Topic: “All men are created equal”- Equality in the Declaration of IndependenceMarginalized …
Topic: “All men are created equal”- Equality in the Declaration of IndependenceMarginalized Community: Women, Native Americans, SlavesInstructional/Grade Level: Upper primary/5th gradeStandard/Learning Target: SSS1.5.1 Evaluate the relevance of facts used in forming a position on an issue or event. SSS1.5.2 Construct arguments using claims and evidence from multiple sources. SSS4.5.3 Use evidence to develop claims in response to compelling questions.
This course introduces the unique characteristics of militaries and explores the roles …
This course introduces the unique characteristics of militaries and explores the roles they play in the societies they are constructed to defend, with a special focus on the relationships between the military and their civilian leaders and popular publics. Topics include a modern history of relations between US presidents and the military, coups and military governments, public trust in the military, racial integration of the military, and the military-industrial (and tech!) complex.
E. W. Clay's apocalyptic allegory has public opinion as a giant lever, …
E. W. Clay's apocalyptic allegory has public opinion as a giant lever, tilting decisively in favor of the Whigs late in the presidential campaign of 1840. In a symbolic landscape masses of people climb onto the lever, which then nudges the great ball of "Loco Focoism" over a precipice. In the sky appears an eagle with a shield, arrows, and olive branches, holding a banner with the commentary: "With a log cabin and barrel of hard Cider for a fulcrum, public opinion for a "lever," with old Tip on the tip end the ball of Locofocoism will be rolled into oblivion and a gallant soldier raised to the white house. March 4th 1841." In the distance is a recently cleared field, the White House, and the Capitol. Van Buren and several others topple from the giant ball, on which also appears a strong box inscribed "Sub Treasury." A crowd of erstwhile supporters flee from the edge of the chasm, leaving behind "Treasury Notes." The print probably appeared in September 1840, since the Library's impression was deposited for copyright on September 24. Nancy Davison and Frank Weitenkampf both attribute the print to Edward W. Clay. This is supported by stylistic comparison with his other 1840 cartoons. The "W.C." signature appears to be a truncated form of his "EWC" monogram.|Entered . . . 1840 by J. Childs.|Published by John Childs, 90 Nassau Street New York.|Signed: W.C. inv. (Edward Williams Clay).|Title appears as it is written on the item.|Davison, no. 133.|Lorant, p. 158-159.|Weitenkampf, p. 66.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-58.
The large, bold woodcut image of a supplicant male slave in chains …
The large, bold woodcut image of a supplicant male slave in chains appears on the 1837 broadside publication of John Greenleaf Whittier's antislavery poem, "Our Countrymen in Chains." The design was originally adopted as the seal of the Society for the Abolition of Slavery in England in the 1780s, and appeared on several medallions for the society made by Josiah Wedgwood as early as 1787. Here, in addition to Whittier's poem, the appeal to conscience against slavery continues with two further quotes. The first is the scriptural warning, "He that stealeth a man and selleth him, or if he be found in his hand, he shall surely be put to death. "Exod[us] XXI, 16." Next the claim, "England has 800,000 Slaves, and she has made them free. America has 2,250,000! and she holds them fast!!!!" The broadside is advertised at "Price Two Cents Single; or $1.00 per hundred.|N.Y. sold at the Anti-Slavery Office, 144 Nassau St. 1837.|Title appears as it is written on the item.|Wedgwood Portraits and the American Revolution, p. 116-117.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1837-16.
An allegorical illustration on the cover of a patriotic song, dedicated to …
An allegorical illustration on the cover of a patriotic song, dedicated to the "National Guards of Philadelphia." A pronouncedly decollete Columbia or Liberty figure sits astride a bald eagle which flies over the globe. The eagle clutches lightning bolts and an olive branch in its talons, while Columbia holds a scroll (probably the Constitution) and an American flag.|Entered . . . 1859 by Lewis Dela . . . Pennsylvania.|Lewis N. Rosenthal Lith. Phila.|Philadelphia, Lee & Walker, 722 Chestnut Street.|The Library's copy of the music cover was deposited for copyright on September 15, 1859.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1859-2.
Poster showing Liberty shaking the hand of a sailor. Printed by the …
Poster showing Liberty shaking the hand of a sailor. Printed by the U.S. Navy Publicity Bureau, 318 W. 39th St., N.Y. The U.S. Navy Publicity Bureau gratefully acknowledges its indebtedness to Mr. J.C. Leyendecker for this design and to the Beck Engraving Co. for the reproduction.
This site provides song sheets (lyrics without music) for 4000 songs that …
This site provides song sheets (lyrics without music) for 4000 songs that were popular before the advent of the phonograph and radio. During this time (1850 - 1870), song sheets were the way that many Americans learned the latest songs.
Historians learn about the past in many ways. Political and legal documents, …
Historians learn about the past in many ways. Political and legal documents, economic statistics, film and video footage of events, material items such as tools and clothing, literature, songs, movies: all of these leftovers from previous eras help historians piece together the different ways that societies change over time. This interactive textbook is designed to help students understand America in the twentieth century through examination of the media produced in that era. Such explorations into the past are called cultural history, which has been defined by the Yale University Department of History as “an effort to inhabit the minds of the people of different worlds.”
This site features motion pictures that showcase work, school, and leisure activities …
This site features motion pictures that showcase work, school, and leisure activities in the U.S. in the late 19th and early 20th century. The site includes films of the U.S. Postal Service from 1903, cattle breeding, fire fighters, ice manufacturing, logging, calisthenics and gymnastic exercises in schools, amusement parks, boxing, expositions, football, parades, swimming, and other sporting events.
This site contains links to thousands of the most famous documentary photographs …
This site contains links to thousands of the most famous documentary photographs ever produced. The Farm Security Administrations's photographs cover the Great Depression, while the Office of War Administration's photographs look at the mobilization effort for World War II.
In which John Green teaches you about American involvement in World War …
In which John Green teaches you about American involvement in World War I, which at the time was called the Great War. They didn't know there was going to be a second one, though they probably should have guessed, 'cause this one didn't wrap up very neatly. So, the United States stayed out of World War I at first, because Americans were in an isolationist mood in the early 20th century. That didn't last though, as the affronts piled up and drew the US into the war. Spoiler alert: the Lusitania was sunk two years before we joined the war, so that wasn't the sole cause for our jumping in. It was part of it though, as was the Zimmerman telegram, unrestricted submarine warfare, and our affinity for the Brits. You'll learn the war's effects on the home front, some of Woodrow Wilson's XIV Points, and just how the war ended up expanding the power of the government in Americans' lives.
Chapters: Introduction American Involvement in WWI The Sinking of the Lusitania Why did the U.S. join WWI? Mystery Document America's Contributions to WWI Pro-War Progressives How WWI Expanded the U.S. Government's Power Propaganda, Public Opinion, and the CPI The Espionage Act of 1917 The Sedition Act "Americanization" Suppression of Free Speech Positive Outcomes of WWI The End of WWI Credits
This collection uses primary sources to explore the American Abolitionist Movement. Digital …
This collection uses primary sources to explore the American Abolitionist Movement. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.
Poster showing a figure on a galloping horse, carrying a torch, charging …
Poster showing a figure on a galloping horse, carrying a torch, charging between a worker with tools and a warrior in armor with sword and shield. Caption in Russian: "Year 1914," with additional Russian text. Forms part of: Willard and Dorothy Straight Collection.
Poster showing a soldier on horseback carrying a Russian flag. Signed in …
Poster showing a soldier on horseback carrying a Russian flag. Signed in Cyrillic: A. O. Maksimov. Caption in Russian: "Military loan." Caption: This is the only American ambulance now saving lives in Russia. Send contributions to 527 Fifth Avenue, Room 501, New York. Forms part of: Willard and Dorothy Straight Collection.
Poster showing an ambulance on a battlefield, with Russian men standing in …
Poster showing an ambulance on a battlefield, with Russian men standing in foreground. Caption: This is the only American ambulance now saving lives in Russia. Send contributions to The American Ambulance in Russia, 527 Fifth Avenue, New York City. Forms part of: Willard and Dorothy Straight Collection.
Poster showing soldiers advancing with bayonnets extended. Caption in Russian: "Military 5 …
Poster showing soldiers advancing with bayonnets extended. Caption in Russian: "Military 5 1/2 % bonds." Poster has been trimmed and pasted into irregular shape. Forms part of: Willard and Dorothy Straight Collection.
Poster showing a soldier on a battlefield, with others operating a cannon …
Poster showing a soldier on a battlefield, with others operating a cannon in the background. Signed in Cyrillic: E. Cheltsov. Caption in Russian: "Military 5 1/2 % loan," with additional Russian text. Caption: This is the only American ambulance now saving lives in Russia. Send contributions to 527 Fifth Avenue, Room 501, New York. Forms part of: Willard and Dorothy Straight Collection.
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