.

Great Writers Inspire presents an illuminating collection of Ben Jonson resources curated by specialists at the University of Oxford. It includes downloadable electronic texts and eBooks, and background contextual resources.

Great Writers Inspire presents an illuminating collection of Charles Dickens resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.

Great Writers Inspire presents an illuminating collection of Charlotte Brontモe resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.

Great Writers Inspire presents an illuminating collection of Christopher Marlowe resources curated by specialists at the University of Oxford. It includes downloadable electronic texts and eBooks, and background contextual resources.

The writers included in this collection of resources present richer understandings of exactly what it means to be a "colonial", to be writing from a "colony". If it is the short stories of Rudyard Kipling, with their subtle critiques of Anglo-Indian society, the bleak ambivalence of Joseph Conrad's winding syntax, or the outright anti-imperial critiques of Olive Schreiner, these writers configure a space that can be considered at least postcolonial, if not anti-colonial, into their fiction.

Great Writers Inspire presents an illuminating collection of D.H. Lawrence resources curated by specialists at the University of Oxford. It includes audio and video lectures and short talks, downloadable electronic texts and eBooks, and background contextual resources.

Great Writers Inspire presents an illuminating collection of Derek Walcott resources curated by specialists at the University of Oxford. It includes audio lectures and downloadable electronic texts and eBooks, and background contextual resources.

Many books and university courses, trying to compensate for a history of the neglect or mistrust of plays as performance, use the phrase "from page to stage" to think about the dramatic possibilities of their texts. In fact, for the early modern theatre, the phrase needs to be the other way around--from stage to page. Plays were performances first, and only later, and then only sometimes, books. This section of Great Writers gathers resources--podcasts, eBooks, websites--to explore the two interconnected lives of the early modern play--as an event in time and space on the stage of the Globe or Blackfriars theatre, and as a material printed object, on sale to Elizabethan and Jacobean readers in the booksellers' quarter around St Paul's Churchyard.

This section brings together resources from the across the Great Writers Inspire site to illustrate how these can be used as a starting point for exploration of or classroom discussion about economic and social literary criticism. The 'Economic and Social Literary Criticism' essay introduces a series of topics and questions and gives examples of resources to explore. It is aimed at teachers, students and anyone who is interested in literature who wants to put text into context and be inspired by Great Writers.

Great Writers Inspire presents an illuminating collection of Edward Thomas resources curated by specialists at the University of Oxford. It includes downloadable electronic texts and eBooks, and background contextual resources.