Syllabus of free/open course readings.

Course description:
WR 121 focuses on rhetorical reading, thinking, and writing as a means of inquiry. Students will gain fluency with key rhetorical concepts and utilize these in a flexible and collaborative writing process, reflecting on their writing process with the goal of developing metacognitive awareness. They will employ conventions, including formal citations, appropriate for a given writing task, attending to the constraints of audience, purpose, genre, and discourse community. Students will compose in two or more genres. They will produce 3000-3500 words of revised, final draft copy or an appropriate multimodal analog for this amount of text. If the focus is primarily multimodal, students will produce at least one essay that integrates research and demonstrates an understanding of the role of an assertive thesis in an academic essay of at least 1000 words.

Course description:
WR 122 continues the focus of WR 121 in its review of rhetorical concepts and vocabulary, in the development of reading, thinking, and writing skills, along with metacognitive competencies understood through the lens of a rhetorical vocabulary. Specifically, students will identify, evaluate, and construct chains of reasoning, a process that includes an ability to distinguish assertion from evidence, recognize and evaluate assumptions, and select sources appropriate for a rhetorical task.
Students will employ a flexible, collaborative, and appropriate composing process, working in multiple genres, and utilizing at least two modalities. They will produce 3500-4500 words of revised, final draft copy or an appropriate multimodal analog for this amount of text. If the focus is primarily multimodal, students will produce at least one essay of a minimum of 1500 words, demonstrating competence in both research and academic argumentation.

With the adoption of the Common Core State Standards, The Next Generation Science Standards, and the C3 Framework for Social Studies State Standards, many middle and high schools require their content teachers to teach writing within their discipline area, often resulting in role confusion, anxiety, and resistance.“Teaching writing” – the job of the ELA faculty - is confused with “Teaching How to Write like a Historian, a Scientist, a Mathematician . . .”  - the job of the content faculty. Because content faculty are not usually trained in composition pedagogy, they may avoid writing instruction or worse – actually damage young writers by offering misguided instruction in mechanics and grammar.Content faculty may be familiar with the writing conventions of their particular discipline. With raised awareness of their expertise and by identifying the rhetorical characteristics of their subject area, content faculty can learn instructional skills to support writing across the curriculum.As a K-12 informational resource, the librarian holds a key position to raise awareness, reduce role confusion, provide instructional references, and improve writing school-wide. This module prepares pre-service librarians to understand and provide information to rectify the confusion of writing instruction across the secondary curriculum.

An instructor resource to accompany The Word on College Reading and Writing, which is an open educational resource (OER) for developing college readers and writers.

Students find Writers on Writing quotes, respond to them in short journal entries while also reading several works of literary fiction. Several essay topics finally are assigned, each asking them to incorporate in some way what they have learned about writing from some of the world's masters.

Writing Commons aspires to be a community for writers, a creative learning space for students in courses that require college-level writing, a creative, interactive space for teachers to share resources and pedagogy. Our primary goal is to provide the resources and community students need to improve their writing, particularly students enrolled in courses that require college-level writing. As mentioned in 'About Us', we believe learning materials should be free for all students and teachers‰ part of the cultural commons. Hence, we provide free access to an award-winning, college textbook that was published by a major publisher and awarded the Distinguished Book Award by Computers and Composition: an International Journal.

In this lesson, students write a draft to plan for a brief expository composition.

In this syllabus from Fall 2022, Roshelle Amundson provides bibliographic citations and annotations for resources used in place of a traditional textbook. These resources include a combination of Creative Commons licensed materials.

Topics in the course schedule include: Overview of the Writing Process; Grammar du Jour; Creative Nonfiction; Three Minute Thesis; One Minute Paper; Narrative Essay; Braided Essays; Hermit Crab Essay; Ethos, Pathos, and Logos; Casual Analysis Essays; Faulty Causal Analysis, Henny Penny, and Reductio Absurdum; The Research Essay; Voice/Tone etc.

These course materials were designed for English Composition II at Southwest Tennessee Community College (Memphis, TN) by a team of faculty and support staff (Dr. Adam Sneed, Dr. Loretta McBride, Dr. Thomas Cole, & Vivian Stewart). This project was supported through grants from Southwest Tennessee Community College and the Tennessee Board of Regents (TBR). Course resources include:a Writing and Research Handbook with practical writing instruction, links to reliable online writing resources, "remixed" content from other high-qualiity OER handbooks, and original content that helps students successfully navigate the writing resources available to them at Southwest Tennessee Community College, andfive assignment modules, each centered on one major writing assignment and supported by evaluative rubrics; low-stakes scaffolding assignments (prewritings, quizzes, and worksheets); guided peer review workshops; research guides that link to a mix of OER, OA, and ZTC sources available through library subscription services; and other materials.

This is an open-educational-resource (OER) composition textbook developed at McLennan Community College.  Its content is provided freely for use to writing instructors and students.  While this book has been designed for use in college-level, freshman-composition courses, if it serves your purposes in any other level of instruction, we are happy to share it with you.

Students will learn about the sequencing of stories, and they will have the opportunity to retell stories using sequencing words.

Volumes in Writing Spaces: Readings on Writing offer multiple perspectives on a wide-range of topics about writing. In each chapter, authors present their unique views, insights, and strategies for writing by addressing the undergraduate reader directly. Drawing on their own experiences, these teachers-as-writers invite students to join in the larger conversation about the craft of writing. Consequently, each essay functions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level.

Third revision, August 2017.

Welcome to Writing Unleashed, designed for use as a textbook in first-year college composition programs, written as an extremely brief guide for students, jam-packed with teachers’ voices, students’ voices, and engineered for fun.

This textbook was created by Dana Anderson, Ronda Marman, and Sybil Priebe - all first-year college composition instructors at the North Dakota State College of Science in Wahpeton, ND.

Download here: https://drive.google.com/open?id=1JoX94RjwS-WoPnGCyIZ9ZTQeX74iG9hS

In the age of Buzzfeeds, hashtags, and Tweets, students are increasingly favoring conversational writing and regarding academic writing as less pertinent in their personal lives, education, and future careers. Writing and Literature: Composition as Inquiry, Learning, Thinking and Communication connects students with works and exercises and promotes student learning that is kairotic and constructive. Dr. Tanya Long Bennett, professor of English at the University of North Georgia, poses questions that encourage active rather than passive learning. Furthering ideas presented in Contribute a Verse: A Guide to First-Year Composition as a complimentary companion, Writing and Literature builds a new conversation covering various genres of literature and writing. Students learn the various writing styles appropriate for analyzing, addressing, and critiquing these genres including poetry, novels, dramas, and research writing. The text and its pairing of helpful visual aids throughout emphasizes the importance of critical reading and analysis in producing a successful composition. Writing and Literature is a refreshing textbook that links learning, literature, and life.

Written and analytic exercises based on 18th- and 19th-century small forms and harmonic practice found in music such as the chorale preludes of Bach; minuets and trios of Haydn, Mozart, and Beethoven; and the songs and character pieces of Schubert and Schumann. Musicianship laboratory is required.

This course builds on the composition techniques practiced in 21M.303 Writing in Tonal Forms I. Students undertake further written and analytic exercises in tonal music, including a sonata-form movement for string quartet. Students will also have the opportunity to write short works that experiment with the expanded tonal techniques of the late 19th and early 20th centuries. Musicianship laboratory is required.

This text is meant to be used in any first year College Composition class or as a general guide to college writing. The book focuses on writing as a process, not a product. The goal is to help students discover their own writing process, trying out different methods and strategies to find what works best for them.