This seminar offers a course of readings in lyric poetry. It aims to enhance the student’s capacity to understand the nature of poetic language and the enjoyment of poetic texts by treating poems as messages to be deciphered.
The seminar will briefly touch upon the history of theories of figurative language since Aristotle and it will attend to the development of those theories during the last thirty years, noting the manner in which they tended to consider figures of speech distinct from normative or literal expression, and it will devote particular attention to the rise of theories that quarrel with this distinction.
The seminar also aims to communicate a rough sense of the history of English-speaking poetry since the early modern period. Some attention will be paid as well to the use of metaphor in science.

This seminar offers a course of readings in lyric poetry. It aims to enhance the student’s capacity to understand the nature of poetic language and the enjoyment of poetic texts by treating poems as messages to be deciphered.
The seminar will briefly touch upon the history of theories of figurative language since Aristotle and it will attend to the development of those theories during the last thirty years, noting the manner in which they tended to consider figures of speech distinct from normative or literal expression, and it will devote particular attention to the rise of theories that quarrel with this distinction.
The seminar also aims to communicate a rough sense of the history of English-speaking poetry since the early modern period. Some attention will be paid as well to the use of metaphor in science.

This subject is an introduction to poetry as a genre; most of our texts are originally written in English. We read poems from the Renaissance through the 17th and 18th centuries, Romanticism, and Modernism. Focus will be on analytic reading, on literary history, and on the development of the genre and its forms; in writing we attend to techniques of persuasion and of honest evidenced sequential argumentation. Poets to be read will include William Shakespeare, Queen Elizabeth, William Wordsworth, John Keats, T.S. Eliot, Langston Hughes, Sylvia Plath, Elizabeth Bishop, and some contemporary writers.

This subject follows a course of readings in lyric poetry in the English language, tracing the main lines of descent through literary periods from the Renaissance to the modern period and concentrating mostly on English rather than American examples.

This free video series provides definitions of literary terms in English literature to students and teachers. It also offers examples of how these literary devices can be applied to poems, plays, novels, and short stories. We are in the process of translating the videos into Spanish and many of them now contain these subtitles.

Keri McAllister uses technology, workstations, and a lot of choice to turn her students loose on a unit on poetry. In workstations students watch "poetry in motion" videos, create a podcast about their chosen poet, and post reflections on a chosen poem on their class blog.

This activity can be used after reading Chapter 5 of The Great Gatsby. Listening and watching the video for Lana Del Rey's song, and title track for the film, students will dig deep into the lyrics of the song identifying figurative language, draw connections between the lyrics of the song and direct quotes from the text, and have meaningful discussion about point-of-view and symbolism in the video. Guaranteed to engage students and make valuable text to text connections!

In this project, you will explore a real-world problem, and then work through a series of steps to analyze that problem, research ways the problem could be solved, then propose a possible solution to that problem. Often, there is no specific right or wrong solutions, but sometimes one particular solution may be better than others. The key is making sure you fully understand the problem, have researched some possible solutions, and have proposed the solution that you can support with information / evidence.Begin by reading the problem statement in Step 1. Take the time to review all of the information provided in the statement, including exploring the websites, videos and / or and articles that are linked. Then work on steps 2 through 8 to complete this problem-based learning experience.

“Reading Poetry” has several aims: primarily, to increase the ways you can become more engaged and curious readers of poetry; to increase your confidence as writers thinking about literary texts; and to provide you with the language for literary description. The course is not designed as a historical survey course but rather as an introductory approach to poetry from various directions – as public or private utterances; as arranged imaginative shapes; and as psychological worlds, for example. One perspective offered is that poetry offers intellectual, moral and linguistic pleasures as well as difficulties to our private lives as readers and to our public lives as writers. Expect to hear and read poems aloud and to memorize lines; the class format will be group discussion, occasional lecture.

By reading a short book aloud, Rick Kleine models for his students how their initial theories of character traits can change over time. Using peer discussion and class participation, the kids are engaged throughout, giving them what Rick hopes will be a life-long love of reading.

Rick Kleine structures his class with mini lessons, reading aloud, peer discussions and silent reading. He also speaks individually with his students, giving each a focused task for improvement to increase their comprehension and enjoyment, while making them better readers.

This seminar will introduce three of eight types of figurative language (simile, metaphor, personification).  Through song lyrics, poems, videos, interactive activities, and collaboration, you will learn to recognize, determine meanings, and identify comparisons within similes, metaphors, and personification examples.StandardsCC.1.2.5.F  Determine the meaning of words and phrases as they are used in grade-level text, including interpretation of figurative language.

This seminar will introduce three of eight types of figurative language (simile, metaphor, personification).  Through song lyrics, poems, videos, interactive activities, and collaboration, you will learn to recognize, determine meanings, and identify comparisons within similes, metaphors, and personification examples.StandardsCC.1.2.5.F  Determine the meaning of words and phrases as they are used in grade-level text, including interpretation of figurative language.

This seminar will introduce three of eight types of figurative language (simile, metaphor, personification).  Through song lyrics, poems, videos, interactive activities, and collaboration, you will learn to recognize, determine meanings, and identify comparisons within similes, metaphors, and personification examples.StandardsCC.1.2.5.F  Determine the meaning of words and phrases as they are used in grade-level text, including interpretation of figurative language.

This seminar will introduce two of eight types of figurative language (simile, metaphor).  Through song lyrics, poems, videos, interactive activities, and collaboration, you will learn to recognize, determine meanings, and identify comparisons within similes, metaphors, and personification examples.StandardsCC.1.2.5.F  Determine the meaning of words and phrases as they are used in grade-level text, including interpretation of figurative language.

Students learn how scientific terms are formed using Latin and Greek roots, prefixes and suffixes, and on that basis, learn to make an educated guess about the meaning of a word. Students are introduced to the role played by metaphor in language development.

Use this resource to teach irony and then find examples of irony in Poe's, The Cask of Amontillado.Individual, small group, and whole group activities.

This lecture introduces figurative language or "figures of speech"--including metaphor, simile, and personification--and provides examples of their use in everyday, literary, and academic writing.  The lecture is offered here in three different formats: video with captions, video without captions, and a text transcript.

This lecture is intended to help writers to recognize and avoid mixed metaphors and malaprop in their own writing and others'.  These are common errors in writing and speaking that are especially common in English, which is full of "invisible" figurative language.  The lecture is offered here in three different formats: video without captions, video with captions, and a full transcript.