Describing what you see: Sculpture Henry Moore, Reclining Figure, 1951, plaster and string, 105.4 x 227.3 x 89.2 cm (Tate Britain). © The Henry Moore Foundation. This plaster was the result of a commission from the Arts Council of Great Britain for the Festival of Britain. A single bronze was cast from it. speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Stéphane Couturier examines the transformation of desert into suburb. Stéphane Couturier, Fenetre, Eastlake Greens, San Diego, edition 4/8, 2001, dye coupler print, 130.81 x 107.95 x 2.54 cm (LACMA, © Stéphane Couturier) With Elizabeth Gerber, Museum Educator, Los Angeles County Museum of Art and Steven Zucker This Seeing America video was made possible thanks to major grants from the Terra Foundation and the Alice L. Walton Foundation. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Deësis (Christ with the Virgin Mary and John the Baptist), c. 1261, mosaic, imperial enclosure, south gallery, Hagia Sophia, Istanbul. Speakers: Dr. Beth Harris and Dr. Steven Zucker.

A conversation with Jason Guberman-Pfeffer, Executive Director, Digital Heritage Mapping, Inc. and Coordinator, Diarna Geo-Museum and Beth Harris. An ARCHES video.

Diego Rivera, Calla Lilly Vendor (Vendedora de Alcatraces), 1942, oil on masonite, (Banco Nacional de Mexico, Mexico City) Speakers: Dr. Beth Harris and Dr. Steven Zucker.

What will technology bring us? Diego Rivera, Man Controller of the Universe (or Man in the Time Machine), 1934, fresco, 4.85 x 11.45 m in the Palacio de Bellas Artes, Mexico City Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Bronze statue of a nude male figure, Greek or Roman, Hellenistic or Imperial, c. 200 B.C.E. - c. 200 C.E. (The Metropolitan Museum of Art). Speakers: Dr. Elizabeth Marlowe and Dr. Steven Zucker ARCHES: At Risk Cultural Heritage Education Series.

Dionysian Cult Cycle (?), Villa of Mysteries, before 79 C.E., fresco, Pompeii, Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Dipylon Amphora, c. 755-750 B.C.E., ceramic, 160 cm (National Archaeological Museum, Athens) Speakers: Dr. Steven Zucker & Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Donald Judd, Untitled , 1969, ten copper units, each 9 x 40 x 31 inches with 9 inch intervals (Guggenheim Museum, New York).Speakers: Dr. Shana Gallagher-Lindsay, Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Donatello, David, bronze, late 1420s to the 1460s, likely the 1440s (Museo Nazionale del Bargello, Florence) . Created by Beth Harris and Steven Zucker.

Donatello, Equestrian Monument of Gattamelata (Erasmo da Narni), 1445-53, bronze, 12 feet, 2 inches high, Piazza del Santo, Padua Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Donatello, Feast of Herod, panel on the baptismal font of Siena Cathedral, Siena, Italy, Gilded bronze,1423--1427. Created by Beth Harris and Steven Zucker.

Donatello, Madonna of the Clouds, c. 1425--35, marble, 33.1 x 32 cm / 13 1/16 x 12 5/8 inches (Museum of Fine Arts, Boston). Created by Beth Harris and Steven Zucker.

Donatello, Mary Magdalene, c. 1455, wood, 188 cm (Museo dell'Opera del Duomo, Florence) Speakers: Dr. Steven Zucker & Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Donatello, St. Mark, 1411-13, marble, 93" (236 cm), Orsanmichele, Florence Speakers: Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Carlo Crivelli, Madonna and Child, c. 1480, tempera and gold on wood, 37.8 x 25.4 cm (The Metropolitan Museum of Art) A conversation between Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker.

Thomas Cole, The Architect's Dream, 1840, oil on canvas, 134.7 x 213.6 cm (Toledo Museum of Art) speakers: Dr. Lawrence W. Nichols, William Hutton Senior Curator of European and American Painting, Toledo Museum of Art and Dr. Steven Zucker. Created by Smarthistory. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Disillusionment in 1970s America. Duane Hanson, Executive, 1971, polyester resin and fiberglass, oil paint, mixed media with accessories, life size (Toledo Museum of Art, ©estate of the artist), a Seeing America video speakers: Dr. Halona Norton-Westbrook, Director of Curatorial Affairs, Toledo Museum of Art and Dr. Steven Zucker. Created by Smarthistory. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Duccio, Maesta (front), 1308-11 (Museo dell'Opera Metropolitana del Duomo, Siena) Speakers: Dr. Beth Harris and Dr. Steven Zucker. During this period, and for hundreds of years, Italy was not a unified country, but rather was divided into many small countries we call city-states. Florence, Siena, Milan, Venice—these were essentially independent nations with their own governments—and they were at war with each other. These city-states also had independent cultures with their own distinct styles in painting and sculpture. Siena had a unique style that emphasized decorative surfaces, sinuous lines, elongated figures and the heavy use of gold. Duccio was the founder of the Sienese style and his work was quite different from the Florentine painter Giotto. Giotto emphasized a greater naturalism—creating figures who are more monumental (large, heavy and with a greater sense of accurate proportion) and a greater illusion of three-dimensional space.